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horizontal with lila

3. there’s a kink for that: horizontal with a professional dominatrix

in episodes on 29/05/17

Mistress Leigh, horizontal in heels


3. there’s a kink for that: horizontal with a professional dominatrix

In the third episode of horizontal, I lie down with Mistress Leigh, a professional Dominatrix, fetish consultant, educator, and performer. Mistress Leigh went on a BDSM tour in May 2017 (did you know that there was such a thing?! You should probably find out about this on her website.).

“I’ve always felt a surge of excitement and happiness when people trust me to do things, and I think that that’s kind of a seed for being a dominant. Because it’s based in trust. I feel the responsibility to make good choices, and that’s what being a dominant is, making good choices for yourself and for someone else.”

“I’m in a world where, we try to take the things that are and twist them and flip them and give them a little hat and put like, leggings on them, and stilettos, or hosiery. So, the things that are, you try to just kind of fuck with a little bit. And one of those things, is jealousy. I think one of the the great ways that people can experience their lives is by using creativity, and for me that’s what kink does. It takes the things that are and it adds and it gives it meaning that it didn’t have before. It creates these associations that cause pleasure, or that mean certain things. And I think a great way to deal sometimes, with things that give us negative responses is to flip them on their head and to grab back control, by making them something that gives you pleasure.” 

– Mistress Leigh


Welcome to horizontal with lila, the podcast about intimacy (sex, love, and relationships of all kinds) that’s entirely recorded while lying down.

I invite you to eavesdrop on stories that might seem almost too personal for you to hear, which is, of course, exactly why I want you to hear them. Many episodes are recorded in bed, on my Casper mattress at Hacienda Villa, a sex-positive intentional community in Bushwick, Brooklyn. Other episodes are recorded while horizontal … elsewhere.

In the third episode of horizontal, I lie down with Mistress Leigh, a professional Dominatrix.

This is Mistress Leigh, as seen by @wayfaringphoto

dominatrix (noun) = a female-identifying person who directs a BDSM, fetish, or fantasy-oriented play scenario, often the counter-role to a submissive. [male-identifying version of the same is referred to as a dom]

submissive (noun) = a person who follows directives in a BDSM, fetish, or fantasy-oriented play scenario (scene), often the counter-role to a dominant.

 

As a Pro-Domme, fetish consultant, educator, and performer, Mistress Leigh teaches BDSM workshops, does stand-up dominatrix comedy, facilitates events that benefit sex workers, conducts private sessions, and consults on all manner of kinky things for movies and television.

 

Pro-Domme (noun) = an abbreviation of the term “professional dominatrix” [the spelling “domme” typically denotes a female-identifying dominant person].

kinky (adj.) = the characteristic of enjoying sexual or sensual behaviors that are outside the bounds of social norms, are uncommon, or, though common, aren’t socially acceptable.

 

Leigh occasionally takes her show on the road and goes on BDSM tours. (Did you know that there was such a thing? You should probably find out about this on her website.) Keep up with her kinky antics on LeighEntertainment.com

She’s a also a martial artist and a general badass, full of characters and stories and charisma. This episode of horizontal was recorded at Mistress Leigh’s apartment, in her little loft nook, in another neighborhood in the land of Brooklyn.

We talk about fetish work, sessioning with disabled clients—

 

sessioning (verb) = conducting a — typically private — professional domination gig, or, session

 

— dominant women / submissive men, play, power, position, and feefees.

So hey … come lie down with us.


Links to things we spoke about in the episode:

Leigh Entertainment, Mistress Leigh’s website

Dr. Zhana, the reason Mistress Leigh and I know each other

The Liberator, wedge props for sex

The tumblr page for things fitting perfectly into other things

Mistress Leigh’s Time Out New York profile

The Dominant women / submissive men’s group that Mistress Leigh runs

TES, the non-for-profit BDSM / Leather / Fetish group — the oldest known BDSM organization in the world

Dita Von Teese’s The Art of the Teese

Mistress Matisse, one of Mistress Leigh’s dominant female idols

Midori, another idol, and the queen of Japanese rope bondage.


Show Notes (feel free to share quotes/resources on social media, and please link to iTunes, this website, or my Patreon!):

iTunes link: https://itunes.apple.com/us/podcast/horizontal-with-lila/id1238031115&ls=1

website link: https://horizontalwithlila.com/

Patreon link (the crowdsourcing of patronage!): https://www.patreon.com/horizontalwithlila

[2:02]  Setting the scene: Mistress Leigh’s fetish fantasy play loft

[3:21]  “You don’t need a Liberator here.” – Lila

[5:13]  things fitting perfectly into other things

[5:38]  Mistress Leigh profiled in Time Out New York

[7:44]  How Mistress Leigh feels about SAMS.

