• home
  • bio
  • press
  • writing
  • coaching
  • patreon
  • glossary
  • talk to me

horizontal with lila

114. can I sit with you: horizontal with a global matchmaker (3 of 4)

in episodes on 18/09/20

The guests at Lemarc & Michael’s wedding, sitting altogether in a circle of trust.


TO LISTEN TO THIS EPISODE:

Become a Patron!

Your patronage keeps horizontal independent and uncensored, as well as unlocking access to all the part twos, the secret patrons Facebook group, & Intimacy Tips videos (like last month’s coping with The Inner Critics).

 

Lemarc:  I’m this skinny little, very very very very effeminate child, with a very girly voice. So most people would not know whether I’m a boy or a girl. I mean, they would think I’m a boy, but then I would start talking and they’d be like, “Uh, are you a girl or are you a boy? I’m not sure.” And—

Lila:  Did the adults ask you that?

Lemarc:  Sometimes. But often the kids would. So I think that identity was a little bit challenging I think, as a child, to know, it’s like Wait a minute, am I a girl? I don’t know. I think I’m in the wrong body maybe. So I think for a long time, I actually felt that, that— and my sister was a tomboy, so she loved to play football, and she, you know, would be riding on motorcycles, and anything that was a bit adventurous and dangerous and boyish, she would do— I mean typically boyish, and, anything that was typically girlish, I’m like, okay, cheerleading, and dancing. I gave all of my toys away, because, why would I need toys? (both laugh) So I often felt like I was meant to be her and she was meant to be me. I should have had her body and she should have had mine.

Lila:  Did she feel the same way, do you think?

Lemarc:  I think sometimes people said that to us but I don’t think she did. I mean she was— when I had these thoughts, then she was— four years older is quite significant, so I think then she accepted her, or probably had accepted her body more, and then when I became a teenager, or maybe from 17+ actually then, I really accepted mine and, and really wanted to be a boy.



Hello my horizontal loyalists, my dearest patrons, my horizontalists.

Welcome to your first exclusive episode of Season 4, my Season of Experiments. As you know by now, I’ll be playing with form in all sorts of ways: with coaching sessions and mash-ups and crossovers, happenings and themes and advice sessions, horizontality in unexpected places, and other intimate surprises. Season 4 will also be interspersed with some of the traditional horizontal conversations that you love. This is one of those.

In the first four episodes of this season, I (virtually) lie down with Lemarc Thomas, global matchmaker, relationship expert, sweetheart, psychology-versed purveyor of kindness, native St. Helenian, marriage equality advocate, husband to Michael, and “the gentle but determined Cupid.”

In our first part, episode 112. broken a few hearts, Lemarc interviewed me as if I were his newest matchmaking client. It is one of the most vulnerable episodes I’ve ever released.

In our second part, episode 113. other people’s love, I interviewed Lemarc about his modern matchmaking process.

In this, our third part (recorded before parts one and two), we talk about:

  • growing up as an effeminate boy on a very small island
  • being a free-range child
  • belonging & feeling felt
  • the older women who confided in little Lemarc
  • how he treated everyone in London as a friend
  • losing oneself in groups
  • leaving St. Helena and becoming a full-pledged gay
  • what happens when women flirt with him
  • the Owning Your Femininity workshop that made Lemarc weep
  • & the fact that we don’t have to be perfectly healed to be worthy of a relationship

If you’d like one-on-one guidance from me on your intimate struggles, I now offer Personal Intimacy Roadmap Sessions: sex-positive support for what ails you in the realm of sex, love, & relationships of all kinds. 60-minute sessions with a takeaway plan.

I invite you, my patrons & ardent horizontalists, to take me up on one of these sessions on a sliding scale or half-rate, in gratitude for your loving support of the horizontal arts.

To schedule, email me: lila@horizontalwithlila.com, and I’ll send you my intake form, so I can best prepare for you.

If you desire ongoing support of your intimate growth, join the $100 Patreon tier and receive a 30-minute coaching session every month!

In next week’s exclusive episode, Lemarc tells us the epic tale of his romance with Michael, and how they became the very first same-sex couple to get married on the island of St. Helena.

Thank you for listening, and thank you for being my horizontal lover.

Now come lie down with us again, in Uluwatu, Bali, Indonesia, and Stockholm, Sweden.


Links to Useful Things:

Lemarc Thomas – The Matchmaking Agency’s website

The Lemarc Thomas Matchmaking Instagram

Eve Ensler’s TED talk Embrace your inner girl

Lemarc invites any horizontal lovers who wish to apply for his network / open membership to: Get in touch and say you are horizontal!


Show Notes:

(if you quote from this resource, link to the post or the horizontal Patreon!)

[4:32]  Lemarc on his home island of St. Helena

[9:58]  The landscape of Lemarc’s household growing up

[11:57]  Lemarc on his parents

Lemarc:  They’re still together, and they’ve been together for like a million years, and (Lila giggles) yeah. I think it’s a different time though, you know. I think when they got together, marriage really is forever, and you stick it out. There is not the idea that you will divorce, you, you go through everything. It’s, it’s a commitment. And I can really see that in them, that they will be together forever.

