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horizontal with lila

22. poly cocktails: horizontal with my hacienda housemate

in episodes on 09/10/17

This is Zed at Burning Man.


22. poly cocktails: horizontal with my hacienda housemate

This intro was recorded in Baltimore, MD because, throughout the month of October, horizontal does america. It’s just me, a Honda Civic, and a backpackful of recording equipment circling the United States together … and you can be a part of happening it. Patreon.com is a platform for crowdsourcing patronage.

Zed:  I think I could actually trace it back to one young lady, her name … was Katherine and … she was dating a guy and a girl at the same time.

Lila:  Mmmm!

Zed:  And I … was so curious and so turned-on by the whole thing, and it was something I wanted for myself like this uhhh, limitless expression of love and sexuality, that’s what I wanted. I didn’t actually pursue that in high school, but I knew of it. So then when I graduated high school,  I tried to create relationships that were in that format.

Lila:  How’d that go?

Zed:  It went well. I should say — it was a great learning experience. (both laugh) So… and every relationship I entered, I immediately said, you know, “I want to be with you, but I want the freedom to pursue or date other people, should that come up.” And the format for that was: whatever would transpire, we would be … forthcoming and honest about it. So if whatever night me and my girlfriend weren’t together and if I was with anyone else, if it was planned I would let her know, and if it happened, as in something spontaneous would happen, I would also let her know. And this was great because it was a lot of freedom to express, on each side, and I did this for several years. And it felt very— scary at times, to the point where like one of the more difficult experiences I had … I knew it was something I wanted for myself, and I had to … break some emotional training… One of my girlfriends at the time — I should say uh, in the open relationship structure that I was practicing, it was: one main relationship, and then we could date, and be sexually-active with other people, as long as there wasn’t any emotional or romantic commitment with this other person.

Lila:  Monoamorous.

Zed:  There we go. Great way to put it. My girlfriend at the time had a crush on one of my co-workers, and I knew this, and so I encouraged her. Go ask him on a date, go on a date, like uh you know, I want you to explore like I wanted, I wanted to encourage her to see what would come out of that. And this person was older, and well-established, and, really well-liked, and I … when they went on their, their date, I got incredibly jealous, to the point where I just started like crying the rest of the— like, almost the entire date, when they were out. I mean, I … I knew this was something I wanted to break in me. This attachment to … the attachment and fear of losing her and seeing her as property. It was all these thoughts that were based on fear.

*

Lila:  I think my mother was always trying to get more attention from my father than he was willing to give, or had to offer her. And he would often come home from work, and he was a child psychologist in the New York City school system — so you can imagine it was a draining job — and he was talking to people all day, and he would come home and my mom says that he would go straight to the garage into his woodshop, and work there. And I think she was lonely; she was an immigrant. She had im— emigrated to be with him, from Brazil. On Long Island, she was very much the outsider. She did not have other— there weren’t other Brazilians around. She didn’t have many friends— she had some, it took time to make them. She made friends with some neighbors. She was always very gregarious and colorful and vibrant, but I think that made her even more of an outsider in this … suburban kind of, I think very probably closed-minded, mother society. Maybe a “soccer mom” kind of society. And now I imagine her loneliness. That she would be waiting for my father, and he would come home and he would go into his carpentry. And she just wanted affection and attention and she was millions of miles away from her family and all of the— she had a lot of friends when she was young in Brazil. She was the class clown; she had very very close friends, my godfather, godmother, and extended series of family, she was close with her family, and she left all of that to be here and she was … by herself and, and for the first several years she really struggled with the language, because she didn’t even speak English when she came. So I imagine her isolation, and also her strength. I can see how, from both sides, it was such a strain for them, her feeling so lonely and isolated and wanting his attention, and him feeling so … drained and exhausted and needing to recharge alone, as, as I do, I think I get that from him and it’s hard for my mother to understand in me, but I think I’ve finally explained it to her, that I, I can’t be with someone for many many many hours, I need a break. I need some time for myself. And I think, when my parents divorced, when I was twelve and I moved with my mom to Florida, my mom tried to put me in that place … as the person to give her attention and what she needed. Even though she had a series of boyfriends. When she had a boyfriend it was a little bit better, because she got attention from the boyfriend. In CoDA terms, we would call this emotional incest—

emotional incest (noun) = a relationship in which a parent relies on a child for the emotional support usually provided by a spouse or partner. [This is a controversial term, accused of incorrectly inflating the statistics on child abuse.]

