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horizontal with lila

letter to a young woman afraid / her life is over

in missives on 03/04/18

heart wall by jgoldcrown, NYC, 2018


Dear One,

In 2008, I moved to Portland, Oregon. I was twenty-five.

Since the time I was 7 years old, and played Toto (yep, that’s the dog!) in a Recreation Center production of The Wizard of Oz, I wanted to be on Broadway. I wanted to be a movie star. I wanted to walk the red carpet in a fabulous gown. Those were my childhood dreams, and in 2008, I wasn’t making any progress in their direction. I didn’t have an agent. I didn’t go to auditions. I wasn’t making my own work. I was just a yoga teacher.

I’d just returned from my first cross-country road trip, and suddenly it felt as though all the doors I’d counted on in New York were closing in my face. Right when I got back, my boyfriend broke up with me. In Prospect Park. My AcroYoga teaching partner didn’t give me our class back. She was teaching with someone that she loved more and she didn’t want to give it up. I was still dragging myself out of bed at 5am to teach 7am classes. I didn’t like my roommate and I was living in this crummy railroad apartment. I had to walk through his bedroom to get to the bathroom, or else put on pants and exit the apartment to walk through the hallway to get there.

I asked myself this: If I’m not pursuing my dreams anymore, then why am I here? New York City is such a struggle! I’m scraping to pay my rent! I debate myself over whether I can buy a tea so I can sit in the coffeeshop and write for a few hours! The air is unsavory, and the entire city runs on an undercurrent of anxiety. And it’s just so hard. In so many, many other ways.

I decided that I had failed at those dreams, and spent a few months admitting that to myself. Even though there’s no statute of limitations on becoming a Broadway actress, at that moment, I had to relinquish that hope; I had to accept this little death in order to allow myself to move across the country. Because if I wasn’t pursuing my childhood dreams, then at least I could live in a place where I wanted to breathe the air, where my days would be more genteel, a place with gardens and houses that lay close to the ground.

I moved to Portland for two years. To the day.

There, surprisingly to me, I still struggled paying my rent. Yoga teachers were paid so poorly in Portland and it was challenging to get enough work. But I loved the city and its bicycles and its slower-paced culture and the blooming things everywhere, and all the all the all the green.

I didn’t have a car, so I was often biking in the rain, and I never spent the money to buy proper waterproof gear, which meant that I was forever slightly soggy or asking for rides, and this made me cranky. The grey skies and the air pressure were tough on me, as a person with a tendency towards melancholy to begin with. Depression and anxiety run in my family on both sides.

After the initial delight of moving across the country and delving into the tango world faded, I realized that I felt grey for much of the year in PDX. Summer would come around like a grand reprieve, and suddenly Portland was like Pleasantville and everybody would be smiling and I would be dry and the sunglasses would come out and my whole perspective would change. But summer was brief. I knew I couldn’t live in a place like that indefinitely, not in the way that I was, at least. So after two years, I took off.

Before I did, it was the fall of 2010, and I was feeling very blue. Blue AND grey. I didn’t know what to do with myself, how to progress, where to go, what to devote myself to. In the fall of 2010, when I asked myself what I really wanted to do with my life, the only answer I could come up with was, “I want to travel.”

“Ok,” I said to myself, “Why aren’t you traveling? That’s why you became an AcroYoga teacher, right? So you’d have this valuable, portable skill. Loads of your colleagues are traveling full time. Why can’t you?”

“I’m scared,” I answered myself.

“What are you scared of,” I asked.

I searched myself, and I found an answer that embarrassed me.

I found that when I peeled back the layers of my fear, (which I did gently, by alternating asking myself, “What are you afraid of,” and “What happens then?”) what I was afraid of was this: that I wouldn’t be able to pay my student loan bill, my credit card bill, and my phone bill each month.

This amounted to about $300.

The thing was, I knew I could do that. And once I was able to address the actual fear at the core of my fear, I could move. I decided to travel for one year.

I put my stuff in storage in my father’s garage in upstate New York. (I sent them through Amtrak, and he picked them up at a nearby station, because that was the cheapest way to ship them). I came back to NY for a couple months because I had multiple work connections here, and I knew I could save some money while staying with friends.  I scheduled myself an East Coast AcroYoga teaching tour— since AY teachers were scarce at the time, I was able to cold-call studios and book my own workshops.