Lila:  That out is not an option for them.

Lemarc:  No! And I think when I was younger, I kind of looked at them and thought like, Maybe they would… What if they were not together? What if they would choose different lives? And then I think, I remember looking at them in like difficult times, and thinking Wow, they are — they love each other so much and they are so tight and, you know, what would they do without each other? So I think that’s kind of, quite sweet as well to see that commitment, when, in today’s world we can… sometimes leave a relationship way too easily, before we’ve put in the work and before we’ve tried to… to make it work.

Lila:  And I think part of that is— at least part of it, is that most of us don’t have models like you have of your parents. Most of us don’t see, haven’t seen, couples that stuck it out, haven’t had the opportunity to speak to … dyads, who have chosen to stay in, and not take an out… Not that that’s always a good idea, but just I think there’s, there’s so few models like that, that exist now, that most of us haven’t witnessed one or haven’t come in close contact with one.

Lemarc:  Yeah, definitely. But that’s why it’s such a good idea to have lots of different role models around you so that you really see different ways of living, different examples of relationships, different examples of parenthood. I really do believe that— in the cliche that it takes a village to raise a child because, when you’re limited to just these, you know, two people, who are going to be flawed in their own special way, then, that’s the only way your body knows. And how limiting is that for us?

[14:32]  Lemarc and his sisters (esque)

[15:03]  Growing up as a free-range child, and strangers

Lemarc:  I think it was a beautiful childhood in lots of ways because it’s so free. You know, you don’t— no one locks their doors, you can, there’s so many kids around to play with. You have such a connection with nature, and community. It’s not so isolated as I see in city life, and I think even with— when you have animals or, when you have pets — the pets even roam free. You don’t have them stuck in your, in your apartment. I didn’t know it at the time, of course, but when I look back I think it’s such a beautiful way to bring up a, a child, in such a safe environment where… you’re not scared of people! You’re not scared of these strangers— who might hurt you when you go out the door? Who might grab you or whathaveyou. You know everyone. I think it’s quite sad when we look at strangers as people who are scary, when I’ve grown up where everyone around me is someone who I know, or I know their family, someone who is a part of the community. And I remember when I went to the UK, for the— what wasn’t the first time but to live, when I was 17 years old. And, I still had that idea that everybody around me was non-threatening, and, like, a friend! So I would have no problem when I went to a bar and there’s an empty seat at a table full of people, I would say, “Can I sit there? Can I sit with you?”

Lila:  (delighted) Ohhhhh! Ohhhh I love it!

Lemarc:  And I would! And I mean, this is London; you don’t really do that.

Lila:  But you diiid! 

Lemarc:  Yeah, absolutely. And I didn’t realize that it was, that it was strange. I… whoever was around me, I would talk to them. And then I ended up with a lot of— I probably ended up with too many friends. Because I spoke to everyone, and my friends would, when we were going to a class at university would get so annoyed because I would end up stopping and talking to everyone (laughing) and they’re like, “Right! This is enough! I’m not walking with you anymore!”

Lila:  (giggling) You became like the Mayor! Oh that’s, oh it’s so, it’s so charming, it’s so lovely that you were able to have that upbringing. There’s so few free-range children these days!

[18:07]  Lila on growing up & loneliness in the suburbs of New York

[19:11]  How quickly London shifted Lemarc’s sense of strangers

Lemarc:  For me, you know, growing up in such a, as a free-range kid as you (giggles) call it, I had this mentality, but when I went to the UK, I don’t think it took very long before I realized that I was strange, and, before I started to adapt to this way of life where, you don’t talk to people, and you don’t look at people in the eye and you kind of, close off from them and now I, I think I’m almost the opposite, where I would not… approach someone, and you know, probably actively avoid contact with (laughs) random, random strangers. And I wish I could, you know get back to that knowledge, that everybody is a friend.

[20:26]  Lila on good company, poor company, and owning her part

[22:30]  Loneliness in paradise

Lila:  You know? We’re relational creatures, and, paradise is less than paradise without great company to share it with.

[25:34]  Lemarc on belonging & feeling felt

Lemarc:  In attachment studies, there is the term called “feeling felt.” Not just to be seen, but to feel felt. And I think that when we feel felt by other people around us, it’s like, just sinking into a nest of belonging… and, the soul needs that.

[26:41]  Lemarc on moving to Sweden and having (almost) no connections

[28:06]  Lila’s working definition of poor company

Lila:  Poor company is when you feel you don’t belong.

[29:57]  Lila on having an abundance of alone time

[30:22]  How difficult it can be to make friends in Sweden

Lemarc:  I had this conversation with someone recently, other people who have moved to Sweden and we were talking about how difficult it is to integrate into Swedish culture and to get a friendship group here, because there’s a lot of ice to break before you get, to the hearts of the Swedes. (laughs)

Lila: (laughing) Oh my goodness yes! 