—where you’re trying to get the emotions from your children that you really want from a partner. The attention and time and affection from your children. And I would rebel, and I became, with her, very nasty. Because I was trying to protect my space, my personal space, and she would become angry when I wanted to spend time with my friends. “Oh, you just want to spend time with your friends!” Yes, I, I did! I was a teenager! Of course I did, you know! Needing to learn how to develop social circles to support me as I go on throughout my life, right, that’s the time when you’re developing networks. And I would fight, I would fight hard, and try to draw boundaries, and later on that’s, that’s what I realized that that’s what I was trying to do, I was just trying to be boundaried with her. And we fell into this awful pattern, where she would become hurt because I was trying to draw a boundary, or take time for myself, or—seek attention elsewhere. She would get nasty— she has a temper, she’s a Scorpio and she has that stinging thing where she knows just where to poke you so it really hurts. I would cry. Then we would be in silence for a little while. Then she would apologize. And we’d be okay for a little bit. And it would start again. And I’ve been working very hard, particularly over the past 10 months, to break that pattern. And I’ve talked about it with her now, aloud. That I don’t want to enact this. I don’t want to do this. And here are the reasons why I think I’ve kept myself from being really open … to your … love. Because I don’t seek affection from my mother. I, I, I want to want to. My parents are both 75. They are both alone. I don’t know how much longer they’ll be alive. So I’m— trying— to build more of a bridge to her. To allow her to love me, and to try to … put aside some of the resentment that I must feel, from her getting cancer when I was a kid, which is something she couldn’t control, the resentment I feel from her being a depressed person, and from her trying to make me fill that emptiness inside her. I don’t want to be resentful anymore; it’s poisonous.

Zed:  I’m hearing a lot of parallels. No wonder we annoyed each other a lot in the beginning!



In this episode, I lie down with my housemate Zed.

He’s a sound engineer who works mainly on musicals, and before he moved into the house, he worked on Broadway touring shows for seven years.

Our relationship has been fraught in the past, especially during the early months of living together, which we share about in the second half of our episode. Our respect for each other has grown, though.

Zed’s motto is, “Always leave it better than you found it.” He often lives up to that. And without Zed’s generosity, this podcast would probably not exist, as, up until two weeks ago, I was borrowing my sound equipment from him. He is fiercely dedicated to his work and our home, Hacienda Villa, a sex-positive intentional community in Bushwick, Brooklyn.

To record this with me was a great act of bravery on his part, and I hope you feel that.

In the first half of our episode, we talk about the sex table, the “poly” house, outsiderness, and being a sex-positive germophobe.

Come on. Come lie down with us.


Links to Things:

Hacienda Villa, the intentional community we both live in

horizontal does america, my cross-country solo road trip recording tour!

Poly Cocktails, a mixer for the polyamorous and poly-curious in NYC, hosted by Open Love NY


Show Notes (feel free to share quotes/resources on social media, and please link to iTunes, this website, or my Patreon!):

iTunes link: https://itunes.apple.com/us/podcast/horizontal-with-lila/id1238031115&ls=1

website link: https://horizontalwithlila.com/

Patreon link: https://www.patreon.com/horizontalwithlila

[5:03]  Zed’s elementary school crushes. “So, elementary school, I remember always having multiple crushes, and feeling really annoyed that I had to only pick … one at a time. You know I just, did what I was supposed to do and would be interested in one young lady and that would be, you know — or I should say, pursue only one … at a time.”

[5:30]  What was Zed’s high school lunchroom “sex table” like?

[7:33]  Who introduced Zed to the concept of an open relationship?

open relationship (noun) = the umbrella term for any romantic and/or sexual relationship in which those involved are able to be romantic and/or sexual with others, while remaining within the bounds of their agreements.

