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horizontal with lila

119. woundmates and heartmates: horizontal with radical self love (4 of 4)

in episodes on 05/12/20

Hello, Kelsey.


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Kelsey:  Woundmates are those connections where our emotional wounds find each other, and we find each other compatible. And at first it can be this very erotic connection, of like Ooo, this person knows me on a level that I’ve never been known before… and it’s because your wound is noticing a compatible mate in the other person, because your wounds are compatible. The way that they push on each other, creates more infection to that wound than it does healing. So, a heartmate is someone where, you might have that same wounded material surface, but the way that they show up does not agitate the original wound. [Re: woundmates] And, these are quite subtle connections. They often start from a place of feeling really hypnotically bound, to each other… where, there’s something about them that you just can’t get out of your head and like, almost that insatiable desire to be around them, […] and the connection usually happens really fast. And it escalates really quickly. And whenever that kind of trauma bonding is happening, there’s a good chance that our wounds are mating with each other, and, my areas of vulnerability have recognized that your areas of wounding and tenderness and vulnerability, are the exact thing that will drive my wound deeper. And so it’ll confirm this story that I have about myself. It’s not gonna provide disconfirming evidence. And so that’s usually how those relationships will unfold, is at first we’re like, Whoa! I’ve met someone who’s like, so different, and gets me and all this stuff, it’s gonna be the best! And then, once we’re out of that initial honeymoon phase, we start to see that the way that they interact with the world, or the way that they interact with their emotional world, triggers these deep wounds within us, and not in a way where they’re being brought to the light to be held with so much respect and be met with a new experience that disconfirms the old story, but instead, the way that the wound gets brought up is that it will actually pour salt in the wound, and drive it deeper into the shadow.



Hello my patron.

This is part 4 (though possibly not the last installment of) my arc with Kelsey Grant: Love Educator, boundaries expert, writer, singer, witchy woman, & creatrix… known on Instagram as @radicalselflove.

In part one, episode 116. planet friendship we talked about Kelsey’s female friend pod and 6-month vetting process, mother-wounds, getting kicked out of the house, emotional release, resisting the codependent parental undertow, & how Kelsey and her best friend heal by re-parenting each other.

In part two, episode 117. an emotionally safe connection, we discussed my best friend Marghe, inner circle friendship, virtual and in-person connection, the ability to hold simultaneous conflicting emotions, Harry Potter and nerding out, & the masterful, loving way Kelsey expressed her boundaries to me.

In part three, episode 118. probably the slowest sex i’ve ever had, we explored cervical, orgasms, devotional presence, fantasizing about women during sex, self-reverence, & Kelsey’s sexual evolution, from getting kicked out of the house the day she lost her virginity to her Huntress phase to exploration with a virgin to going off the pill to kink to cervical orgasms & betrayal, to self-exploration & crystal dildos.

In this, part four, we delve into:

  • sex that disturbs the neighbors
  • woundmates and heartmates
  • the runner & the chaser
  • dating with intention
  • the fantasy of her former relationship
  • overfunctioning & underfunctioning
  • losing sexual desire
  • & whether woundmate relationships can ever become healthy.

Come lie down with us again, in Canggu, Bali, Indonesia, and Vancouver, BC, Canada.


Links to Useful Things:

Kelsey’s @radicalselflove Instagram account

Self-Love Service, Self Study Class, Heal Your Heartbreak course links


Show Notes:

(if you quote from this resource, link to the post or the horizontal Patreon, por favor!)

[2:45]  On cervical orgasms, and pacing

[3:57]  Lila on the longing to explore with a lover

Lila:  I would looove to explore that with someone! I still have yet to have that lover, that you had in college, where there’s love and trust, and you can explore all the things you want to explore? I’m still seeking that person. I feel sad to have not had that, and I really want it. But it’s not just gonna be with any lover. It’s not! It has to be right— there has to be that— I think the reason why I was able to have g-spot orgasms at all, was because I was really in love with the man, and I’d known him— we hadn’t spent a lot of time together over the years, but I had known him for nearly 20 years. So, there was something very very familiar about my desire for him, and care and love, and his body even. And his smell, you know? He smelled so good to me, too. […] Yeah, it’s not just gonna be mechanical with me, I don’t think.