And so I traveled. One carry-on. One backpack. I felt really happy. For a few months.

About halfway through that year that I intended to travel, I burned out. I was at a yoga festival outside of Berlin, co-teaching with some colleagues, and I asked Lucie, the organizer of our workshops, if I could leave. I asked if she knew where I could go. I must have looked pretty beleaguered, because she sprung into action, saying, “Lila needs a home, desperately! Now!”

She found me a place to stay in Berlin with her AcroYoga student Michael, and, instead of staying a week, as I had planned, I wound up staying a month. Michael had an extra bedroom and his generosity floored me. I cleaned his apartment and left him sweet notes and cooked for him. I danced tango and ate a lot of chocolate and peanut butter and shopped at the Turkish market, and tried to recover my energy. I did not recover it. That was month six.

I continued through month nine, because I felt obligated to the commitments I’d scheduled— mainly workshops, and the yearly AcroYoga festival in San Francisco. But I was in a bad way. At the festival, I had no wherewithal to interact with anybody. No skin. The only reason I even managed to get there was because my colleague Eza insisted on picking me up and driving me to the festival grounds. I performed my obligations, numbly, mechanically, and then I went to Portland for a week, where my friend Kiara fought with her boyfriend to let me stay in their guest room. He felt I was overstaying my welcome. I was. But I didn’t really know what else to do. Kiara had once been a person who overstayed her welcome because she was unwell. She wanted to pay it forward. She insisted.

Kiara took me to her meditation sangha, and the naturopathic medicine institute, and made sure I ate food. I made them a quiche.

Looking back I’d self-diagnose as being in deep adrenal fatigue, compounded by mild depression and anxiety.

I went back to live in my mother’s house in Florida for the first time since the year 2000, when I was 17 years old and left for college. I had never looked back with any desire to return. Now I was 27, and felt far too old to be staying with my mother. I felt ashamed and defeated. And also I felt a nothingness.

I did basically nothing for those two months I stayed with mom (October and November of 2011). I read books from the library and walked on the Pinellas Trail. Mom pushed me to go see a play and dance tango. I really didn’t want to see anyone. I didn’t want to talk to my friends. I didn’t call people back. I didn’t even return the phone calls of my best friend at the time.

I was afraid I would always be that way. That I had just royally fucked it up.

But I wouldn’t. And I didn’t.

My mom sent me to her therapist but insisted that I had to pay for it. She believes that you don’t work on yourself in the same way if you’re not the one financing it. I think she’s right.

The therapist reminded me of Maslow’s hierarchy of needs.

I had to take care of the first layer, the bottom of the pyramid: home, finances, etcetera, before I could work on my artistic self actualization.

I both knew that I could make a living in New York, and also, that it was the only place that’s ever felt like home.

I went to my father’s place upstate and spent a month watching movies, stacking firewood, and tending to the wood stove, while he recovered from an appendix operation. My only job was to protect my father’s firewood from the snow. That task of bringing the logs from the yard into the shed, (plus starting to practice yoga again — I had stopped while I was on the road and gained 20 pounds), that simple task of stacking firewood and making it neat and architecturally-sound and aesthetically-pleasing, brought me back to life.

I moved back to New York in February of 2012.

The life I have now is more exciting and fulfilling than the life I ever imagined for myself when I was 28. I felt so lost then. I could never have predicted the kind of things and people that have come into my life, the podcast that they inspired, and my excitement now when I wake up and get another day, now that I’ve found my passion project and the right anti-depressant for my body (Zoloft).

This reminds me of one of my favorite bits of writing, the commencement speech that Steve Jobs made at Stanford. Particularly, this part:

“If I had never dropped in on that single course in college, the Mac would have never had multiple typefaces or proportionally spaced fonts. And since Windows just copied the Mac, it’s likely that no personal computer would have them. If I had never dropped out, I would have never dropped in on this calligraphy class, and personal computers might not have the wonderful typography that they do. Of course it was impossible to connect the dots looking forward when I was in college. But it was very, very clear looking backward 10 years later.