Lemarc:  And you know, I kind of came to that, it is a small city, and the people that are here, they may have their friends that they’ve had for all of their lives, like they don’t actually need us; they don’t need new people coming into their lives. And I was left with: if, we really want to have a good social circle, to connect with them, then it is really up to us to make that effort and to knock on that door again and again and again until, they, see me! (laughing) And then they, you know, feel me and that connection is made, if I want that, because it’s so easy to, feel that sense of I don’t belong, to feel rejected, to feel like, Okay, I’ve called you two times now, but, when are you going to invite me out? And I think maybe I had the safety of my partner at home so I didn’t— I think I probably would’ve made more effort if, I was here, alone. But I started to feel as if there was a part of me that was just expecting people to invite me in, rather than me having to make the effort to make those connections, if that makes sense.

[32:04]  Lila on effort and vulnerability (how much is too much?)

[33:30]  Lemarc on belonging in too many groups, merging, and the technique he used in order not to lose his roots

[37:12]  The older women who confided in little Lemarc at his family’s convenience store

Egads, little Lemarc is the adorablest

[39:00]  On being an effeminate boy with a tomboy sister

Lemarc:  I’m this skinny little, very very very very effeminate child, with a very girly voice. So most people would not know whether I’m a boy or a girl. I mean, they would think I’m a boy, but then I would start talking and they’d be like, “Uh, are you a girl or are you a boy? I’m not sure.” And—

Lila:  Did the adults ask you that?

Lemarc:  Sometimes. But often the kids would. So I think that identity was a little bit challenging I think, as a child, to know, it’s like Wait a minute, am I a girl? I don’t know. I think I’m in the wrong body maybe. So I think for a long time, I actually felt that, that— and my sister was a tomboy, so she loved to play football, and she, you know, would be riding on motorcycles, and anything that was a bit adventurous and dangerous and boyish, she would do— I mean typically boyish, and, anything that was typically girlish, I’m like, okay, cheerleading, and dancing. I gave all of my toys away, because, why would I need toys? (both laugh) So I often felt like I was meant to be her and she was meant to be me. I should have had her body and she should have had mine.

Lila:  Did she feel the same way, do you think?

Lemarc:  I think sometimes people said that to us but I don’t think she did. I mean she was— when I had these thoughts, then she was— four years older is quite significant, so I think then she accepted her, or probably had accepted her body more, and then when I became a teenager, or maybe from 17+ actually then, I really accepted mine and, and really wanted to be a boy.

[42:09]  Lemarc on gay role models

Lemarc:  (facetious) There are no gay people on St. Helena; I mean, you know, of course gay doesn’t exist there. (laughing)

Lila:  Oh goodness, really?

Lemarc:  Yeah I mean when you talk about what you learn about relationships from the people around you, they were all heterosexual, traditional, old school relationships that were around me. Gay was definitely something that was weird and unknown and strange.

Lila:  How did you even know that anybody could be gay if you didn’t see it? (underlapping) How did you hear about it?

Lemarc:  (overlapping) I always knew I was gay. I mean I didn’t have a label for it of course but I was always wanting to be a girl, I mean that, I think that was my— as a young child, I didn’t know that it was gay, it was that I’m in the wrong body.

Lila:  But it also isn’t necessarily, because it very well could have been a gender issue and not a sexuality issue.

[43:09]  What it would have done for little Lemarc if he’d been allowed to dress as a girl

Lemarc:  Oh, I think it would have done wonderful things. I often feel that one of the things that was missing in my childhood was exploration. The freedom of self-expression. There was a part of me that was not accepted in society. There’s a part of me that’s wrong and defective. And therefore, it will stay inside of me and it’s a secret, and I will not show anyone, even though I know everybody around me can see it, I’m still gonna pretend that it’s not there. […]

[44:33]  How Lemarc’s family & St. Helenian community reacted to his sexuality & effeminate nature

[47:20]  (Cont’d) What it would have done for little Lemarc if he’d been allowed to dress as a girl

Lemarc:  I do think that there are two sides to this, and that one side is that I would have had that freedom to express this part of me that I had kept hidden, and I think within that, then I would have understood my own needs and boundaries a bit more. And instead I think, rather than knowing my own needs and boundaries, I am focused on other people’s, so I can easily sense, if you’re in front of me, I know what you need before I know what I need. The other part that I struggle with is that I don’t want to be a girl. I just thought that I wanted to be a girl because I didn’t know that there was anything between girl and boy. And maybe, being able to explore being a girl, I would have got there, but I think, what I actually needed was to know what was in between boy and girl. And that that was okay. And that was still beautiful. And, that was accepted.

Lila:  Or that the things that you were taught that related to girls and boys were not true! Were just imposed! Made-up, really.

Lemarc:  Absolutely. Tell me that! Like 20 years ago!

[49:15]  When Lemarc does his inner child work, what does his inner child need to hear?

[50:26]  Lila paraphrases from Eve Ensler’s TED talk Embrace your inner girl. The direct quote is: “I think the whole world has essentially been brought up not to be a girl. How do we bring up boys? What does it mean to be a boy? To be a boy really means not to be a girl. To be a man means not to be a girl. To be a woman means not to be a girl. To be strong means not to be a girl. To be a leader means not to be a girl. I actually think that being a girl is so powerful that we’ve had to train everyone not to be that.”