[5:11]  Why Lila got close to a g-spot orgasm with the sexologist, but didn’t climax

[6:08]  Kelsey on trying to be quiet during sex, and sex that disturbs the neighbors

Kelsey:  The muting of the expression, and how that influences the experience. Like sometimes, it’s so hot to be like Oo we gotta be quiet, and then other times I’m like, Fuck! I just wanna like, howl and like, make all these wild woman sounds, and I feel censored. And as soon as I feel censored, that’s when there’s a big shut down that happens. That happened with my most recent ex. In my apartment, the walls are pretty thin—

Lila:  Yeah, you told me!

Kelsey:  Yeah, and like, being like in the throes of it, and then like having our neighbor just bang on the wall and be like, “Shut the fuck up!” And then like, this immediate like shame, oh, like, we are, we’re doing something wrong… and it was my expression like, and like that wild energy that was really starting to come through and like just… totally present. I wasn’t in my head; I was in my body, I was in the experience, and then, that banging on the wall took me out of my body and into my head, and, I did not have an orgasm that night, that is for sure. And not because of my partner. Like it was… me in my head, censoring my pleasure, to make sure this stranger feels more comfortable. 

[8:15]  What is a woundmate?

[11:09]  Kelsey’s biggest woundmate relationship to date, and the ways their wounds inflamed one another

[13:48]  Tracking her woundmate relationship from its origins 

[14:52]  What were their abandonment and betrayal wound-hooks?

[16:28]

Kelsey:  That deep wound of being abandoned, and, Well I will abandon this person before they could ever abandon me, is really what it could be also boiled down to. Both of those are very compatible, of like, I’ll save you with my love and You could never save me with your love. They perfectly mesh in terms of a dysfunctional dynamic. Sometimes that’s known as the runner-chaser. Or like, the savior and the victim. There’s, there’s so much in there. That are themes that come through a lot of relational dynamics, when we have these unhealed parts of ourselves that are really like in our blind spot.

[17:17]  How would we identify a woundmate relationship in order to avoid it?

Lila:  A lot of this is in the blind spot, so how would, how would we identify a woundmate in order to avoid that relationship? I think, what you’re saying about it being hypnotic makes a lot of sense. I think when people enter into a relationship like that it feels predestined or inevitable, it feels like a vortex…

Kelsey:  Yep. You know, as shitty as it is, like sometimes we have to walk through the fire. We have to get burned by that fire. To really know what that experience is like in our own personal system. I personally hope that a lot of people can learn through my example and my mistakes, and be able to sense and like, just create more presence in their own body. Presence to those motives and those motivations that come up when we first meet someone. Like are they rooted in truth? So is there a part of what’s coming up for you that has to remain in the shadow? You can’t let anyone else know? That that’s what’s going on inside of your head? Or is it something that you can be really open about? And for me, with him, that whole idea of like Oo, if everyone wants him I’m gonna get him….. I wouldn’t have said that out loud! I kept that to myself! For a very long time. Until I was ready to really start unpacking my healing around that relationship. I had to come into right relationship with me and my reality first. Me and the truth of what had been going on inside of me when I first met him. And, as it unfolded like, there were all of these red flags that happened early. That I was like, Red flags what? I don’t see them. I think that they’re maybe orange or yellow, like I would justify them away. And I would diminish my own intuitive hits. Be like, Anh, no, that’s not what it is, like, You’re just being jealous or You’re just being insecure, so I was— I would minimize my own internal compass.

Lila:  Yeah. Somebody explained this beautifully as: you squint at those things.

Kelsey:  Yes. Totally. 

Lila:  And then you open your eyes and you look at all their wonderful qualities. 

Kelsey:  Exactly! So like, if that element of squinting or, denial of certain realities is happening, chances are, you could be about to cross the bridge into Woundmateville. 

[20:04]  How we can use our awareness in the early phase of dating to determine whether a connection can be a heartmate relationship. Does it disconfirm the old wound-story?

Kelsey:  If we pay attention— this is why so much of my work has been around the vetting phase of dating, so dating is this deliberate period of time where we are really paying attention to how we feel in this person’s presence. What do they bring out of us? What do they invite us into? What are we inviting out of them and them into? And like, how are our energies actually colliding with each other? Which means we have to, in some way, disentangle from that fantasy bond, that wants to get like swept away, or like saved, or like my one true love galloping in and saving me saving me from the pain of being human. When we recognize that all relationships are going to be painful, regardless of how aligned they are. In the most aligned relationship, you’re still gonna have pain, you’re still gonna have to meet those raw edges— it’s just, in an aligned, heartmate relationship, when that old wounded material comes up, because their wound is not compatible with yours, they’re able to hold a different space. They’re able to show up in a way that disconfirms that old story that you’re not enough. Or you’re not worthy of being chosen. Or that everyone you love betrays you— whatever the story is. They show up in a way that gives you a new story, to write. Which is so beautiful. That takes time, to suss that out with someone. But if we’re like hightailing it — and this really only applies if we’re looking for like a long-term partnership — and so if we’re hightailing it in the dating phase where we’re getting swept up in that fantasy, we’re not really seeing reality, so we’re doing the squinty thing.