[9:58]  Zed’s relationship structure at that time made him monoamorous, which, in this case, meant that he and his partner could have dalliances with others, as long as their dalliances didn’t involve emotional or romantic commitment.

[12:02]  How Zed managed his fear of losing his partner.

[13:02]  Why Zed believes that sexual/romantic freedom is so vital.

[13:26]  What happened when Zed, while in his monoamorous relationship, met someone else he wanted to become romantic with?

[16:04]  “When in your heart you can say, ‘Fuck you, I don’t deserve this, get the fuck out of my life,’ there is— that is the easy way, right? It’s so much harder to say, ‘How do I take the love I have for this person, and continue to love them but in a different way?’ Watch them, allow them to find what’s better for them, that’s hard work. That’s hard work.”  – Lila

[17:06]

Zed:  This person is a member of my family for life. And we needed to go through this transition, we needed to end the relationship—

Lila:  In, in one form so it could maybe renew in another form or— transform … transmute, maybe.

[17:43]  When Deniz first heard the term poly … and recognized himself in it.

[18:51]  Deniz’s first experience with Poly Cocktails.

[21:05]  What happened when Deniz tried to start an art commune?

commune (noun) = a kind of intentional community in which members pool resources and share responsibilities, often working alongside one another on a farming or manufacturing project, or another sort of group-owned business

[23:22]  Deniz’s first reaction upon learning about the “poly house,” which turned out to be the sex-positive intentional community Hacienda Villa (which is by no means limited to those who are polyamorous).

[24:04]

Zed:  In my mind, I had no intention of living with a bunch of strangers.

Lila:  (light laugh) Right, you wanted to curate your community.

Zed:  Exactly. Sooo—

Lila:  Which makes sense to me about you, knowing you.

[25:00]

Zed:  My first impression was to be guarded since I had some … I had a lot of judgement going on, actually.

Lila:  Me too.

Zed: It was “Well, if these people are ‘poly,’ that means they’re promiscuous, and if they’re promiscuous, they’re probably unsafe and reckless about their sexuality and sexual expression.” And, you know, I’m a germophobe as it is. So when I went in, I was a little bit worried about … my interactions with that. And I suppose, I was confronted about my own, you know, sexual freedom and sexual expression. And looking back at it, what I come to realize is then, I was afraid, because I didn’t really know myself as well as I thought I did, both in relationships and sexually. And what I came to find, after eventually, you know, getting to know people a bit more and moving in and everything else, is that in fact, everyone operate— everyone there operates at a very high level of communication and practice … safer sex.

Lila:  Right, because the premise is that, safe is inherent uhh— sex is inherently risky, and we can make it safer, but we can’t make it totally safe because there’s no way to isolate and negate all the variables involved in sex. But we can be as conscientious as possible. We can also determine what level of risk we are personally comfortable with. I’m comfortable with— I would imagine that, of the people in the house, there might be one other person, maybe two, who has the level of risk-comfort that I have, which is fairly low. I’m not highly risk-tolerant. I wouldn’t call myself a germophobe, but I have this— I have similar tendencies as you do to be concerned about engaging with promiscuous people sexually. That makes me nervous.

Zed:  Yeah, I used to uh,  joke around with friends, I would inquire, “Do you think— is it wrong to ask somebody to wipe them down with hand sanitizer right before we engage in any sexual activity?” Friends would chuckle and female friends would be like, “That would burn. A lot.”

[29:30]

Zed:  It’s what I want but I wouldn’t call myself polyamorous until I can actually succeed in it. I desire polyamory, but I’m not actually— I, I wouldn’t say I’m practicing, I wouldn’t say … I wouldn’t say I’m … I’ve crossed that threshold. I, I haven’t made that benchmark for me.

Lila:  I like that distinction. For now, you’re practicing ethical nonmonogamy with an eye towards polyamory.

Zed:  Correct. And that to me is the next breakthrough I want to have is being able to sus— you know, to do that sustainably.