[51:40]  The Owning Your Femininity Workshop that made Lemarc weep, and how the gay community treats femme gay men

[55:22]  Lemarc’s teenage attraction to his heterosexual best friend

[56:24]  When Lemarc became a full-pledged gay

[56:52]  On no longer being attracted to women

[57:29]  Lemarc has a revelation about why he isn’t as comfortable with women, physically, as he used to be

[59:02]  Lila on the possibility of sliding along the Kinsey scale throughout our lives

[1:02:09]  Lemarc on his attachment style

[1:03:37]  Lemarc on the two attachment style tactics

[1:04:53]  The exercise (of mirroring, validating, & giving empathy) that Lemarc & Michael did in pre-marital therapy, which showed him how healing relationshipping can be

Liked it? Take a second to support horizontalwithlila on Patreon!
Become a patron at Patreon!

subscribe for perks!

blog + exclusive subscriber bonus content

yes!

« 113. other people’s love: horizontal with a global matchmaker (2 of 4)
115. this is what weddings are for: horizontal with a global matchmaker (4 of 4) »

Lila Donnolo

Lila Donnolo is an Intimacy Specialist. Tell Me More…

deepen your intimacy

subscribe for all things horizontal

yes!

listen to the latest in sex-positivity

Become a patron of the horizontal arts!

Become a patron at Patreon!

or offer your patronage in one fell swoop!

come lie down with us

  • Apple PodcastsApple Podcasts
  • Google PodcastsGoogle Podcasts
  • SpotifySpotify

Follow me, we’re lying down.

instagram

horizontalwithlila

Actress. Writer. Podcaster. Lover. Intimacy Specialist … 70+ exclusive podcast episodes for you on Patreon!

Lila
See that resting frown face on my mom as she slept See that resting frown face on my mom as she slept?

I’ve started to make that same face. I wake from a dream or a doze to find that I’m frowning. I touch my lips to make it stop. After a few moments, I discover that they are making the frown shape again. I can’t make it stop because I’m sleeping when I do it. I’ve started doing it when I’m not sleeping too. When I’m awake, I think it’s a cross between a grimace and a frown. A frimace? (I mean, it can’t be a grown. Or can it?)

I don’t really have that much to frown about anymore, except, I suppose, for the onslaught of fresh horrors perpetrated by the country I live in on the daily, the greed of the few and desperation of the many, the natural disasters that are frequenter and hotter and wetter and gnarlier as the earth continues its job of beginning to shake us off its back… yeah I guess there’s not much to frown about, really. 

I took Mom to FloridaRAMA because she had been complaining for months that she didn’t do anything anymore. She mentioned concerts, plays, ballets. But by the time the sun went down, she would be sundowning and wouldn’t want to go anywhere anyway. So that afternoon I decided to pick her up and take her on an outing — which was always a pain in the ass, and especially a pain in the ass to do solo. It involved going to her room and making sure she was dressed, convincing her to get dressed if she wasn’t, which was a laborious process, insisting that we needed to take the wheelchair which of course we did because she was falling all the time and brachiating (holding onto walls and less sturdy things like chairs, tables — at least, some nurse told me that this is what it’s called but the internet seems to only relate it to apes swinging from their arms to get from place to place) […]

Continued on horizontalwithlila dot substack dot com (the link is in my bio)
In the bathroom of the Italian restaurant after Da In the bathroom of the Italian restaurant after Dad’s cold rainy rural upstate funeral looking like a sad British clown / Nowhere, NY / April 12th, 2025

Right after my father died, there were Anthonys and Tonys everywhere. 

Suddenly everyone was called Tony and everybody else was talking about their Dad or playing songs about death. 

* Passing a girl on the street talking to her friend, and the only words you catch are “My dad had…” 
* Walking into your favorite gluten-free café, and they’re playing the Flaming Lips song “Do You Realize?”

Do you realize / that everyone you know / someday / will die?

* Realizing that the second title for Billy Joel’s song “Movin’ Out” is “Anthony’s Song.” I never truly registered this until I was trying to write one morning in a blessed cacao shop (yes, for real) and I paused to listen to the opener:

Anthony works in the grocery store
Savin’ his pennies for someday

* Ordering fries from the surfer guy at the beach shack on my pilgrimage to the ocean, when his co-worker shouts, “Hey Anthony!”

If you put this stuff in your feature film script, your screenwriting teacher would tell you it’s too pat, too predictable, “don’t put a hat on a hat.” (The Writer!)

It’s like that old quarters experiment on attention… you start looking for quarters on the ground, and suddenly, you see them everywhere.

The drugstores full of Father’s Day crap. Marketing emails about “Dads and grads.” Only one company sent an email that said, Hey, we know that Father’s Day time is tough for some people, so click this to opt out of all Father’s Day related emails.

Click. CLICK!