Again, you can’t connect the dots looking forward; you can only connect them looking backward. So you have to trust that the dots will somehow connect in your future. You have to trust in something — your gut, destiny, life, karma, whatever. This approach has never let me down, and it has made all the difference in my life.”

Your life is not over.

You did not royally fuck it up.

Use this fact: you have a soft place to land with your family. (If your family isn’t a soft place to land, rely on friends who are.) Utilize this for the good fortune that it is. Use it to recuperate, to get medical help, and to cocoon. You will emerge.

You will emerge.

Big Love,

Lila

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Lila
Dear One, I hope this makes you laugh as much as Dear One,

I hope this makes you laugh as much as it made me laugh. 

Laughter in the midst of grief is so good. As good as tears. Different sides of the same emotional release.

My dear friend & brilliant psychiatrist-writer, writer-psychiatrist Dr. Owen Muir, called to check in on me. We joked about my plan to write a scathing critique of this looks-so-nice-from-the-outside, for-profit Assisted Living facility my mom had been living in for a year. (This is not a joke.) 

Owen suggested I write a scathing critique of everything, and then used the phrase “the terrible consumer experience that is death.” 

He said I should write it. I said he should write it. 

So he called me and we recorded it. Together.
Because this is what we do. 

Big Love,
Lila

To listen to the 7 minute recording, tap the Substack link in my bio, or type this link into your browser: horizontalwithlila.substack.com
My new friend @latonya.sunshine78 , a visual artis My new friend @latonya.sunshine78 , a visual artist and educator whose work I *deeply* admire, gave an Artist’s Talk on Friday at the conclusion of her @floridarama.art exhibition, and I got the chance to see it, and hear her speak passionately, eloquently, humorously, lovingly, about her art and the process of making these large-scale mixed media collage works that, for lack of a better art-world term, I personally think of as Very Mixed Media.

If you swipe through to the last slide, you will see the very first time I caught glimpse of her work, long before I know who the artist was, weeks before the exhibition opening, when it had likely just been hung up, and I brought @mrghyseye to experience the immersive exhibit at FloridaRAMA and we both fell in love with the respective pieces behind us. We thought we matched the pieces so well, in both vibe & style, that we had best selfie with them!

And since I follow FloridaRAMA so closely here on IG, when I saw that the official exhibition opening was happening, I made it my business to get there, on my @radpowerbikes @stpeteradpowerbikes ebike, in my ball gown skirt. I brought two Toastmasters friends, Lena & Steve, along.

You can see from the second photo that I was so moved by Latonya’s work and beautiful energy, that I spontaneously Kissed Her Hands (!!!) Later I was a tid bit embarrassed, like ‘really Lila? She does not know you!’

But she does now. And I can tell you that Latonya is a source of unending inspiration, just by being who she is, and working the way she works.

I was deeply moved by the way she weaves objects, and memory, into a visual tapestry, and the way she listens to the objects until they Tell her how they want to be incorporated, so moved, in fact, that I brought her something back from my father’s funeral, and from his dilapidated house. I will be honored if those memories make their way into a tapestry of hers.

Recently I heard this quote. (Do you know who said it?) 

“Use your suffering. Don’t waste it.

I promise I will use it. I promise not to waste it. It will make its way into all of my art, of every medium. And maybe, it will make its way into the art of others, as well.

❤️‍🩹
I’m recovering from a speech heartbreak. I gave I’m recovering from a speech heartbreak. I gave the most beautiful speech of my life last week. It was about my parents, my father’s sudden death, my love, the love of my life. And it is gone because I forgot to turn on my microphone! 

It’s not completely gone. I did find an app transcription service that can read lips. So I have the transcript, but I am devastated to not have the video as I thought it was going to be something I would send to the @ted curators to follow up on my finalist win in 2021. I was going to send it to X, Y, Z… ( And @imranamed )

And the ephemerality of this is really with me. Sometimes creativity, even visionary creativity is a mandala. 

If you’ve ever seen the monks with the sand, pouring a mandala, they put such meticulous precision, such effort, such focus into it. And when they are finished, they gaze upon it… and they sweep it away. Somebody said that my speech last week was a mandala, and I was like, “Yes! I know!” 

Many people have said, “If you can do it once, you can do it again. And I know that this is true. 