 

SAMS [abbreviation for smart-ass masochists] (noun) =  also sometimes (arguably) dubbed a “bratty sub,” a SAM enjoys resisting the established power play dynamics in a scene or scenario by talking back, employing sarcasm, or taunting the other person/people in a scene.

bratty sub (noun) = a submissive person who enjoys acting out childlike displays of rebellion during a kink scene.

masochist (noun) = a person who derives physical, emotional, or mental pleasure from receiving physical, emotional, or mental pain or sensation; may actually experience pain itself as pleasure; often the counter-role to a sadist.

sadist (noun) = a person who derives physical, emotional, or mental pleasure from giving physical, emotional, or mental pain or sensation; often the counter-role to a masochist.

[8:26]  Bringing her partner in to professional domination sessions.

[9:02]  “You know there’s no sex involved in professional domination in the United States.” – Mistress Leigh

[9:15] Mistress Leigh clarifies that she only sessions with “high-functioning” autistic folks and those with physical disabilities that have full capacity to consent.

[10:28]  Mistress Leigh tries to define kinky.

[12:19]  Does Mistress Leigh want to eradicate kink?

[14:24]

Mistress Leigh:  Part of the fun though is to create this ‘other than’ mentality, creating something weird and bizarre and strange, so, out of one part of my mouth I’m saying ‘Yeah, I would love to normalize it.’ The other part of me is like, ‘I like being a weirdo.’ I like it when it’s crazy and weird and wild and transgressive and deviant behavior. So … maybe if we can celebrate the deviance in a normal way, then I’ll want it to remain that way. I just don’t want them to fuck with our sexual freedom and our rights. That’s kind of what I mean by normalizing behaviors, is removing the guilt and the shame away from sex.

[15:39] What is fetishization?

 

fetishize (verb) = the act of creating a strong attachment to a particular person, physical characteristic, body part, object, or idea and equating this with the fulfillment of an (often sexual) desire.

fetish (noun) = a person, object, or idea that holds an unusually powerful (often sexual or sensual) association

 

[18:00]  What do Mistress Leigh’s asexual, fetishist clients get out of their sessions?

[22:30]  Kink vs. fetish.

[22:56]  “In the US, we use the term interchangeably — kink and fetish. […] In Europe, a fetish is something that you have to have in order to get off.”  – Mistress Leigh

[25:00]  Kink in the diagnostic manual — pathologizing kink.

[25:56]  “Fetish … the musical!” – Mistress Leigh

[28:32]  What Mistress Leigh’s mom said when Leigh told her that she was becoming a Pro-Domme.

[30:11]  “My mother and I disagree dramatically, politically. But I always tell her, ‘You know, you built this. You built this city on rock and roll.’”  – Mistress Leigh

[31:02]  As a late bloomer, how did Mistress Leigh express her sexual energy?

[33:11]  The relationship between Mistress Leigh’s parents.

[33:50]  Mistress Leigh on the subject of her mother.

Mistress Leigh:  She was my first female dominant archetype. She was that first person to me, the one who was like, had the career, had three kids within sixteen months — I have a twin and an older sister. Supermom. And career psychotherapist. Did all of the things. Always taking care of people, always making choices, financially managing, and running the show. Her mother was the same way. I come from a long line of dominant women, they’re just not as loud and obnoxious as I am. They do it with a certain amount of Southern charm, which I don’t always have.

[34:49]  Coming out to Mistress Leigh’s Dad.

[35:50]  Crushing on Angelina Jolie.

[38:43]  The inner masculine and inner misogynist of Mistress Leigh.

[40:46]  The Dominant women / submissive men’s group of TES, the non-for-profit BDSM / Leather / Fetish group – the oldest known BDSM organization in the states (since the 70s)

From the website:

The Dominant Women/submissive men’s Group is a safe, creative and fun place for novices, beginners and experienced alike. Dominant Women can share experiences and learn how to better express their dominance, while submissive men will have an opportunity to be around Dominant Women without fear and be able to feel welcome, ask questions and get answers.

Mistress Leigh co-facilitates this group with veteran submissive Johnjon. While the Dominant Women/submissive men’s group seeks to honor the rich tradition of Female Dominants/male submissives, we welcome gender expressions of all kinds! Our group also welcomes the disabled and those living with physical impairments and/or chronic pain. Although this group encourages consensual participation, all are welcome to observe without obligation to participate.

This group will cast a wide net of fetish and BDSM all through the lens of “Female”-driven power play.

[42:06]  The religious oppression to kink ratio.

[42:48]  What happened when Mistress Leigh kicked her first pair of nuts?

[45:23]  Distinguishing dominance from manipulation.

[47:57]  Topping from the bottom. Mistress Leigh on power and position.

[49:20]  Sadism and masochism and how it’s not just about pain.

[49:48]  Lila likes the pinwheel.