I wish I could click that link for the universe. No father stuff, please. No Dad shit. But there were quarters everywhere, of course, because the back of my mind was attuned to all things Dad.

{You can read the rest of the essay on Substack. Link in my bio, bb.}
Love Letter to New York, whom I miss so much 1. S Love Letter to New York, whom I miss so much

1. Straight out of a fitting for “The Deuce”?

2. Free Friday at @whitneymuseum 

3. Basquiat makes me feel like home

4. Madison Square Park photo op (irresistible)

5. Candid

6. Got to see the lovely @josescaro & @benbecherny ply their craft at @bricktheater 

7. Charming marquee!

8. Closing night vibes (not pictured: the succulent plant I brought in lieu of flowersof)

9. Chuck Close in the subway!

10. More subway Chuck Close!

11. Man Ray retrospective at the Met

12. Love a good silhouette

13. A rare VERTICAL bathroom portrait in one of the finest bathrooms of them all, at the lovely New Mexican food joint with the rainbow cookies Of My Dreams, @ursula_brooklyn 

14. My man is a photographer too. 🤩

15. Cannot. Resist. Photo Booth.
I wrote a list in 2020 titled “How to love me wh I wrote a list in 2020 titled “How to love me when I’m ... depressed”... and in this essay, I encourage you to write your own version (How to love me when I’m... anxious, How to love me when I’m... burned out, How to love me when I’m... in despair)...

And if you write one, how I would love to read it. (Or even learn about one of the items on your list, here in the comments).

Here’s an excerpt:

 “One of the characteristics of my depression (and most of my other tizzies, such as but not limited to anxiety, severe procrastination, adulting paralysis, etc.) is that while I’m in it I have no idea what — if anything — will help me get out of it.

It’s more like I DON’T WANT TO BE HERE BUT I DON’T KNOW HOW TO GET OUT SO I’LL JUST HIDE UNDER THE COVERS UNTIL I WANT TO DO SOMETHING AGAIN CALL ME IN 6 MONTHS.

Ergo, therefore, if I’m in a state, and you ask me what I need, or what you can do, I may or may not have the wherewithal to tell you. Emphasis on the not. I may not even have the wherewithal to know.

And if I don’t know, how can I tell you?

I can’tdon’t, then.

If I’m not in a state I probably have plenty of things I could say but that’s when I don’t need the help so badly. (A lá it’s not the worst while you can still say the worst.)

As I mentioned in the subtitle: You don’t come with an operator’s manual. Your model came out of the fleshbox with zero instructions. And since no one possesses your operator’s manual, no matter how much they love you, you are going to be the supreme author, the expert on you, since you’ve been studying you your whole life. Please for the love of Pete & Ashleigh, do your people the great good turn of writing them some instructions. Triage options, if you will. Trust me when I say that they (nearly all of them) need it.

If you write it for them, they will have it when you need it.

This little list could, quite without exaggeration, save your life.”

The link to the whole essay is in my bio. (Join me on Substack darling!)

#substack #substackwriter #depressionandanxiety #communityiseverything
Love Letter to St. Pete @stpetefl Where we met, Love Letter to St. Pete @stpetefl 

Where we met, where we re-met ❤️‍🔥

1. An afternoon at @grandcentralbrewhouse with my handsome gentleman in @warbyparker 

2. Bb’s first @nineinchnails concert (okay, technically in Tampa) in @selkie & @viveylife . It was stellar. Trent sounds just like he used to and the projections were gorgeous!

3. Matching denim jumpsuits ( but his is a @onepiece )

4. The finest pizza in all the land (even with my dietary restrictions!) from @noblecrust (OMNOMNOMNOM)

5. He even makes doctor’s appointments fun.

6. I love matching him sooooo muchmuch. 

7. Just us and a zebra, nbd.

8. Theme Park joy

9. At the art show @wadastpete that my gentleman curated for his students. 🪐☄️🛸👽🚀✨
When I was a kid, I used to read myself to sleep. When I was a kid, I used to read myself to sleep. 

Actually, I don’t know when I stopped.

I read myself to sleep in my childhood bedroom, with a flashlight under the covers of a trundle bed (drawers filled to the brim with dress-up clothes) when my mom said it was too late to be awake. I checked out 25 books from the Freeport library at a time, filling the trunk of my parent’s car, and devoured them in weeks, partly from my perch in the flowering dogwood tree in our backyard (were the blooms ivory? or cherry blossom pink?), partly while curled up on an orange-and-yellow-ticked seat cushion I dragged down to the crawlspace in the basement — my “secret hiding spot,” which was neither secret nor hidden and so can only be termed a spot, armed with Oreos and flashlight, and the remainder under the covers before bed.

I suspect I knew more words then than I know now. There are still words like “vehement” that I’m only about 70% sure I know how to pronounce. I learned them in context. I can spell them. I can use them in a sentence! But am I saying them correctly? 

Unsure.

I read myself to sleep in high school, even though I had to get up unconscionably early to get bussed in to my magnet program — Pinellas County Center for the Arts — 35 minutes away from our sad little apartment. Like a magnet, @pcca_gibbs PCCA grabbed young artists from the whole county.