I solemnly swear to Dream Big, Kelsey Grant.


[22:25]  Kelsey on gaslighting, and how it can make us disregard our intuition. On paying attention to how someone reacts when we share that we’ve felt hurt.

[27:29]  Some of Kelsey’s lovers have had better communication skills than people she went on dates with

[28:43]  The most popular question: Can woundmates become heartmates? What could make it possible for woundmates to become heartmates?

[36:20]  How Jamie, at the beginning of their relationship, provided healing in the form of disconfirming evidence of her wound story

[37:45]  The alchemy of their relationship uncovered another layer of her codependent pattern

[38:27]  How long did it take for these patterns to surface in their relationship?

[39:21]  Kelsey is now doing self-examination around overfunctioning, receptivity, and pleasure

[41:38]  How the hypnotic sexual energy in a woundmate relationship can fade away once bonding occurs

[45:00]  On making it to the bonding phase

[49:00]  On the inevitability of relational pain

Lila:  You always get hurt, no matter what, when you’re relating, you always get hurt somehow.

Kelsey:  It’s impossible to avoid getting hurt. Even in the most aligned relationship, you’re still gonna hurt each other. Because, let’s say like for argument’s sake, it’s a lifelong relationship. At some point, that relationship’s gonna end, either by death or by choice. And that is going to be painful. And, inside of that container, there will be moments where, the way that you relate to each other, is just not of your best self! We might say things or do things that hurt or harm our partner, and, a lot can be repaired, especially if you have two people who are committed to doing their proper relational work. But to expect to not be hurt, or to not experience pain, in relationship, is relating from that fantasy idea of our inner child. I want someone to save me from the pain of being human. 

Lila:  Yeahhh, and so many people say, as a reason not to step into something with someone, not to explore, not to go deeper, not to really get involved— they’re afraid, if they really get down to it, they’re afraid of being hurt, but of course you’re gonna get hurt, and you’re gonna get hurt whether or not you are in relationships. Whether or not you’re even relating to other humans, you’re gonna be hurt, because loneliness is painful too! Human-ing hurts! So I don’t understand; I really have a hard time wrapping my mind around how that could be the worst thing for so many people. I’m worried I’m gonna get my heart broken. 

Kelsey:  It is a bit of a block to intimacy, to have that pop up. To say I don’t wanna get hurt and I’m not gonna invest into this relationship. To me like, when that happens, that’s always a sign like, Okay, we’ve gone as far as we can go! We don’t have enough alignment here because, I can’t progress with someone who is coming at relationships from that place because, most likely, they have not met themselves in those deep, rich, tender places yet. Which is why we can be so afraid of having that excavated in a relationship. Because a relationship will reveal everything that we have kept hidden. You can’t hide in a relationship. And so, all of that material comes forward and, I think on some subconscious level, we all know that. We all know that we will be fully seen, inside of a relationship. And that can be so vulnerable to sit with.

[52:46]  How does Kelsey want sex to be woven in to the fabric of her future?



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Lila
See that resting frown face on my mom as she slept See that resting frown face on my mom as she slept?

I’ve started to make that same face. I wake from a dream or a doze to find that I’m frowning. I touch my lips to make it stop. After a few moments, I discover that they are making the frown shape again. I can’t make it stop because I’m sleeping when I do it. I’ve started doing it when I’m not sleeping too. When I’m awake, I think it’s a cross between a grimace and a frown. A frimace? (I mean, it can’t be a grown. Or can it?)

I don’t really have that much to frown about anymore, except, I suppose, for the onslaught of fresh horrors perpetrated by the country I live in on the daily, the greed of the few and desperation of the many, the natural disasters that are frequenter and hotter and wetter and gnarlier as the earth continues its job of beginning to shake us off its back… yeah I guess there’s not much to frown about, really. 