 

Wartenberg wheel, or pinwheel (noun) = a spiky tool, somewhat resembling the spurs on cowboy’s boots, which was originally designed to test neurological pathways in patients, and is also used by those who enjoy sensation play in order to deliver pinpoint prickly feelings to the skin, without marking it.

sensation play (noun) = a type of kink in which the recipients enjoy different sensations (e.g. feathers, fingernail scratches, fingertip grazing, or impact play) which vary in intensity, body location, and duration.

impact play (noun) = a type of kink in which the recipient receives impact upon their body (often on the buttocks, arms, and legs) by a body part (often a hand) or an object (e.g. a flogger, a riding crop, a cane).

[50:12]  Service-topping.

 

service top (noun) = often a submissive person who is in the top position (i.e. delivering sensations or dominance) but with the motive to please the bottom position or another dominant that is involved in the scene.

bottom (noun) = referring to a person and/or position (sexual or non-sexual) that is physically, emotionally, or mentally receiving the energy from the top position; for instance in homosexual relationships, the receiver of anal penetration.

[50:49]  “Being submissive means you’re turned on by the idea of someone else making choices, and serving them. Being a bottom, is just a position. You could be a top dominant; you could be a bottom dominant.”  – Mistress Leigh

[51:25]  On switches and wrestling.

 

switch (noun) = a person who alternates between dominant and submissive, top and bottom roles in their relationships, scenes, and scenarios.

[52:08]  What happened when Lila informed her current partner that he is kinky?

[52:33]  What would Mistress Leigh say to someone who thinks BDSM is unhealthy?

[53:39]  Mistress Leigh on aversion, a la “I would never” and “I don’t want to.”

[55:10]  Lila’s ex and his reaction to therapy.

[1:00:10]  “Professional domination is all about association and creativity.”  – Mistress Leigh

[1:00:44]  A book in Mistress Leigh’s library — Dita Von Teese’s The Art of the Teese.

[1:01:44]  “Laughter: the other orgasm.”  – Lila & Mistress Leigh

[1:01:54]  Comedy in BDSM.

[1:03:47]  “I like making people laugh, and I like making them cry, because it confuses their nervous system. Anybody can make somebody cry; it’s very difficult to make them laugh, though.”  – Mistress Leigh

[1:04:10]  Dominant female archetype idols. Mistress Matisse. Midori (The queen of Japanese rope bondage.)

[1:07:14]  Can emotional or spiritual or mental breakthroughs occur through BDSM?

[1:09:12]  “There is this kind of idea that you should follow the yellow brick road back to the beginnings of your kink, and I think that that’s a strange perspective. Like, who gives a flying fuck where it came from, it’s here. What are you gonna do with it?”  – Mistress Leigh

[1:11:03]  Why is Mistress Leigh uninterested in playing out people’s memories?

[1:12:30]

Mistress Leigh:  I’m a little bit of a drug dealer. Because there are all these little chemicals and drugs in our body that give us very happy feelings in our being and I’m just unleashing those drugs inside. The seratonin, the dopamine, all these neuro trans- the transmitters. […] What’s wrong with that? People go to yoga because they want to have a certain experience, people laugh — that releases the same chemicals. The idea of, ‘Oh, you’re getting addicted to—’ or I don’t know what people would say like, ‘Oh you’re doing this cause it’s just — you wanna get those drugs.’ Yeah but, you know, sunshine is Vitamin D; it makes us feel good. You can go as deep on the rabbit trail that you want to. And I don’t think there’s anything wrong with that. As long as it doesn’t interfere with your other parts of life, I mean, it’s just like drugs or alcohol. Is it interfering in your life? Is it problematic? Is it causing issues? Are you neglecting responsibilities? I think the same should be taken for kink.

[1:15:22]  Mistress Leigh on attraction and nonmonogamy.

Mistress Leigh:  I’ve always been attracted to a lot of different people.

[1:17:49]  “If the standard is polyamory in your world, and you’re a monogamous person, then live that great life!”  – Mistress Leigh

[1:18:09]  How did Mistress Leigh’s relationship with her partner evolve?

[1:18:27]  “I don’t really have the bandwidth for more than one person and their feefees.”  – Mistress Leigh

 

feefees (noun) = a jokingly pejorative nickname for feelings [used by Mistress Leigh]

 

[1:20:27]  How Mistress Leigh feels about relationship challenges.

[1:21:17]  Lila’s story about the first poly man she had a date with.

[1:22:51]  On compersion.

[1:25:03]  How Lila’s first polyamorous lover shook up her ideas about relationships.

[1:27:07]  How Mistress Leigh’s handsome client with a severe speech impediment flipped the script.

[1:29:53]  Mistress Leigh on her work boundaries. Who won’t she session with? What won’t she do?

[1:30:05]  “I always say, you go to an escort to get your desires fulfilled; you come to me to get ‘em denied.”  – Mistress Leigh

[1:35:07]  Does Mistress Leigh ever get tired of sexual energy?