I had a major in high school, which is more usual now, from what I hear, but wasn’t so usual then, and what I majored in was called Performance Theatre (as opposed to Musical Theatre, the love of my life I never thought I was good enough for). 

I really wanted to go to the Fame school in New York — LaGuardia — but when I was 12 my Mom divorced my Dad and forced me to move to Flah-rida. So I went to PCCA instead. (To be honest, she probably wouldn’t have let me commute into the city to go to Fame even if we had stayed on Long Island.) 

Read the whole essay (link to Substack in my bio)!

#booknerdlife #readingforpleasure #readingrainbow
My man and I got our nerd on at @nerdnitestpete ! My man and I got our nerd on at @nerdnitestpete ! 

We had the opportunity to support my lovely, engaging, and compassionate Happiness Ambassador friend Adam Peters aka @mindmaprenovations as he changed some lives by teaching us how to begin developing a preference for positivity. I’ve seen him give this presentation a few times before, and this was the best one yet — and to the biggest crowd, over 300 human nerds!

I love us.

I consider it my sacred duty to paparazzi my friends when they do marvelous things, as I hope to have done unto me!

P.S. Applied to give a Nerd Nite presentation myself … fingers crossed bb’s! 

1. My gentleman is so handsome. (Also, I got this stellar skirt in excellent condition from my favorite thrift store with a cause @casapinellas !)

2. Toasties supporting Toasties! @dtsptoastmasters members: me, Steve Diasio, Dawn Cecil (two-time Nerd Nite Speaker alumni!), & Rick! (Not pictured here — but later in the carousel) Christian Carrasco.

3. Fit check baybeeee.

4. Caryn, Nerd Nite boss extraordinaire, introducing the evening.

5. Caryn introducing my friend Adam (did I yell “THAT’S MY FRIEND!” at the end? WHY YES I DID.)

6-10. Adam rocking the casbah.

11. Fellow Toastmaster Christian.

12. I love mein mann!

#nerdnite #nerdnitestpete
A woman approached me. We collaborated once, a yea A woman approached me. We collaborated once, a year prior, I think. Time is weird. She reached out both her hands.

“What a beautiful mourner you are,” she said.

I took her hands.

I think I said thank you.

She was referring, I suppose, to the gloves, the dress, the shoes, the lipstick, the earrings. 

But what does it mean, to be a beautiful mourner? 
What does it mean to mourn beautifully? 
To have good grief?

“My dad dropped dead,” I said, to get myself used to the shock of it. 

“My mother is dying,” I said, to reconcile myself to the fact of it. 

I don’t wear mascara anymore, because I cry every day.

People hugged me in airports, at rental car counters, in line for a sandwich. They hugged me in the TSA line. At the chiropractor. The grocery store. My father dropped dead, I told them. My mother is dying. I told them and they hugged me. I was glad I did. I was glad they did.

Sometimes, when people were truly asking, if I had the time, and I had the spoons, I repeated my litany of 2025. So they’d understand: it has been this kind of year. It seems that everyone has this kind of year at some point, or, devastatingly, at several points in a life — a maelstrom, a dervish, a crucible, a nexus, a whammy, a time — an Alexander’s-no-good-very-bad-terrible kind of year. 

There were so many months in February. So many years in April. So many decades in the first half of 2025. I didn’t want to become an adult, but 2024 made me, and 2025 sealed the deal. 

It’s amazing I managed to get this far without growing up.

READ the whole essay on Substack
SUBSCRIBE through the link in my bio and make my day, darling 

💋 

#substackwriters #goodgrief
Love in La La Land 1. “So this is where they ke Love in La La Land

1. “So this is where they keep the LIGHT!” -SATC … At our first @lacma member preview, enjoying the majestically empty Geffen galleries before the permanent collections moves in.

2. Urban Light, and me (installation by Chris Burden)

3. A historic view at LACMA, never again to be seen!

4 - 13. Art, mostly part of the Digital Witness exhibit

14. Love at the @gettymuseum 

15. Queer exhibits! 

16. Sunset at the Getty with my love

#museumnerd #lacma #lacmamember #digitalwellness #thegetty #loveinlalaland
For you, when you need it, and for the people in y For you, when you need it, and for the people in your life, when they need it.

Here’s an excerpt from the essay:

[To read the whole thing, follow the link in my bio to my Substack (and subscribe there, darling)!]

My chiropractor called me out a few weeks back. 
He said, with his characteristic smile (he has nice little teeth), “I read your essay.”

“You did? Thank you for reading,” I began, genuinely surprised and moved.

“But I still don’t know what to say!” he admonished. “You only told us what not to say!” 

Then he gave me an enormous cashmere-scented candle in a plastic bag. 

This was not apropos of nothing. I mentioned that scent in the essay. 

That giant cashmere candle, so big it has not one but FOUR wicks, means something. And then he had to go and ruin it. (jk, jk, Dr. Brian!)

“Hang in there,” he said, at the end of our session.