I took Mom to FloridaRAMA because she had been complaining for months that she didn’t do anything anymore. She mentioned concerts, plays, ballets. But by the time the sun went down, she would be sundowning and wouldn’t want to go anywhere anyway. So that afternoon I decided to pick her up and take her on an outing — which was always a pain in the ass, and especially a pain in the ass to do solo. It involved going to her room and making sure she was dressed, convincing her to get dressed if she wasn’t, which was a laborious process, insisting that we needed to take the wheelchair which of course we did because she was falling all the time and brachiating (holding onto walls and less sturdy things like chairs, tables — at least, some nurse told me that this is what it’s called but the internet seems to only relate it to apes swinging from their arms to get from place to place) […]

Continued on horizontalwithlila dot substack dot com (the link is in my bio)
In the bathroom of the Italian restaurant after Da In the bathroom of the Italian restaurant after Dad’s cold rainy rural upstate funeral looking like a sad British clown / Nowhere, NY / April 12th, 2025

Right after my father died, there were Anthonys and Tonys everywhere. 

Suddenly everyone was called Tony and everybody else was talking about their Dad or playing songs about death. 

* Passing a girl on the street talking to her friend, and the only words you catch are “My dad had…” 
* Walking into your favorite gluten-free café, and they’re playing the Flaming Lips song “Do You Realize?”

Do you realize / that everyone you know / someday / will die?

* Realizing that the second title for Billy Joel’s song “Movin’ Out” is “Anthony’s Song.” I never truly registered this until I was trying to write one morning in a blessed cacao shop (yes, for real) and I paused to listen to the opener:

Anthony works in the grocery store
Savin’ his pennies for someday

* Ordering fries from the surfer guy at the beach shack on my pilgrimage to the ocean, when his co-worker shouts, “Hey Anthony!”

If you put this stuff in your feature film script, your screenwriting teacher would tell you it’s too pat, too predictable, “don’t put a hat on a hat.” (The Writer!)

It’s like that old quarters experiment on attention… you start looking for quarters on the ground, and suddenly, you see them everywhere.

The drugstores full of Father’s Day crap. Marketing emails about “Dads and grads.” Only one company sent an email that said, Hey, we know that Father’s Day time is tough for some people, so click this to opt out of all Father’s Day related emails.

Click. CLICK!

I wish I could click that link for the universe. No father stuff, please. No Dad shit. But there were quarters everywhere, of course, because the back of my mind was attuned to all things Dad.

{You can read the rest of the essay on Substack. Link in my bio, bb.}
Love Letter to New York, whom I miss so much 1. S Love Letter to New York, whom I miss so much

1. Straight out of a fitting for “The Deuce”?

2. Free Friday at @whitneymuseum 

3. Basquiat makes me feel like home

4. Madison Square Park photo op (irresistible)

5. Candid

6. Got to see the lovely @josescaro & @benbecherny ply their craft at @bricktheater 

7. Charming marquee!

8. Closing night vibes (not pictured: the succulent plant I brought in lieu of flowersof)

9. Chuck Close in the subway!

10. More subway Chuck Close!

11. Man Ray retrospective at the Met

12. Love a good silhouette

13. A rare VERTICAL bathroom portrait in one of the finest bathrooms of them all, at the lovely New Mexican food joint with the rainbow cookies Of My Dreams, @ursula_brooklyn 

14. My man is a photographer too. 🤩

15. Cannot. Resist. Photo Booth.
I wrote a list in 2020 titled “How to love me wh I wrote a list in 2020 titled “How to love me when I’m ... depressed”... and in this essay, I encourage you to write your own version (How to love me when I’m... anxious, How to love me when I’m... burned out, How to love me when I’m... in despair)...

And if you write one, how I would love to read it. (Or even learn about one of the items on your list, here in the comments).

Here’s an excerpt:

 “One of the characteristics of my depression (and most of my other tizzies, such as but not limited to anxiety, severe procrastination, adulting paralysis, etc.) is that while I’m in it I have no idea what — if anything — will help me get out of it.

It’s more like I DON’T WANT TO BE HERE BUT I DON’T KNOW HOW TO GET OUT SO I’LL JUST HIDE UNDER THE COVERS UNTIL I WANT TO DO SOMETHING AGAIN CALL ME IN 6 MONTHS.

Ergo, therefore, if I’m in a state, and you ask me what I need, or what you can do, I may or may not have the wherewithal to tell you. Emphasis on the not. I may not even have the wherewithal to know.

And if I don’t know, how can I tell you?

I can’tdon’t, then.