[31:35]

Lila:  When or how did your perception about the people who live at the Villa change? Did it change during your interview? During my interview, Kenneth dispelled some, some myths or some preconceptions that I had. For instance, in my interview, he said, “We don’t sleep with each other here,” and I was immediately 75% of my concern was relieved. Because I was, thinking, this is going to be like The Real World: The Sex House.

Zed:  Oh, that’s what I thought too! Ugghhh—

Lila:  —and that sounded—

Zed:  —that’s what I— didn’t want!

Lila:  —and that sounded terrible, and dangerous and and so um, so opposite of what I seek in a home, so uncomfortable and volatile and when he said “yeah we don’t sleep with each other and this is a sex-positive intentional community, not everyone who lives here is polyamorous, we support everybody’s right to make their own choices and to change their choices,” I thought, “Oh, wow, this is the place for me actually,” and when I left my interview, I felt certain: this is my home; this is my new home.

[32:44]  How Lila came to live at the Villa.

[37:29]  The housemate that changed everything for Deniz.

[39:05]

Zed:  Kate was, or rather, I should say, is this beautiful, intelligent, kind of sexy, nerdy librarian vibe to her—

Lila:  Yeah! Yeah.

Zed:  So, in that sense … she normalized it for me, like it was, it was so natural to her, and she just seemed so happy with her love … her relationships, and I knew that’s what I wanted. I definitely saw what I’m aiming for in her.

Lila:  Mmhmm.

Zed:  I believe at the time she had three significant others … or I should say three—

Lila:  —partners.

Zed:  Three partners. And she was managing really well with that. She was going for her— I believe her graduate degree at the time, and she was able to excel in that, and excel in these rela— these three relationships.

Lila:  Yes, how did she manage? Hmm!

Zed:  Really amazing levels of communication, which is something I also wanted.

Lila:  Aspire to?

Zed:  Mmhmm. Just how candid she was and how authentic she was … with all her partners. And in a lot of ways, she made it seem so effortless.

Lila:  (laughs) With a lot of work, she made it seem effortless. (continues to laugh)

Zed:  I know, but the way she was talking about it was so … easy.

Lila:  Maybe that’s what it sounds like when somebody’s really found the system that’s right for them. The work doesn’t feel like work, maybe, if it’s right for you.

[41:11]  What was Deniz’s parents relationship like?

[42:01]

Lila:  So they got together because of you. Do you feel … burdened by that fact?

Zed: … Sometimes.

[43:06]  Deniz’s belief that we inherit emotional states from our parents and grandparents.

[43:35]

Zed:  For me, the way I handled the emotional discord in my house … was by being guarded. I, I, I was guarded with myself and with others, so I wasn’t … as … aware of my state, and that’s the way I coped it, I basically numbed myself out. And … I could almost pinpoint it around first grade. There— there was an incident in the schoolyard, and, with some horseplay I was holding a girl around her stomach and I guess she had a really big lunch and I made her throw up—

Lila:  Oh no.

Zed:  — and that was the, one of the popular girls in school, so I got ridiculed for that … and that kind of, I felt, well, I felt very shut out, so I continued that, for myself. I created that, being unaccepted.

Lila:  You continued to play out the script of being the outsider?

Zed:  Yeah. Which fit well with being emotionally guarded.

 


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22. poly cocktails: horizontal with my hacienda housemate

This intro was recorded in Baltimore, MD because, throughout the month of October, horizontal does america. It’s just me, a Honda Civic, and a backpackful of recording equipment circling the United States together … and you can be a part of happening it. Patreon.com is a platform for crowdsourcing patronage.

Become a patron of the horizontal arts, by supporting me on Patreon, a website for crowdsourcing patronage! Patronage allows artists like me to buy equipment, schedule recording tours, and devote my time to creating more horizontal goodness, for you! Becoming my patron has delicious benefits, ranging from exclusive photos and behind-the-scenes video content, to handwritten postcards, spring cleaning phone calls, and creative input on future episodes! You can become a patron for $1 a month on up, and the rewards just get more sumptuous.

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Actress. Writer. Podcaster. Lover. Intimacy Specialist … 70+ exclusive podcast episodes for you on Patreon!