[1:35:47]  Why did Mistress Leigh choose celibacy?

[1:36:45]  Mistress Leigh tries to tell Lila a story.

[1:39:20]  On friend-ghosting.

 

ghosting (noun) = the increasingly common activity of completely ceasing all communication with someone without warning or explanation.

 

[1:41:02]  “They’re afraid to hurt your feelings and then they break your heart instead.”  – Lila

 


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3. there’s a kink for that: horizontal with a professional dominatrix

In the third episode of horizontal, I lie down with Mistress Leigh, a professional Dominatrix, fetish consultant, educator, and performer. Mistress Leigh went on a BDSM tour in May 2017 (did you know that there was such a thing?! You should probably find out about this on her website.).

Become a patron of the horizontal arts, by supporting me on Patreon, a website for crowdsourcing patronage! Patronage allows artists like me to buy equipment, schedule recording tours, and devote my time to creating more horizontal goodness, for you! Becoming my patron has delicious benefits, ranging from exclusive photos and behind-the-scenes video content, to handwritten postcards, spring cleaning phone calls, and creative input on future episodes! You can become a patron for $1 a month on up, and the rewards just get more sumptuous.

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Lila
See that resting frown face on my mom as she slept See that resting frown face on my mom as she slept?

I’ve started to make that same face. I wake from a dream or a doze to find that I’m frowning. I touch my lips to make it stop. After a few moments, I discover that they are making the frown shape again. I can’t make it stop because I’m sleeping when I do it. I’ve started doing it when I’m not sleeping too. When I’m awake, I think it’s a cross between a grimace and a frown. A frimace? (I mean, it can’t be a grown. Or can it?)

I don’t really have that much to frown about anymore, except, I suppose, for the onslaught of fresh horrors perpetrated by the country I live in on the daily, the greed of the few and desperation of the many, the natural disasters that are frequenter and hotter and wetter and gnarlier as the earth continues its job of beginning to shake us off its back… yeah I guess there’s not much to frown about, really. 

I took Mom to FloridaRAMA because she had been complaining for months that she didn’t do anything anymore. She mentioned concerts, plays, ballets. But by the time the sun went down, she would be sundowning and wouldn’t want to go anywhere anyway. So that afternoon I decided to pick her up and take her on an outing — which was always a pain in the ass, and especially a pain in the ass to do solo. It involved going to her room and making sure she was dressed, convincing her to get dressed if she wasn’t, which was a laborious process, insisting that we needed to take the wheelchair which of course we did because she was falling all the time and brachiating (holding onto walls and less sturdy things like chairs, tables — at least, some nurse told me that this is what it’s called but the internet seems to only relate it to apes swinging from their arms to get from place to place) […]

Continued on horizontalwithlila dot substack dot com (the link is in my bio)
In the bathroom of the Italian restaurant after Da In the bathroom of the Italian restaurant after Dad’s cold rainy rural upstate funeral looking like a sad British clown / Nowhere, NY / April 12th, 2025

Right after my father died, there were Anthonys and Tonys everywhere. 

Suddenly everyone was called Tony and everybody else was talking about their Dad or playing songs about death. 

* Passing a girl on the street talking to her friend, and the only words you catch are “My dad had…” 
* Walking into your favorite gluten-free café, and they’re playing the Flaming Lips song “Do You Realize?”

Do you realize / that everyone you know / someday / will die?

* Realizing that the second title for Billy Joel’s song “Movin’ Out” is “Anthony’s Song.” I never truly registered this until I was trying to write one morning in a blessed cacao shop (yes, for real) and I paused to listen to the opener:

Anthony works in the grocery store
Savin’ his pennies for someday

* Ordering fries from the surfer guy at the beach shack on my pilgrimage to the ocean, when his co-worker shouts, “Hey Anthony!”

If you put this stuff in your feature film script, your screenwriting teacher would tell you it’s too pat, too predictable, “don’t put a hat on a hat.” (The Writer!)

It’s like that old quarters experiment on attention… you start looking for quarters on the ground, and suddenly, you see them everywhere.

The drugstores full of Father’s Day crap. Marketing emails about “Dads and grads.” Only one company sent an email that said, Hey, we know that Father’s Day time is tough for some people, so click this to opt out of all Father’s Day related emails.

Click. CLICK!

I wish I could click that link for the universe. No father stuff, please. No Dad shit. But there were quarters everywhere, of course, because the back of my mind was attuned to all things Dad.