If I’m not in a state I probably have plenty of things I could say but that’s when I don’t need the help so badly. (A lá it’s not the worst while you can still say the worst.)

As I mentioned in the subtitle: You don’t come with an operator’s manual. Your model came out of the fleshbox with zero instructions. And since no one possesses your operator’s manual, no matter how much they love you, you are going to be the supreme author, the expert on you, since you’ve been studying you your whole life. Please for the love of Pete & Ashleigh, do your people the great good turn of writing them some instructions. Triage options, if you will. Trust me when I say that they (nearly all of them) need it.

If you write it for them, they will have it when you need it.

This little list could, quite without exaggeration, save your life.”

The link to the whole essay is in my bio. (Join me on Substack darling!)

#substack #substackwriter #depressionandanxiety #communityiseverything
Love Letter to St. Pete @stpetefl Where we met, Love Letter to St. Pete @stpetefl 

Where we met, where we re-met ❤️‍🔥

1. An afternoon at @grandcentralbrewhouse with my handsome gentleman in @warbyparker 

2. Bb’s first @nineinchnails concert (okay, technically in Tampa) in @selkie & @viveylife . It was stellar. Trent sounds just like he used to and the projections were gorgeous!

3. Matching denim jumpsuits ( but his is a @onepiece )

4. The finest pizza in all the land (even with my dietary restrictions!) from @noblecrust (OMNOMNOMNOM)

5. He even makes doctor’s appointments fun.

6. I love matching him sooooo muchmuch. 

7. Just us and a zebra, nbd.

8. Theme Park joy

9. At the art show @wadastpete that my gentleman curated for his students. 🪐☄️🛸👽🚀✨
When I was a kid, I used to read myself to sleep. When I was a kid, I used to read myself to sleep. 

Actually, I don’t know when I stopped.

I read myself to sleep in my childhood bedroom, with a flashlight under the covers of a trundle bed (drawers filled to the brim with dress-up clothes) when my mom said it was too late to be awake. I checked out 25 books from the Freeport library at a time, filling the trunk of my parent’s car, and devoured them in weeks, partly from my perch in the flowering dogwood tree in our backyard (were the blooms ivory? or cherry blossom pink?), partly while curled up on an orange-and-yellow-ticked seat cushion I dragged down to the crawlspace in the basement — my “secret hiding spot,” which was neither secret nor hidden and so can only be termed a spot, armed with Oreos and flashlight, and the remainder under the covers before bed.

I suspect I knew more words then than I know now. There are still words like “vehement” that I’m only about 70% sure I know how to pronounce. I learned them in context. I can spell them. I can use them in a sentence! But am I saying them correctly? 

Unsure.

I read myself to sleep in high school, even though I had to get up unconscionably early to get bussed in to my magnet program — Pinellas County Center for the Arts — 35 minutes away from our sad little apartment. Like a magnet, @pcca_gibbs PCCA grabbed young artists from the whole county.

I had a major in high school, which is more usual now, from what I hear, but wasn’t so usual then, and what I majored in was called Performance Theatre (as opposed to Musical Theatre, the love of my life I never thought I was good enough for). 

I really wanted to go to the Fame school in New York — LaGuardia — but when I was 12 my Mom divorced my Dad and forced me to move to Flah-rida. So I went to PCCA instead. (To be honest, she probably wouldn’t have let me commute into the city to go to Fame even if we had stayed on Long Island.) 

Read the whole essay (link to Substack in my bio)!

#booknerdlife #readingforpleasure #readingrainbow
My man and I got our nerd on at @nerdnitestpete ! My man and I got our nerd on at @nerdnitestpete ! 

We had the opportunity to support my lovely, engaging, and compassionate Happiness Ambassador friend Adam Peters aka @mindmaprenovations as he changed some lives by teaching us how to begin developing a preference for positivity. I’ve seen him give this presentation a few times before, and this was the best one yet — and to the biggest crowd, over 300 human nerds!

I love us.

I consider it my sacred duty to paparazzi my friends when they do marvelous things, as I hope to have done unto me!

P.S. Applied to give a Nerd Nite presentation myself … fingers crossed bb’s! 

1. My gentleman is so handsome. (Also, I got this stellar skirt in excellent condition from my favorite thrift store with a cause @casapinellas !)

2. Toasties supporting Toasties! @dtsptoastmasters members: me, Steve Diasio, Dawn Cecil (two-time Nerd Nite Speaker alumni!), & Rick! (Not pictured here — but later in the carousel) Christian Carrasco.