Lila
Dear One, I hope this makes you laugh as much as Dear One,

I hope this makes you laugh as much as it made me laugh. 

Laughter in the midst of grief is so good. As good as tears. Different sides of the same emotional release.

My dear friend & brilliant psychiatrist-writer, writer-psychiatrist Dr. Owen Muir, called to check in on me. We joked about my plan to write a scathing critique of this looks-so-nice-from-the-outside, for-profit Assisted Living facility my mom had been living in for a year. (This is not a joke.) 

Owen suggested I write a scathing critique of everything, and then used the phrase “the terrible consumer experience that is death.” 

He said I should write it. I said he should write it. 

So he called me and we recorded it. Together.
Because this is what we do. 

Big Love,
Lila

To listen to the 7 minute recording, tap the Substack link in my bio, or type this link into your browser: horizontalwithlila.substack.com
My new friend @latonya.sunshine78 , a visual artis My new friend @latonya.sunshine78 , a visual artist and educator whose work I *deeply* admire, gave an Artist’s Talk on Friday at the conclusion of her @floridarama.art exhibition, and I got the chance to see it, and hear her speak passionately, eloquently, humorously, lovingly, about her art and the process of making these large-scale mixed media collage works that, for lack of a better art-world term, I personally think of as Very Mixed Media.

If you swipe through to the last slide, you will see the very first time I caught glimpse of her work, long before I know who the artist was, weeks before the exhibition opening, when it had likely just been hung up, and I brought @mrghyseye to experience the immersive exhibit at FloridaRAMA and we both fell in love with the respective pieces behind us. We thought we matched the pieces so well, in both vibe & style, that we had best selfie with them!

And since I follow FloridaRAMA so closely here on IG, when I saw that the official exhibition opening was happening, I made it my business to get there, on my @radpowerbikes @stpeteradpowerbikes ebike, in my ball gown skirt. I brought two Toastmasters friends, Lena & Steve, along.

You can see from the second photo that I was so moved by Latonya’s work and beautiful energy, that I spontaneously Kissed Her Hands (!!!) Later I was a tid bit embarrassed, like ‘really Lila? She does not know you!’

But she does now. And I can tell you that Latonya is a source of unending inspiration, just by being who she is, and working the way she works.

I was deeply moved by the way she weaves objects, and memory, into a visual tapestry, and the way she listens to the objects until they Tell her how they want to be incorporated, so moved, in fact, that I brought her something back from my father’s funeral, and from his dilapidated house. I will be honored if those memories make their way into a tapestry of hers.

Recently I heard this quote. (Do you know who said it?) 

“Use your suffering. Don’t waste it.

I promise I will use it. I promise not to waste it. It will make its way into all of my art, of every medium. And maybe, it will make its way into the art of others, as well.

❤️‍🩹
I’m recovering from a speech heartbreak. I gave I’m recovering from a speech heartbreak. I gave the most beautiful speech of my life last week. It was about my parents, my father’s sudden death, my love, the love of my life. And it is gone because I forgot to turn on my microphone! 

It’s not completely gone. I did find an app transcription service that can read lips. So I have the transcript, but I am devastated to not have the video as I thought it was going to be something I would send to the @ted curators to follow up on my finalist win in 2021. I was going to send it to X, Y, Z… ( And @imranamed )

And the ephemerality of this is really with me. Sometimes creativity, even visionary creativity is a mandala. 

If you’ve ever seen the monks with the sand, pouring a mandala, they put such meticulous precision, such effort, such focus into it. And when they are finished, they gaze upon it… and they sweep it away. Somebody said that my speech last week was a mandala, and I was like, “Yes! I know!” 

Many people have said, “If you can do it once, you can do it again. And I know that this is true. 

As a person who has been creative my entire life, I know that this is true.

{To WATCH the whole speech or READ the full transcript, go to: 

horizontalwithlila dot substack dot com

Or click the link in my bio, bb}

And then go out and make some art.
“Fashion” I think I’m gonna need to add a B “Fashion”

I think I’m gonna need to add a Bowie album or two to my burgeoning collection… 

Which ones are your favorite? Let a girl know in the comments.