{You can read the rest of the essay on Substack. Link in my bio, bb.}
Love Letter to New York, whom I miss so much 1. S Love Letter to New York, whom I miss so much

1. Straight out of a fitting for “The Deuce”?

2. Free Friday at @whitneymuseum 

3. Basquiat makes me feel like home

4. Madison Square Park photo op (irresistible)

5. Candid

6. Got to see the lovely @josescaro & @benbecherny ply their craft at @bricktheater 

7. Charming marquee!

8. Closing night vibes (not pictured: the succulent plant I brought in lieu of flowersof)

9. Chuck Close in the subway!

10. More subway Chuck Close!

11. Man Ray retrospective at the Met

12. Love a good silhouette

13. A rare VERTICAL bathroom portrait in one of the finest bathrooms of them all, at the lovely New Mexican food joint with the rainbow cookies Of My Dreams, @ursula_brooklyn 

14. My man is a photographer too. 🤩

15. Cannot. Resist. Photo Booth.
I wrote a list in 2020 titled “How to love me wh I wrote a list in 2020 titled “How to love me when I’m ... depressed”... and in this essay, I encourage you to write your own version (How to love me when I’m... anxious, How to love me when I’m... burned out, How to love me when I’m... in despair)...

And if you write one, how I would love to read it. (Or even learn about one of the items on your list, here in the comments).

Here’s an excerpt:

 “One of the characteristics of my depression (and most of my other tizzies, such as but not limited to anxiety, severe procrastination, adulting paralysis, etc.) is that while I’m in it I have no idea what — if anything — will help me get out of it.

It’s more like I DON’T WANT TO BE HERE BUT I DON’T KNOW HOW TO GET OUT SO I’LL JUST HIDE UNDER THE COVERS UNTIL I WANT TO DO SOMETHING AGAIN CALL ME IN 6 MONTHS.

Ergo, therefore, if I’m in a state, and you ask me what I need, or what you can do, I may or may not have the wherewithal to tell you. Emphasis on the not. I may not even have the wherewithal to know.

And if I don’t know, how can I tell you?

I can’tdon’t, then.

If I’m not in a state I probably have plenty of things I could say but that’s when I don’t need the help so badly. (A lá it’s not the worst while you can still say the worst.)

As I mentioned in the subtitle: You don’t come with an operator’s manual. Your model came out of the fleshbox with zero instructions. And since no one possesses your operator’s manual, no matter how much they love you, you are going to be the supreme author, the expert on you, since you’ve been studying you your whole life. Please for the love of Pete & Ashleigh, do your people the great good turn of writing them some instructions. Triage options, if you will. Trust me when I say that they (nearly all of them) need it.

If you write it for them, they will have it when you need it.

This little list could, quite without exaggeration, save your life.”

The link to the whole essay is in my bio. (Join me on Substack darling!)

#substack #substackwriter #depressionandanxiety #communityiseverything
Love Letter to St. Pete @stpetefl Where we met, Love Letter to St. Pete @stpetefl 

Where we met, where we re-met ❤️‍🔥

1. An afternoon at @grandcentralbrewhouse with my handsome gentleman in @warbyparker 

2. Bb’s first @nineinchnails concert (okay, technically in Tampa) in @selkie & @viveylife . It was stellar. Trent sounds just like he used to and the projections were gorgeous!

3. Matching denim jumpsuits ( but his is a @onepiece )

4. The finest pizza in all the land (even with my dietary restrictions!) from @noblecrust (OMNOMNOMNOM)

5. He even makes doctor’s appointments fun.

6. I love matching him sooooo muchmuch. 

7. Just us and a zebra, nbd.

8. Theme Park joy

9. At the art show @wadastpete that my gentleman curated for his students. 🪐☄️🛸👽🚀✨
When I was a kid, I used to read myself to sleep. When I was a kid, I used to read myself to sleep. 

Actually, I don’t know when I stopped.

I read myself to sleep in my childhood bedroom, with a flashlight under the covers of a trundle bed (drawers filled to the brim with dress-up clothes) when my mom said it was too late to be awake. I checked out 25 books from the Freeport library at a time, filling the trunk of my parent’s car, and devoured them in weeks, partly from my perch in the flowering dogwood tree in our backyard (were the blooms ivory? or cherry blossom pink?), partly while curled up on an orange-and-yellow-ticked seat cushion I dragged down to the crawlspace in the basement — my “secret hiding spot,” which was neither secret nor hidden and so can only be termed a spot, armed with Oreos and flashlight, and the remainder under the covers before bed.

I suspect I knew more words then than I know now. There are still words like “vehement” that I’m only about 70% sure I know how to pronounce. I learned them in context. I can spell them. I can use them in a sentence! But am I saying them correctly? 

Unsure.

I read myself to sleep in high school, even though I had to get up unconscionably early to get bussed in to my magnet program — Pinellas County Center for the Arts — 35 minutes away from our sad little apartment. Like a magnet, @pcca_gibbs PCCA grabbed young artists from the whole county.

I had a major in high school, which is more usual now, from what I hear, but wasn’t so usual then, and what I majored in was called Performance Theatre (as opposed to Musical Theatre, the love of my life I never thought I was good enough for). 