3. Fit check baybeeee.

4. Caryn, Nerd Nite boss extraordinaire, introducing the evening.

5. Caryn introducing my friend Adam (did I yell “THAT’S MY FRIEND!” at the end? WHY YES I DID.)

6-10. Adam rocking the casbah.

11. Fellow Toastmaster Christian.

12. I love mein mann!

#nerdnite #nerdnitestpete
A woman approached me. We collaborated once, a yea A woman approached me. We collaborated once, a year prior, I think. Time is weird. She reached out both her hands.

“What a beautiful mourner you are,” she said.

I took her hands.

I think I said thank you.

She was referring, I suppose, to the gloves, the dress, the shoes, the lipstick, the earrings. 

But what does it mean, to be a beautiful mourner? 
What does it mean to mourn beautifully? 
To have good grief?

“My dad dropped dead,” I said, to get myself used to the shock of it. 

“My mother is dying,” I said, to reconcile myself to the fact of it. 

I don’t wear mascara anymore, because I cry every day.

People hugged me in airports, at rental car counters, in line for a sandwich. They hugged me in the TSA line. At the chiropractor. The grocery store. My father dropped dead, I told them. My mother is dying. I told them and they hugged me. I was glad I did. I was glad they did.

Sometimes, when people were truly asking, if I had the time, and I had the spoons, I repeated my litany of 2025. So they’d understand: it has been this kind of year. It seems that everyone has this kind of year at some point, or, devastatingly, at several points in a life — a maelstrom, a dervish, a crucible, a nexus, a whammy, a time — an Alexander’s-no-good-very-bad-terrible kind of year. 

There were so many months in February. So many years in April. So many decades in the first half of 2025. I didn’t want to become an adult, but 2024 made me, and 2025 sealed the deal. 

It’s amazing I managed to get this far without growing up.

READ the whole essay on Substack
SUBSCRIBE through the link in my bio and make my day, darling 

💋 

#substackwriters #goodgrief
Love in La La Land 1. “So this is where they ke Love in La La Land

1. “So this is where they keep the LIGHT!” -SATC … At our first @lacma member preview, enjoying the majestically empty Geffen galleries before the permanent collections moves in.

2. Urban Light, and me (installation by Chris Burden)

3. A historic view at LACMA, never again to be seen!

4 - 13. Art, mostly part of the Digital Witness exhibit

14. Love at the @gettymuseum 

15. Queer exhibits! 

16. Sunset at the Getty with my love

#museumnerd #lacma #lacmamember #digitalwellness #thegetty #loveinlalaland
For you, when you need it, and for the people in y For you, when you need it, and for the people in your life, when they need it.

Here’s an excerpt from the essay:

[To read the whole thing, follow the link in my bio to my Substack (and subscribe there, darling)!]

My chiropractor called me out a few weeks back. 
He said, with his characteristic smile (he has nice little teeth), “I read your essay.”

“You did? Thank you for reading,” I began, genuinely surprised and moved.

“But I still don’t know what to say!” he admonished. “You only told us what not to say!” 

Then he gave me an enormous cashmere-scented candle in a plastic bag. 

This was not apropos of nothing. I mentioned that scent in the essay. 

That giant cashmere candle, so big it has not one but FOUR wicks, means something. And then he had to go and ruin it. (jk, jk, Dr. Brian!)

“Hang in there,” he said, at the end of our session.

I cringed a liddle. (That’s not a little, not a lot, it’s right in the middle, a liddle.)

But you see, he was completely right! I told him I’d give him a list! I hadn’t given him a list! So I began compiling. Every time someone said a thing that made me wince, it went on the list, which lead to Part 1: What NOT to say when someone dies.

Each time someone said a thing that felt like love, made me farklempt, I took a screenshot, and it went on the list. 

This is the farklempt list.

As I wrote in “what NOT to say,” the useful things people say are fairly varied (and tailored to the griever), while the un-useful things tend to be generic variations on a tired theme.
“what TO say” will be a living document, updated whenever I have something useful, or supremely un-useful, to add. Here we go.
Love in Louisville. 1. Photo credit to my love, Love in Louisville.

1.  Photo credit to my love, Zachary

2.  Selfie with Street Art by the windy, windy river

3.  Horsies! Street Art! (Do you know how much I love murals?!)

4.  Looking like an award-winning art teacher at the art teacher conference (ahem, he is the award-winning art teacher!), wearing a @riskgalleryboutique necklace & big fcking bow!)