Art by @mollymcclureart 
Leggings by @l.o.m_design 
Vampira lipstick by @thekatvond 
Sneaks by @adidas 
Photo by @samia.mounts
Here’s how it starts: Dear Young Man I Dated in Here’s how it starts:

Dear Young Man I Dated in 2016,

I have something very important to say to you, and it isn’t ‘I told you so.’

It is this:

Politics are about people and the planet.

Every single political issue is about people, or the planet. 

Politics do not equal some ideological, intangible thing. “Politics” are real things with real consequences to real people. Probably people that you know. Probably people that you love.

When you say, “I’m not political,” what I hear is, “I do not actually care about people other than (a handful of) the ones I know personally.”

To read the whole letter, tap my Substack link in bio.
Brought my mom to @floridarama.art for the first t Brought my mom to @floridarama.art for the first time so she could experience something different than the view from her couch, and she “didn’t like it”? It was “esquisito”?

#okboomer 

BeforeI went up to NY for the funeral, I did wind up telling her that my father died. I was worried she would be devastated and she would develop what they call “increased mental state,” but that wasn’t the case. Mostly she was just sad for me. 

I’m not sure if she now remembers that it happened.

To be honest, sometimes I don’t exactly remember that it happened. I have his wedding ring and his glasses and the prayer card on my nightstand but still it’s sometimes unreal.

I don’t want to bring it up all the time, but I do like having physical reminders. 

And though I don’t want to wear all black all the time for months on end to show that I’m in mourning, it feels good to put on my morning armband… even, and maybe especially, because it’s just a little bit too tight. So I really know it’s there.

Because the grief is always there even when I’ve forgotten about it.

So is joy.

Hold your people close and tell them, 
if you love them, 
tell them.

#mourning #arttherapy #floridarama
A poem of grief and wonder-ing that I wrote years A poem of grief and wonder-ing that I wrote years ago, and could have written yesterday.

You can read the whole piece on my Substack (with proper syntax). 

Substack is where I put my tenderest thoughts and deepest writing. If you want to, you can become my patron there. This would move me very much.

Link in my bio.

#grief #griefislove
Went to my father’s funeral, but couldn’t wear Went to my father’s funeral, but couldn’t wear black *all* weekend.

Dreamy roses are red @selkie tournure skirt giving me life. Fascinator by @babeyond_official
Are you a member of the Dead Dads Club? Only two Are you a member of the Dead Dads Club?

Only two criteria for membership!

Any Dad will do. Stepdads, Granddads, Poor Dads, Rich Dads, Fun Dads, Un-Dads.

But for real.

I thought for sure my Mom would go first. I mean, I moved to Florida because she has dementia and she is dying.

“Plot twist,” somebody said.

That’s funny.

I actually mean that. I’m just too tired to laugh today. It takes too many muscles.

My mom is in an assisted living facility, on Hospice Care, can no longer stand up from a seated position on her own, and is worried about the stuffed cats we gave her possibly being dead because they ‘have a soul and they used to meow and now they stopped.’

The staff has been putting down food and water for them and every time I drop by the stuffed cats — and the food — are in a different place in the apartment. So that’s good. They’re still alive, you know. And the facility is still keeping her. Alive, you know. And putting down real food for her stuffed cats.

“What’s the harm?” they said. 

No harm, I say. She wasn’t going to eat that, anyway.

To read the entire essay, to subscribe, or to become s paid subscriber and be part of my art, follow the Substack link in my bio 

horizontalwithlila dot substack dot com

#deaddadsclub #deaddad #grieving #sickmom
Try not to forget, okay? Belt @l.o.m_design Bow Try not to forget, okay?

Belt @l.o.m_design 
Bow @riskgalleryboutique 
Earrings @artpoolgallery 
Top @forloveandlemons 
Photo @samia.mounts 
Art @verticalventures
I never wanted a child. So the universe gave me I never wanted a child. 

So the universe gave me an 84 year-old one. 

We are the playthings of the gods.