I really wanted to go to the Fame school in New York — LaGuardia — but when I was 12 my Mom divorced my Dad and forced me to move to Flah-rida. So I went to PCCA instead. (To be honest, she probably wouldn’t have let me commute into the city to go to Fame even if we had stayed on Long Island.) 

Read the whole essay (link to Substack in my bio)!

#booknerdlife #readingforpleasure #readingrainbow
My man and I got our nerd on at @nerdnitestpete ! My man and I got our nerd on at @nerdnitestpete ! 

We had the opportunity to support my lovely, engaging, and compassionate Happiness Ambassador friend Adam Peters aka @mindmaprenovations as he changed some lives by teaching us how to begin developing a preference for positivity. I’ve seen him give this presentation a few times before, and this was the best one yet — and to the biggest crowd, over 300 human nerds!

I love us.

I consider it my sacred duty to paparazzi my friends when they do marvelous things, as I hope to have done unto me!

P.S. Applied to give a Nerd Nite presentation myself … fingers crossed bb’s! 

1. My gentleman is so handsome. (Also, I got this stellar skirt in excellent condition from my favorite thrift store with a cause @casapinellas !)

2. Toasties supporting Toasties! @dtsptoastmasters members: me, Steve Diasio, Dawn Cecil (two-time Nerd Nite Speaker alumni!), & Rick! (Not pictured here — but later in the carousel) Christian Carrasco.

3. Fit check baybeeee.

4. Caryn, Nerd Nite boss extraordinaire, introducing the evening.

5. Caryn introducing my friend Adam (did I yell “THAT’S MY FRIEND!” at the end? WHY YES I DID.)

6-10. Adam rocking the casbah.

11. Fellow Toastmaster Christian.

12. I love mein mann!

#nerdnite #nerdnitestpete
A woman approached me. We collaborated once, a yea A woman approached me. We collaborated once, a year prior, I think. Time is weird. She reached out both her hands.

“What a beautiful mourner you are,” she said.

I took her hands.

I think I said thank you.

She was referring, I suppose, to the gloves, the dress, the shoes, the lipstick, the earrings. 

But what does it mean, to be a beautiful mourner? 
What does it mean to mourn beautifully? 
To have good grief?

“My dad dropped dead,” I said, to get myself used to the shock of it. 

“My mother is dying,” I said, to reconcile myself to the fact of it. 

I don’t wear mascara anymore, because I cry every day.

People hugged me in airports, at rental car counters, in line for a sandwich. They hugged me in the TSA line. At the chiropractor. The grocery store. My father dropped dead, I told them. My mother is dying. I told them and they hugged me. I was glad I did. I was glad they did.

Sometimes, when people were truly asking, if I had the time, and I had the spoons, I repeated my litany of 2025. So they’d understand: it has been this kind of year. It seems that everyone has this kind of year at some point, or, devastatingly, at several points in a life — a maelstrom, a dervish, a crucible, a nexus, a whammy, a time — an Alexander’s-no-good-very-bad-terrible kind of year. 

There were so many months in February. So many years in April. So many decades in the first half of 2025. I didn’t want to become an adult, but 2024 made me, and 2025 sealed the deal. 

It’s amazing I managed to get this far without growing up.

READ the whole essay on Substack
SUBSCRIBE through the link in my bio and make my day, darling 

💋 

#substackwriters #goodgrief
Love in La La Land 1. “So this is where they ke Love in La La Land

1. “So this is where they keep the LIGHT!” -SATC … At our first @lacma member preview, enjoying the majestically empty Geffen galleries before the permanent collections moves in.

2. Urban Light, and me (installation by Chris Burden)

3. A historic view at LACMA, never again to be seen!

4 - 13. Art, mostly part of the Digital Witness exhibit

14. Love at the @gettymuseum 

15. Queer exhibits! 

16. Sunset at the Getty with my love

#museumnerd #lacma #lacmamember #digitalwellness #thegetty #loveinlalaland
For you, when you need it, and for the people in y For you, when you need it, and for the people in your life, when they need it.

Here’s an excerpt from the essay:

[To read the whole thing, follow the link in my bio to my Substack (and subscribe there, darling)!]

My chiropractor called me out a few weeks back. 
He said, with his characteristic smile (he has nice little teeth), “I read your essay.”

“You did? Thank you for reading,” I began, genuinely surprised and moved.

“But I still don’t know what to say!” he admonished. “You only told us what not to say!” 

Then he gave me an enormous cashmere-scented candle in a plastic bag. 

This was not apropos of nothing. I mentioned that scent in the essay. 

That giant cashmere candle, so big it has not one but FOUR wicks, means something. And then he had to go and ruin it. (jk, jk, Dr. Brian!)

“Hang in there,” he said, at the end of our session.

I cringed a liddle. (That’s not a little, not a lot, it’s right in the middle, a liddle.)