As a person who has been creative my entire life, I know that this is true.

{To WATCH the whole speech or READ the full transcript, go to: 

horizontalwithlila dot substack dot com

Or click the link in my bio, bb}

And then go out and make some art.
“Fashion” I think I’m gonna need to add a B “Fashion”

I think I’m gonna need to add a Bowie album or two to my burgeoning collection… 

Which ones are your favorite? Let a girl know in the comments.

Art by @mollymcclureart 
Leggings by @l.o.m_design 
Vampira lipstick by @thekatvond 
Sneaks by @adidas 
Photo by @samia.mounts
Here’s how it starts: Dear Young Man I Dated in Here’s how it starts:

Dear Young Man I Dated in 2016,

I have something very important to say to you, and it isn’t ‘I told you so.’

It is this:

Politics are about people and the planet.

Every single political issue is about people, or the planet. 

Politics do not equal some ideological, intangible thing. “Politics” are real things with real consequences to real people. Probably people that you know. Probably people that you love.

When you say, “I’m not political,” what I hear is, “I do not actually care about people other than (a handful of) the ones I know personally.”

To read the whole letter, tap my Substack link in bio.
Brought my mom to @floridarama.art for the first t Brought my mom to @floridarama.art for the first time so she could experience something different than the view from her couch, and she “didn’t like it”? It was “esquisito”?

#okboomer 

BeforeI went up to NY for the funeral, I did wind up telling her that my father died. I was worried she would be devastated and she would develop what they call “increased mental state,” but that wasn’t the case. Mostly she was just sad for me. 

I’m not sure if she now remembers that it happened.

To be honest, sometimes I don’t exactly remember that it happened. I have his wedding ring and his glasses and the prayer card on my nightstand but still it’s sometimes unreal.

I don’t want to bring it up all the time, but I do like having physical reminders. 

And though I don’t want to wear all black all the time for months on end to show that I’m in mourning, it feels good to put on my morning armband… even, and maybe especially, because it’s just a little bit too tight. So I really know it’s there.

Because the grief is always there even when I’ve forgotten about it.

So is joy.

Hold your people close and tell them, 
if you love them, 
tell them.

#mourning #arttherapy #floridarama
A poem of grief and wonder-ing that I wrote years A poem of grief and wonder-ing that I wrote years ago, and could have written yesterday.

You can read the whole piece on my Substack (with proper syntax). 

Substack is where I put my tenderest thoughts and deepest writing. If you want to, you can become my patron there. This would move me very much.

Link in my bio.

#grief #griefislove
Went to my father’s funeral, but couldn’t wear Went to my father’s funeral, but couldn’t wear black *all* weekend.

Dreamy roses are red @selkie tournure skirt giving me life. Fascinator by @babeyond_official
Are you a member of the Dead Dads Club? Only two Are you a member of the Dead Dads Club?

Only two criteria for membership!

Any Dad will do. Stepdads, Granddads, Poor Dads, Rich Dads, Fun Dads, Un-Dads.

But for real.

I thought for sure my Mom would go first. I mean, I moved to Florida because she has dementia and she is dying.

“Plot twist,” somebody said.

That’s funny.

I actually mean that. I’m just too tired to laugh today. It takes too many muscles.

My mom is in an assisted living facility, on Hospice Care, can no longer stand up from a seated position on her own, and is worried about the stuffed cats we gave her possibly being dead because they ‘have a soul and they used to meow and now they stopped.’

The staff has been putting down food and water for them and every time I drop by the stuffed cats — and the food — are in a different place in the apartment. So that’s good. They’re still alive, you know. And the facility is still keeping her. Alive, you know. And putting down real food for her stuffed cats.

“What’s the harm?” they said. 

No harm, I say. She wasn’t going to eat that, anyway.

To read the entire essay, to subscribe, or to become s paid subscriber and be part of my art, follow the Substack link in my bio 

horizontalwithlila dot substack dot com

#deaddadsclub #deaddad #grieving #sickmom
Try not to forget, okay? Belt @l.o.m_design Bow Try not to forget, okay?