I cringed a liddle. (That’s not a little, not a lot, it’s right in the middle, a liddle.)

But you see, he was completely right! I told him I’d give him a list! I hadn’t given him a list! So I began compiling. Every time someone said a thing that made me wince, it went on the list, which lead to Part 1: What NOT to say when someone dies.

Each time someone said a thing that felt like love, made me farklempt, I took a screenshot, and it went on the list. 

This is the farklempt list.

As I wrote in “what NOT to say,” the useful things people say are fairly varied (and tailored to the griever), while the un-useful things tend to be generic variations on a tired theme.
“what TO say” will be a living document, updated whenever I have something useful, or supremely un-useful, to add. Here we go.
Love in Louisville. 1. Photo credit to my love, Love in Louisville.

1.  Photo credit to my love, Zachary

2.  Selfie with Street Art by the windy, windy river

3.  Horsies! Street Art! (Do you know how much I love murals?!)

4.  Looking like an award-winning art teacher at the art teacher conference (ahem, he is the award-winning art teacher!), wearing a @riskgalleryboutique necklace & big fcking bow!)

5.  A Wizard interlude! What a delight to witness my friend @personisawake absolutely Rock @cm_louisville & inspire a roomful of humans

6.  When your love matches the art. 🖼️ *chef’s kiss*

7 & 8. Major interior design maxi inspo for my ADU reno from @21clouisville by @fallen_fruit 🌺🌷🌸🌻🌼💐🪷

9.  The crayon shirt, bow, and soft rainbow chiclet necklace style brought to you by my inner 6-year old!

#ilovelouisville #wizardry #creativemornings #21clouisville #21c
The video clip of me in the yellow dress and anthr The video clip of me in the yellow dress and anthropology-professor blazer is an excerpt from second iteration of my talk, “The Intimacy Equation,” which I first gave as part of the @bof VOICES conference, outside London in 2021. 

This rendition had a test-drive at my Toastmasters meeting last week. Imperfect, unrehearsed, delivered from bullet points with a slim little notebook in my hand… and yet, I have shared it with my paid subscribers over on Substack (link in bio) because I want to be a person who shares process, not just product.

(This is a bit of a coup for my recovering inner perfectionist, and I have to say, I’m a wee bit proud.)

I kept my fancy equation. 

But now I have a simple one, too. 

#toastmasters #publicspeaking #intimacycoach
More Chiro Office Portraits: 1. NY vibes in the 6 More Chiro Office Portraits:

1. NY vibes in the 6th borough

2. Googly eyes in @selkie 

3. Bossbitch even when she doesn’t get the grant

4. Started practicing yoga again did I tell you?

5. Big mad (but not at that yellow two-piece thrift score from @casapinellas !)

6. Sporty Spice (obsessed with that @tottobrand bag)

7. Grumpy girl, big bow

8. Resort style bb!

9. Sad girl lemonade

10. @selkie ballerina

11. Bridgerton on a no-makeup day (also @selkie )

12. The day I picked up my mother’s ashes (still haven’t opened them)

13. @temperleylondon & mourning
A Funny Thing Happened on the Way to the Funeral ( A Funny Thing Happened on the Way to the Funeral (excerpt)

It was the night before Craig’s memorial, and I had an audition due. 

It was a feature film audition, due at 11am Pacific / 2pm Eastern. This happened to be squarely during the memorial. I was playing an elementary school teacher, and so when I packed in a whirl for New York, I grabbed my crayon shirt and a giant hair bow and figured surely I’d be able to wangle a human into helping me with my self-tape. New York is my hometown! So many potential wangles! Right?

Two nights prior, out with my friend @kristianndances , no stranger to auditions herself, I had an invitation to her Brooklyn apartment to get’er’done, but, you see, I didn’t have the shirt with me. And friend, if you pack your crayon shirt to audition for Miss Kelly the elementary school teacher then frankly, no other shirt will do.

Since I was staying with another friend, I asked him to help me, but he wasn’t available until the morning. 

The morning of the memorial. 

{ continued on horizontalwithlila.substack.com }
Just out here looking like the Pride Statue of Lib Just out here looking like the Pride Statue of Liberty.

Remember, I promised the good people of @stpetefl that if they gave me another limited edition Pride flag, I would wear it as a dress. @stpetepride 

AND SO I HAVE.

The Pride Market at Grand Central today was full of rainbows and swag and glitter, just the way I like it.

I love us all.

And I look forward to the day when all any of us need, is love. Because we’ve got plenty of that to go around.

#stpetepride #stpetefl
POV: When your friend is one of the great young ja POV: When your friend is one of the great young jazz guitarists, but you haven’t seen him play in a decade (except for that time last month when he accompanied you to sing at your mother’s funeral). What a mensch. What a band!

#natenajar
I’m just gonna leave this here. My fave sign at I’m just gonna leave this here.

My fave sign at @blackcrowcoffeeco 

Apropos of Everything.