But you see, he was completely right! I told him I’d give him a list! I hadn’t given him a list! So I began compiling. Every time someone said a thing that made me wince, it went on the list, which lead to Part 1: What NOT to say when someone dies.

Each time someone said a thing that felt like love, made me farklempt, I took a screenshot, and it went on the list. 

This is the farklempt list.

As I wrote in “what NOT to say,” the useful things people say are fairly varied (and tailored to the griever), while the un-useful things tend to be generic variations on a tired theme.
“what TO say” will be a living document, updated whenever I have something useful, or supremely un-useful, to add. Here we go.
Love in Louisville. 1. Photo credit to my love, Love in Louisville.

1.  Photo credit to my love, Zachary

2.  Selfie with Street Art by the windy, windy river

3.  Horsies! Street Art! (Do you know how much I love murals?!)

4.  Looking like an award-winning art teacher at the art teacher conference (ahem, he is the award-winning art teacher!), wearing a @riskgalleryboutique necklace & big fcking bow!)

5.  A Wizard interlude! What a delight to witness my friend @personisawake absolutely Rock @cm_louisville & inspire a roomful of humans

6.  When your love matches the art. 🖼️ *chef’s kiss*

7 & 8. Major interior design maxi inspo for my ADU reno from @21clouisville by @fallen_fruit 🌺🌷🌸🌻🌼💐🪷

9.  The crayon shirt, bow, and soft rainbow chiclet necklace style brought to you by my inner 6-year old!

#ilovelouisville #wizardry #creativemornings #21clouisville #21c
The video clip of me in the yellow dress and anthr The video clip of me in the yellow dress and anthropology-professor blazer is an excerpt from second iteration of my talk, “The Intimacy Equation,” which I first gave as part of the @bof VOICES conference, outside London in 2021. 

This rendition had a test-drive at my Toastmasters meeting last week. Imperfect, unrehearsed, delivered from bullet points with a slim little notebook in my hand… and yet, I have shared it with my paid subscribers over on Substack (link in bio) because I want to be a person who shares process, not just product.

(This is a bit of a coup for my recovering inner perfectionist, and I have to say, I’m a wee bit proud.)

I kept my fancy equation. 

But now I have a simple one, too. 

#toastmasters #publicspeaking #intimacycoach
More Chiro Office Portraits: 1. NY vibes in the 6 More Chiro Office Portraits:

1. NY vibes in the 6th borough

2. Googly eyes in @selkie 

3. Bossbitch even when she doesn’t get the grant

4. Started practicing yoga again did I tell you?

5. Big mad (but not at that yellow two-piece thrift score from @casapinellas !)

6. Sporty Spice (obsessed with that @tottobrand bag)

7. Grumpy girl, big bow

8. Resort style bb!

9. Sad girl lemonade

10. @selkie ballerina

11. Bridgerton on a no-makeup day (also @selkie )

12. The day I picked up my mother’s ashes (still haven’t opened them)

13. @temperleylondon & mourning
A Funny Thing Happened on the Way to the Funeral ( A Funny Thing Happened on the Way to the Funeral (excerpt)

It was the night before Craig’s memorial, and I had an audition due. 

It was a feature film audition, due at 11am Pacific / 2pm Eastern. This happened to be squarely during the memorial. I was playing an elementary school teacher, and so when I packed in a whirl for New York, I grabbed my crayon shirt and a giant hair bow and figured surely I’d be able to wangle a human into helping me with my self-tape. New York is my hometown! So many potential wangles! Right?

Two nights prior, out with my friend @kristianndances , no stranger to auditions herself, I had an invitation to her Brooklyn apartment to get’er’done, but, you see, I didn’t have the shirt with me. And friend, if you pack your crayon shirt to audition for Miss Kelly the elementary school teacher then frankly, no other shirt will do.

Since I was staying with another friend, I asked him to help me, but he wasn’t available until the morning. 

The morning of the memorial. 

{ continued on horizontalwithlila.substack.com }
Just out here looking like the Pride Statue of Lib Just out here looking like the Pride Statue of Liberty.

Remember, I promised the good people of @stpetefl that if they gave me another limited edition Pride flag, I would wear it as a dress. @stpetepride 

AND SO I HAVE.

The Pride Market at Grand Central today was full of rainbows and swag and glitter, just the way I like it.

I love us all.

And I look forward to the day when all any of us need, is love. Because we’ve got plenty of that to go around.

#stpetepride #stpetefl
POV: When your friend is one of the great young ja POV: When your friend is one of the great young jazz guitarists, but you haven’t seen him play in a decade (except for that time last month when he accompanied you to sing at your mother’s funeral). What a mensch. What a band!

#natenajar
I’m just gonna leave this here. My fave sign at I’m just gonna leave this here.

My fave sign at @blackcrowcoffeeco 

Apropos of Everything.