5.  A Wizard interlude! What a delight to witness my friend @personisawake absolutely Rock @cm_louisville & inspire a roomful of humans

6.  When your love matches the art. 🖼️ *chef’s kiss*

7 & 8. Major interior design maxi inspo for my ADU reno from @21clouisville by @fallen_fruit 🌺🌷🌸🌻🌼💐🪷

9.  The crayon shirt, bow, and soft rainbow chiclet necklace style brought to you by my inner 6-year old!

#ilovelouisville #wizardry #creativemornings #21clouisville #21c
The video clip of me in the yellow dress and anthr The video clip of me in the yellow dress and anthropology-professor blazer is an excerpt from second iteration of my talk, “The Intimacy Equation,” which I first gave as part of the @bof VOICES conference, outside London in 2021. 

This rendition had a test-drive at my Toastmasters meeting last week. Imperfect, unrehearsed, delivered from bullet points with a slim little notebook in my hand… and yet, I have shared it with my paid subscribers over on Substack (link in bio) because I want to be a person who shares process, not just product.

(This is a bit of a coup for my recovering inner perfectionist, and I have to say, I’m a wee bit proud.)

I kept my fancy equation. 

But now I have a simple one, too. 

#toastmasters #publicspeaking #intimacycoach
More Chiro Office Portraits: 1. NY vibes in the 6 More Chiro Office Portraits:

1. NY vibes in the 6th borough

2. Googly eyes in @selkie 

3. Bossbitch even when she doesn’t get the grant

4. Started practicing yoga again did I tell you?

5. Big mad (but not at that yellow two-piece thrift score from @casapinellas !)

6. Sporty Spice (obsessed with that @tottobrand bag)

7. Grumpy girl, big bow

8. Resort style bb!

9. Sad girl lemonade

10. @selkie ballerina

11. Bridgerton on a no-makeup day (also @selkie )

12. The day I picked up my mother’s ashes (still haven’t opened them)

13. @temperleylondon & mourning
A Funny Thing Happened on the Way to the Funeral ( A Funny Thing Happened on the Way to the Funeral (excerpt)

It was the night before Craig’s memorial, and I had an audition due. 

It was a feature film audition, due at 11am Pacific / 2pm Eastern. This happened to be squarely during the memorial. I was playing an elementary school teacher, and so when I packed in a whirl for New York, I grabbed my crayon shirt and a giant hair bow and figured surely I’d be able to wangle a human into helping me with my self-tape. New York is my hometown! So many potential wangles! Right?

Two nights prior, out with my friend @kristianndances , no stranger to auditions herself, I had an invitation to her Brooklyn apartment to get’er’done, but, you see, I didn’t have the shirt with me. And friend, if you pack your crayon shirt to audition for Miss Kelly the elementary school teacher then frankly, no other shirt will do.

Since I was staying with another friend, I asked him to help me, but he wasn’t available until the morning. 

The morning of the memorial. 

{ continued on horizontalwithlila.substack.com }
Just out here looking like the Pride Statue of Lib Just out here looking like the Pride Statue of Liberty.

Remember, I promised the good people of @stpetefl that if they gave me another limited edition Pride flag, I would wear it as a dress. @stpetepride 

AND SO I HAVE.

The Pride Market at Grand Central today was full of rainbows and swag and glitter, just the way I like it.

I love us all.

And I look forward to the day when all any of us need, is love. Because we’ve got plenty of that to go around.

#stpetepride #stpetefl
POV: When your friend is one of the great young ja POV: When your friend is one of the great young jazz guitarists, but you haven’t seen him play in a decade (except for that time last month when he accompanied you to sing at your mother’s funeral). What a mensch. What a band!

#natenajar
I’m just gonna leave this here. My fave sign at I’m just gonna leave this here.

My fave sign at @blackcrowcoffeeco 

Apropos of Everything.

#stpetepride 
#transrightsarehumanrights 
#blacklivesmatter 
#notinourname
Excerpt: You can even make a difference through sm Excerpt: You can even make a difference through small acts of resistance, ones that annoy or befuddle the evildoers, like witty and nonsensical emails to awful government agencies, clowns showing up outside imm!gration hearings, giant group dances in front of vile businesses. We can find a thousand little ways to gum up the works. Bonus to you if it makes you laugh. Bonus to everyone if it makes others laugh. The Resistance doesn’t have to be stodgy. 