I have cleaned up her urine. I have cleaned up her shit. I have changed her soiled diaper. I have used a q-tip to put medicine in tender places that I never wished to see, because there was no one else to do it.

What’s that they call it in the Bible? Smiting? God smote him? Smited him? Smit him? In my bitterer moments, it does feel as though I’ve been smote. In my better moments, it’s simply the part of my story where Timon & Pumbaa sing the “CIRRRRCLE of LIIIIIIFE.”

{You can read the rest of the essay on my Substack. Link in my bio. Thank you for being a witness.}
I’ve just learned that today is International Me I’ve just learned that today is International Mermaid Day!

Thanks @jujubumble 

📸 @wildartistryphotography 
💄 @mrghyseye 
✨ Me
📖 Gift from @kristianndances 

#internationalmermaidday
My Mom is dying. Fasc!sm is on the rise. A small g My Mom is dying. Fasc!sm is on the rise. A small group of evil corporate overlords is trying to Handmaid’s Tale us. My brilliant, funny friend @synchlayer died of bladder cancer at age 49.

I’m out here buying pretty things on the internet. 

I have no regerts.

This will be an essay mostly in photos. I am very, very tired. 

February was: 

setting up temporary-house in FL

gathering 95% of my possessions from 4 places in NY (thanks Kenneth, Deniz, Marghe, Owen!) and two places in Los Angeles (Thanks Adam M. & Samia!) 

driving a 12-foot box truck from NY to Baltimore to Savannah to FL (mostly with Jon! thanks Jon!)

shortly thereafter, flying to L.A. and, while packing up, the remaining 17% of my possessions, managing to see as many people I love as humanly possible (for someone who is slightly manic and rather time-optimistic) — which is, honestly, rather a lot of people, if I do pat myself on the back… myself— and then rushing back to St. Pete (thank you friend for flying me home; you know who you are) because mom went into the hospital again…

FOR THE REST OF THE ESSAY, TAP THE SUBSTACK LINK IN MY BIO, bb. 💋 💋
Proud to Protest today.
Falling more in 🩷🧡💛🩵💙 with St. Pete!

Happy International Women’s Day. 

May each of us born to a woman, 
raised by a woman, 
nurtured by a woman, &
 f*cked by a woman 

CHOOSE to SHOW WOMEN the RESPECT and CARE that we deserve.

#internationalwomensday2025 #stpete #resist
“What a year January has been. 

My dear friend’s sister died by su!c!de. My dear friend lost his home in Altadena and had to evacuate the fire with his family, including his 92 year-old grandmother. My dear friend is dying of cancer in New York. (In his 40s.) The br*ligarchy rears, fasc!sm festers, and every tr@ns person, woman, and human with even mildly uncertain imm!gration status in the United States is, rightly, terrified. 

Here in Florida, my mom fell on her face right in front of me at church last week, on the threshold of the ladies room (busting her upper lip) and had to go to the E.R. where her CAT scan and her hand xrays came back negative but it turns out she has…..”

You can read the whole piece on my Substack- link in my bio!
In March, 2019, my friend @stevenmdean (remember h In March, 2019, my friend @stevenmdean (remember him from horizontal with lila episodes 82. 200 dating profiles, & 83. you do not have voting rights in this startup relationship?) teamed up with an experience designer to create an event they dubbed The Love Immersive, a “10-hour exploratorium-style foray into the 5 love languages.”

In Steve’s words: 

“I teamed up to architect a choose-your-own-adventure interactive journey through the languages of love. 
Spanning every floor of a sprawling 6-story arthouse in the heart of New York City, and co-produced by the creative arts group Moontribe, Love Immersive attracted over 450 attendees who came to explore love through the nuanced dimensions of touch, words, service, quality time, gifts, and more. 

We invited over 50 volunteers and practitioners of different love languages to showcase their creative capabilities in an evening of self-discovery, secret missions, hidden rooms, wandering wizards, art installations, and live music.“

I was one of the 50. 
They gave me a closet. 
A closet.
This is not lost on me.