#stpetepride 
#transrightsarehumanrights 
#blacklivesmatter 
#notinourname
Excerpt: You can even make a difference through sm Excerpt: You can even make a difference through small acts of resistance, ones that annoy or befuddle the evildoers, like witty and nonsensical emails to awful government agencies, clowns showing up outside imm!gration hearings, giant group dances in front of vile businesses. We can find a thousand little ways to gum up the works. Bonus to you if it makes you laugh. Bonus to everyone if it makes others laugh. The Resistance doesn’t have to be stodgy. 

We, like the Dark Side, can have cookies. 
We, unlike the Dark Side, can have joy.
But we MUST PROTEST in some fashion.

When I protest, I don’t want to do so by:

- Shaming the physical appearance of the evildoer
- Slut-shaming the evildoer
- Shaming their nationality, sexuality, identity, profession
- Talking about what they smell like
- Threatening murder or castration or people’s families

I completely understand why we do this, or at least, I think I understand why we are tempted to do this. We want to bully the bully, thinking that’s the only way he’ll understand. But the truth is that he’s probably not going to understand, whether or not we stoop to the low ground. He’s not going to understand because he is likely a sociopath. 

But we’re not doing it for him. We’re not pr0testing for him. 
We are pr0testing for Ian in Iowa who is a bit messed up and kind of confused and doesn’t really get the impact that this is having on, say, WOMEN, who opens up his news app and sees thousands upon thousands of, let’s just say women, pr0testing with signs, and maybe he goes, hm, why might they be pr0testing when they could be home having pancakes? Why might that be? And maybe Ian gets a little more informed that day about the plight of, hell, let’s say, women, and maybe just maybe he starts to act a wee bit differently, and then the whole butterfly effect thing is possible.

When pr0testing evildoing in its many many oppressive forms, I want to focus on their harmful ACTIONS, and CHOICES. 

I want them to rot for being rotten.

I’m interested in dismantling their ARGUMENTS
Proving false their IDEOLOGIES
Laying bare their HYPOCRISIES
Exploiting their INCONSISTENCIES
Disproving their FALSEHOODS

Cont’d on Substack
I want to share with you something in the famous @ I want to share with you something in the famous @elizabeth_gilbert_writer speech on creativity. It’s one of the most famous @ted talks in the world, and she talks about how ideas come to people. 

The way that I, that ideas come to me, is I will get a line of something and then I will get another line, and then I get nervous because I, if I get a third line, I might be okay, but the fourth line is gonna push the first line completely out. And it’s gone. 

So I have to, I have to get my, to my paper. I have to get to my paper and I have to write it down or, or, or whatever it is, my notes app in my phone, anything. I have to get it down or I’ll lose it. 

She talks about @tomwaits the famoso musician, driving in his car and a bit of melody comes to him. And he goes, “Can’t you see I’m driving? If you wanna exist, go bother somebody else. Go bother Leonard Cohen or somebody.” 

I don’t suggest you talk to your creativity that way, because as Elizabeth Gilbert likes to say, it is like a cat and it doesn’t understand you and your face looks funny when you do that. 

[4 of 5] 

The speech is available in bits here, or in its entirety on my horizontal with lila Substack — link in my bio. Love you. Go make art.
These are a few of my notebooks from over the year These are a few of my notebooks from over the years. Here are a few more. You’re invited to flip through them. These are my (not so private anymore) ideas, thoughts, classes, poems. I have no idea what you’re looking at. I don’t even remember most of what’s in these notebooks. But they’re there, because I captured them.

Anybody have a date in theirs? There should be dates. Can you call it out? 

[people call out dates]

So this is my work! Beginning in 2009 was the, the earliest date. There is so much that comes out of a creative brain, and I know that your brain is not dissimilar. I know that you are all creative beings.

One of my favorite books on creativity, and I don’t know if it’s been mentioned tonight because sadly I missed the first part, but it is a book called “bird by bird.” 

Oh, I didn’t mention it, but I love that book. 

By Anne Lamott. Are you the only one who’s read it? Has anybody else read this book? “bird by bird” It is one of only two books on creativity I would actually recommend. Otherwise, I would recommend you just go out and make stuff. 

In this book, she says, and I have carried this quote with me because I have been this way throughout... I mean, it must be... it’s, it’s my entire remembered life, it could be as young as 5 years old, a perfectionist. She says, “Perfectionism is the voice of the oppressor. It will keep you cramped and insane your entire life.” 

The voice of the oppressor. 

I think about that all the time. I do not want to be oppressed. No! Viva la revolución! You know, I don’t want that for myself. And so I have been internally oppressing myself. Most of what you see in these books, and that’s not all of them, right? And that’s only from 2009. Most of what you’ve seen in these books has not seen the light of day. 

[3 of 5] Full “Are you an artist, tho?” video & transcript on Substack

Subscribe there and make a Lila happy! Link in my bio, bb.

#toastmasters #publicspeaker
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