We, like the Dark Side, can have cookies. 
We, unlike the Dark Side, can have joy.
But we MUST PROTEST in some fashion.

When I protest, I don’t want to do so by:

- Shaming the physical appearance of the evildoer
- Slut-shaming the evildoer
- Shaming their nationality, sexuality, identity, profession
- Talking about what they smell like
- Threatening murder or castration or people’s families

I completely understand why we do this, or at least, I think I understand why we are tempted to do this. We want to bully the bully, thinking that’s the only way he’ll understand. But the truth is that he’s probably not going to understand, whether or not we stoop to the low ground. He’s not going to understand because he is likely a sociopath. 

But we’re not doing it for him. We’re not pr0testing for him. 
We are pr0testing for Ian in Iowa who is a bit messed up and kind of confused and doesn’t really get the impact that this is having on, say, WOMEN, who opens up his news app and sees thousands upon thousands of, let’s just say women, pr0testing with signs, and maybe he goes, hm, why might they be pr0testing when they could be home having pancakes? Why might that be? And maybe Ian gets a little more informed that day about the plight of, hell, let’s say, women, and maybe just maybe he starts to act a wee bit differently, and then the whole butterfly effect thing is possible.

When pr0testing evildoing in its many many oppressive forms, I want to focus on their harmful ACTIONS, and CHOICES. 

I want them to rot for being rotten.

I’m interested in dismantling their ARGUMENTS
Proving false their IDEOLOGIES
Laying bare their HYPOCRISIES
Exploiting their INCONSISTENCIES
Disproving their FALSEHOODS

Cont’d on Substack
I want to share with you something in the famous @ I want to share with you something in the famous @elizabeth_gilbert_writer speech on creativity. It’s one of the most famous @ted talks in the world, and she talks about how ideas come to people. 

The way that I, that ideas come to me, is I will get a line of something and then I will get another line, and then I get nervous because I, if I get a third line, I might be okay, but the fourth line is gonna push the first line completely out. And it’s gone. 

So I have to, I have to get my, to my paper. I have to get to my paper and I have to write it down or, or, or whatever it is, my notes app in my phone, anything. I have to get it down or I’ll lose it. 

She talks about @tomwaits the famoso musician, driving in his car and a bit of melody comes to him. And he goes, “Can’t you see I’m driving? If you wanna exist, go bother somebody else. Go bother Leonard Cohen or somebody.” 

I don’t suggest you talk to your creativity that way, because as Elizabeth Gilbert likes to say, it is like a cat and it doesn’t understand you and your face looks funny when you do that. 

[4 of 5] 

The speech is available in bits here, or in its entirety on my horizontal with lila Substack — link in my bio. Love you. Go make art.
These are a few of my notebooks from over the year These are a few of my notebooks from over the years. Here are a few more. You’re invited to flip through them. These are my (not so private anymore) ideas, thoughts, classes, poems. I have no idea what you’re looking at. I don’t even remember most of what’s in these notebooks. But they’re there, because I captured them.

Anybody have a date in theirs? There should be dates. Can you call it out? 

[people call out dates]

So this is my work! Beginning in 2009 was the, the earliest date. There is so much that comes out of a creative brain, and I know that your brain is not dissimilar. I know that you are all creative beings.

One of my favorite books on creativity, and I don’t know if it’s been mentioned tonight because sadly I missed the first part, but it is a book called “bird by bird.” 

Oh, I didn’t mention it, but I love that book. 

By Anne Lamott. Are you the only one who’s read it? Has anybody else read this book? “bird by bird” It is one of only two books on creativity I would actually recommend. Otherwise, I would recommend you just go out and make stuff. 

In this book, she says, and I have carried this quote with me because I have been this way throughout... I mean, it must be... it’s, it’s my entire remembered life, it could be as young as 5 years old, a perfectionist. She says, “Perfectionism is the voice of the oppressor. It will keep you cramped and insane your entire life.” 

The voice of the oppressor. 

I think about that all the time. I do not want to be oppressed. No! Viva la revolución! You know, I don’t want that for myself. And so I have been internally oppressing myself. Most of what you see in these books, and that’s not all of them, right? And that’s only from 2009. Most of what you’ve seen in these books has not seen the light of day. 

[3 of 5] Full “Are you an artist, tho?” video & transcript on Substack

Subscribe there and make a Lila happy! Link in my bio, bb.

#toastmasters #publicspeaker
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