That was all the space they had left, apparently. And I was determined to make good use of it. I turned it into a cozy nesting pod with blankets and pillows and two sets of listening devices, and I recorded this 11-minute meditation for anyone who stopped in, so that they could take a break from the glorious menagerie for a few minutes. And reset.

In the closet.

#immersiveexperience 

LISTEN ON SUBSTACK! Link in my bio!
Busy? Low on bandwidth? No time to read the whole Busy? Low on bandwidth? No time to read the whole piece?

TL,DR: Don’t ask. OFFER.

Don’t ask. Offer.

Honestly though, the whole piece is worth reading, and, of you’re grieving, sharing with those who ask you if there’s ‘anything’ they can do.

Link to my Substack in my bio.

I love you.
I grieve with you.
I love you.
Think of this as a candy conversation heart that s Think of this as a candy conversation heart that says “READ ME”.

“Annie Lalla, the love coach I would trust with my love life, who explains the unexplainable in ways that break open my head and my heart, once told me of smuggling love. Some people do not demonstrate love in ways that we at first recognize as love. She spoke of becoming a Detective on the Case of Love, noticing where a partner might be smuggling morsels of it. Refilling your water glass while you’re busy writing, perhaps. Going out to the car early to defrost it before you get in. Things like that, and things far less legible.

When I first courted her for a couple of episodes of horizontal with lila, I asked, “How do I smuggle love?” She replied immediately that I don’t seem to smuggle at all; I just come right out with it. Make like confetti. Festoon a person. She said loads of people are more reserved than I am because they believe compliments, effusiveness, and praise, once offered, lower their social status. She said I don’t care much about that, because it’s more important to me to let the person know.

Let the people know.

We are all going to die. And it seems like most of the time, it will be a surprise when. What does status matter, really? Really really.

The fact that I will express my love with a freeness is a thing I love about myself even when I don’t love myself.

So sure, I don’t need a holiday to express my love — which is one of the main annoyances I hear bandied about near February 14th — “I don’t need a holiday to tell me to tell my wife I love her!”

Okay. But setting aside a day for a thing can certainly help, right?

Atonement.

Independence.

Rights.

Holocaust remembrance.

If anything, Valentine’s offers us that cultural pause in the middle of an unfavorite month, a will-we-make-it-through-the-winter, hope-our-stores-last, do-we-have-enough firewood, dear-God-don’t-let-me-freeze-to-death month that says, in candy-colored suspended animation:

Think about love, will you?

What kind do you have?

What kind do you want?

And:

Now what do you want to do about that, sweetheart?”

Read the whole piece on my Substack, darling. Link in my bio.

P.S. I love you.
Read this if you love me: “february, the month Read this if you love me: 

“february, the month you’re supposed to be in love”

https://open.substack.com/pub/horizontalwithlila/p/february-the-month-youre-supposed?r=m6nsi&utm_medium=ios
“This has been a terrible no good very bad super “This has been a terrible no good very bad super sucky year. For moi. (You too?) 

Would not recommend. 
Would not wish on anyone.

Back in Florida. Mother descending into dementia and decrepitude. 

Don’t want to do the things. I am the only person to do the things.

Almost the entirety of 2024 has been an adulting montage. Or rather, for accuracy’s sake, the first three-quarters of the year was a months-long ordeal which Joseph Campbell of The Hero’s Journey might dub the REFUSAL OF THE CALL.

I am firmly in the montage now, though, for sure. How long will it last? Who knows. Montages are interminable for the person living them. That’s why we speed them up in the movies.

So I juuuust entered the montage 2 months ago. Basically when I got out of bed. There was a lot of bed. See: Refusal of the Call.

This is sort of a MVE, a Minimum Viable Essay. I haven’t written in 10 months. A list is the first thing I’ve mustered, and I’m very glad I’ve mustered it because it means I’m back. English is so confusing, isn’t it? Mustered. Mustard. Tomato. Tomato.

Anyhoodle! Without further ado, I present you with an exhaustive yet incomplete list of Things I Learned (in 2024) that I Really Never Wanted to Learn and Didn’t Really Want to Know:

[Go to the Substack link in bio to read about the 24 things!]
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