#stpetepride 
#transrightsarehumanrights 
#blacklivesmatter 
#notinourname
Excerpt: You can even make a difference through sm Excerpt: You can even make a difference through small acts of resistance, ones that annoy or befuddle the evildoers, like witty and nonsensical emails to awful government agencies, clowns showing up outside imm!gration hearings, giant group dances in front of vile businesses. We can find a thousand little ways to gum up the works. Bonus to you if it makes you laugh. Bonus to everyone if it makes others laugh. The Resistance doesn’t have to be stodgy. 

We, like the Dark Side, can have cookies. 
We, unlike the Dark Side, can have joy.
But we MUST PROTEST in some fashion.

When I protest, I don’t want to do so by:

- Shaming the physical appearance of the evildoer
- Slut-shaming the evildoer
- Shaming their nationality, sexuality, identity, profession
- Talking about what they smell like
- Threatening murder or castration or people’s families

I completely understand why we do this, or at least, I think I understand why we are tempted to do this. We want to bully the bully, thinking that’s the only way he’ll understand. But the truth is that he’s probably not going to understand, whether or not we stoop to the low ground. He’s not going to understand because he is likely a sociopath. 

But we’re not doing it for him. We’re not pr0testing for him. 
We are pr0testing for Ian in Iowa who is a bit messed up and kind of confused and doesn’t really get the impact that this is having on, say, WOMEN, who opens up his news app and sees thousands upon thousands of, let’s just say women, pr0testing with signs, and maybe he goes, hm, why might they be pr0testing when they could be home having pancakes? Why might that be? And maybe Ian gets a little more informed that day about the plight of, hell, let’s say, women, and maybe just maybe he starts to act a wee bit differently, and then the whole butterfly effect thing is possible.

When pr0testing evildoing in its many many oppressive forms, I want to focus on their harmful ACTIONS, and CHOICES. 

I want them to rot for being rotten.

I’m interested in dismantling their ARGUMENTS
Proving false their IDEOLOGIES
Laying bare their HYPOCRISIES
Exploiting their INCONSISTENCIES
Disproving their FALSEHOODS

Cont’d on Substack
I want to share with you something in the famous @ I want to share with you something in the famous @elizabeth_gilbert_writer speech on creativity. It’s one of the most famous @ted talks in the world, and she talks about how ideas come to people. 

The way that I, that ideas come to me, is I will get a line of something and then I will get another line, and then I get nervous because I, if I get a third line, I might be okay, but the fourth line is gonna push the first line completely out. And it’s gone. 

So I have to, I have to get my, to my paper. I have to get to my paper and I have to write it down or, or, or whatever it is, my notes app in my phone, anything. I have to get it down or I’ll lose it. 

She talks about @tomwaits the famoso musician, driving in his car and a bit of melody comes to him. And he goes, “Can’t you see I’m driving? If you wanna exist, go bother somebody else. Go bother Leonard Cohen or somebody.” 

I don’t suggest you talk to your creativity that way, because as Elizabeth Gilbert likes to say, it is like a cat and it doesn’t understand you and your face looks funny when you do that. 

[4 of 5] 

The speech is available in bits here, or in its entirety on my horizontal with lila Substack — link in my bio. Love you. Go make art.
These are a few of my notebooks from over the year These are a few of my notebooks from over the years. Here are a few more. You’re invited to flip through them. These are my (not so private anymore) ideas, thoughts, classes, poems. I have no idea what you’re looking at. I don’t even remember most of what’s in these notebooks. But they’re there, because I captured them.

Anybody have a date in theirs? There should be dates. Can you call it out? 

[people call out dates]

So this is my work! Beginning in 2009 was the, the earliest date. There is so much that comes out of a creative brain, and I know that your brain is not dissimilar. I know that you are all creative beings.

One of my favorite books on creativity, and I don’t know if it’s been mentioned tonight because sadly I missed the first part, but it is a book called “bird by bird.” 

Oh, I didn’t mention it, but I love that book. 

By Anne Lamott. Are you the only one who’s read it? Has anybody else read this book? “bird by bird” It is one of only two books on creativity I would actually recommend. Otherwise, I would recommend you just go out and make stuff. 

In this book, she says, and I have carried this quote with me because I have been this way throughout... I mean, it must be... it’s, it’s my entire remembered life, it could be as young as 5 years old, a perfectionist. She says, “Perfectionism is the voice of the oppressor. It will keep you cramped and insane your entire life.” 

The voice of the oppressor. 

I think about that all the time. I do not want to be oppressed. No! Viva la revolución! You know, I don’t want that for myself. And so I have been internally oppressing myself. Most of what you see in these books, and that’s not all of them, right? And that’s only from 2009. Most of what you’ve seen in these books has not seen the light of day. 

[3 of 5] Full “Are you an artist, tho?” video & transcript on Substack

Subscribe there and make a Lila happy! Link in my bio, bb.

#toastmasters #publicspeaker
Load More Follow on Instagram

Copyright © 2026 · glam theme by Restored 316

Copyright © 2026 · Glam Theme on Genesis Framework · WordPress · Log in

  • home
  • bio
  • press
  • writing
  • coaching
  • patreon
  • glossary
  • talk to me