Belt @l.o.m_design 
Bow @riskgalleryboutique 
Earrings @artpoolgallery 
Top @forloveandlemons 
Photo @samia.mounts 
Art @verticalventures
I never wanted a child. So the universe gave me I never wanted a child. 

So the universe gave me an 84 year-old one. 

We are the playthings of the gods.

I have cleaned up her urine. I have cleaned up her shit. I have changed her soiled diaper. I have used a q-tip to put medicine in tender places that I never wished to see, because there was no one else to do it.

What’s that they call it in the Bible? Smiting? God smote him? Smited him? Smit him? In my bitterer moments, it does feel as though I’ve been smote. In my better moments, it’s simply the part of my story where Timon & Pumbaa sing the “CIRRRRCLE of LIIIIIIFE.”

{You can read the rest of the essay on my Substack. Link in my bio. Thank you for being a witness.}
I’ve just learned that today is International Me I’ve just learned that today is International Mermaid Day!

Thanks @jujubumble 

📸 @wildartistryphotography 
💄 @mrghyseye 
✨ Me
📖 Gift from @kristianndances 

#internationalmermaidday
My Mom is dying. Fasc!sm is on the rise. A small g My Mom is dying. Fasc!sm is on the rise. A small group of evil corporate overlords is trying to Handmaid’s Tale us. My brilliant, funny friend @synchlayer died of bladder cancer at age 49.

I’m out here buying pretty things on the internet. 

I have no regerts.

This will be an essay mostly in photos. I am very, very tired. 

February was: 

setting up temporary-house in FL

gathering 95% of my possessions from 4 places in NY (thanks Kenneth, Deniz, Marghe, Owen!) and two places in Los Angeles (Thanks Adam M. & Samia!) 

driving a 12-foot box truck from NY to Baltimore to Savannah to FL (mostly with Jon! thanks Jon!)

shortly thereafter, flying to L.A. and, while packing up, the remaining 17% of my possessions, managing to see as many people I love as humanly possible (for someone who is slightly manic and rather time-optimistic) — which is, honestly, rather a lot of people, if I do pat myself on the back… myself— and then rushing back to St. Pete (thank you friend for flying me home; you know who you are) because mom went into the hospital again…

FOR THE REST OF THE ESSAY, TAP THE SUBSTACK LINK IN MY BIO, bb. 💋 💋
Proud to Protest today.
Falling more in 🩷🧡💛🩵💙 with St. Pete!

Happy International Women’s Day. 

May each of us born to a woman, 
raised by a woman, 
nurtured by a woman, &
 f*cked by a woman 

CHOOSE to SHOW WOMEN the RESPECT and CARE that we deserve.

#internationalwomensday2025 #stpete #resist
“What a year January has been. 

My dear friend’s sister died by su!c!de. My dear friend lost his home in Altadena and had to evacuate the fire with his family, including his 92 year-old grandmother. My dear friend is dying of cancer in New York. (In his 40s.) The br*ligarchy rears, fasc!sm festers, and every tr@ns person, woman, and human with even mildly uncertain imm!gration status in the United States is, rightly, terrified. 

Here in Florida, my mom fell on her face right in front of me at church last week, on the threshold of the ladies room (busting her upper lip) and had to go to the E.R. where her CAT scan and her hand xrays came back negative but it turns out she has…..”

You can read the whole piece on my Substack- link in my bio!
In March, 2019, my friend @stevenmdean (remember h In March, 2019, my friend @stevenmdean (remember him from horizontal with lila episodes 82. 200 dating profiles, & 83. you do not have voting rights in this startup relationship?) teamed up with an experience designer to create an event they dubbed The Love Immersive, a “10-hour exploratorium-style foray into the 5 love languages.”

In Steve’s words: 

“I teamed up to architect a choose-your-own-adventure interactive journey through the languages of love. 
Spanning every floor of a sprawling 6-story arthouse in the heart of New York City, and co-produced by the creative arts group Moontribe, Love Immersive attracted over 450 attendees who came to explore love through the nuanced dimensions of touch, words, service, quality time, gifts, and more. 

We invited over 50 volunteers and practitioners of different love languages to showcase their creative capabilities in an evening of self-discovery, secret missions, hidden rooms, wandering wizards, art installations, and live music.“

I was one of the 50. 
They gave me a closet. 
A closet.
This is not lost on me.

That was all the space they had left, apparently. And I was determined to make good use of it. I turned it into a cozy nesting pod with blankets and pillows and two sets of listening devices, and I recorded this 11-minute meditation for anyone who stopped in, so that they could take a break from the glorious menagerie for a few minutes. And reset.

In the closet.

#immersiveexperience 

LISTEN ON SUBSTACK! Link in my bio!
Busy? Low on bandwidth? No time to read the whole Busy? Low on bandwidth? No time to read the whole piece?

TL,DR: Don’t ask. OFFER.

Don’t ask. Offer.

Honestly though, the whole piece is worth reading, and, of you’re grieving, sharing with those who ask you if there’s ‘anything’ they can do.

Link to my Substack in my bio.

I love you.
I grieve with you.
I love you.
Think of this as a candy conversation heart that s Think of this as a candy conversation heart that says “READ ME”.

“Annie Lalla, the love coach I would trust with my love life, who explains the unexplainable in ways that break open my head and my heart, once told me of smuggling love. Some people do not demonstrate love in ways that we at first recognize as love. She spoke of becoming a Detective on the Case of Love, noticing where a partner might be smuggling morsels of it. Refilling your water glass while you’re busy writing, perhaps. Going out to the car early to defrost it before you get in. Things like that, and things far less legible.

When I first courted her for a couple of episodes of horizontal with lila, I asked, “How do I smuggle love?” She replied immediately that I don’t seem to smuggle at all; I just come right out with it. Make like confetti. Festoon a person. She said loads of people are more reserved than I am because they believe compliments, effusiveness, and praise, once offered, lower their social status. She said I don’t care much about that, because it’s more important to me to let the person know.

Let the people know.

We are all going to die. And it seems like most of the time, it will be a surprise when. What does status matter, really? Really really.

The fact that I will express my love with a freeness is a thing I love about myself even when I don’t love myself.

So sure, I don’t need a holiday to express my love — which is one of the main annoyances I hear bandied about near February 14th — “I don’t need a holiday to tell me to tell my wife I love her!”

Okay. But setting aside a day for a thing can certainly help, right?

Atonement.

Independence.

Rights.

Holocaust remembrance.

If anything, Valentine’s offers us that cultural pause in the middle of an unfavorite month, a will-we-make-it-through-the-winter, hope-our-stores-last, do-we-have-enough firewood, dear-God-don’t-let-me-freeze-to-death month that says, in candy-colored suspended animation:

Think about love, will you?

What kind do you have?

What kind do you want?

And:

Now what do you want to do about that, sweetheart?”

Read the whole piece on my Substack, darling. Link in my bio.

P.S. I love you.
Read this if you love me: “february, the month Read this if you love me: 

“february, the month you’re supposed to be in love”

https://open.substack.com/pub/horizontalwithlila/p/february-the-month-youre-supposed?r=m6nsi&utm_medium=ios
“This has been a terrible no good very bad super “This has been a terrible no good very bad super sucky year. For moi. (You too?) 

Would not recommend. 
Would not wish on anyone.

Back in Florida. Mother descending into dementia and decrepitude. 

Don’t want to do the things. I am the only person to do the things.

Almost the entirety of 2024 has been an adulting montage. Or rather, for accuracy’s sake, the first three-quarters of the year was a months-long ordeal which Joseph Campbell of The Hero’s Journey might dub the REFUSAL OF THE CALL.

I am firmly in the montage now, though, for sure. How long will it last? Who knows. Montages are interminable for the person living them. That’s why we speed them up in the movies.

So I juuuust entered the montage 2 months ago. Basically when I got out of bed. There was a lot of bed. See: Refusal of the Call.

This is sort of a MVE, a Minimum Viable Essay. I haven’t written in 10 months. A list is the first thing I’ve mustered, and I’m very glad I’ve mustered it because it means I’m back. English is so confusing, isn’t it? Mustered. Mustard. Tomato. Tomato.

Anyhoodle! Without further ado, I present you with an exhaustive yet incomplete list of Things I Learned (in 2024) that I Really Never Wanted to Learn and Didn’t Really Want to Know:

[Go to the Substack link in bio to read about the 24 things!]
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