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horizontal with lila

110. don’t need a dic…tator: horizontal with indonesia’s openly LGBTQ+ singer-songwriter [2 of 2]

in episodes on 15/07/20

This is Kai Mata. She displays a rainbow at every gig and will do so until the entire LGBTQ+ community is liberated.


To listen to this episode:

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Lila:  So right now, as I understand from your post, there is a bill?

Kai:  Yes.

Lila:  That is attempting to be pushed through government, that would require anyone, I guess outed by anybody else as LGBTQ+ to go to conversion therapy?

Kai:  Yes. This bill, called what translates to in English as the Family Resilience Bill— 

Lila:  Oo, ew.

Kai:  Yes. Of course. Any time we mention family it’s usually against any sort of family. It defines LGBTQ+ people as sexual deviants.

Lila:  (sarcastically) Yeah, let’s keep them from making families to protect families. […] No sense-making.

Kai:  Yes. It also labels us as sexual deviants along the lines of people that participate in incestuous relationships and non-consensual relationships.

Lila:  Whoa!

Kai:  This law, this bill, also targets, a lot of woman’s rights, basically saying that a woman’s duties are in the household to clean. (Lila sighs heavily) It is a bill that is a grave stomping on human rights. And the rights of marginalized groups in Indonesia. And though we know it’s not gonna pass because it’s impossible to implement, what it does is it’s normalizing hate speech, and anti-LGBTQ+ sentiments. It is normalizing the demonization and the villainization of LGBTQ+ people. And it’s shoving more and more queer people deeper into the closet for fear of speaking out. Indonesia has such a strong culture of shame. And the idea of familial shame, so, I can’t come out because of my family’s repercussions it’ll have. And that’s what keeps people so deeply embedded in the closet and from saying anything.

Lila:  Caged.

Kai:  It’s caged! The only Indonesians that are out towards their friends are only out not in their own cities. They move somewhere else to be out, and back home they’re still in the closet. Which is why you can see gay and queer Indonesians here in Bali, but most of them are not Balinese. The ones that are Balinese, either leave the country or go to a different city.

Lila:  Feels like… maybe how it was 80 years ago in the States or something?

Kai:  Even just 20 years ago in the States, 30 years ago in the States.

Lila:  Moving someplace else to be out, moving to a big city… not being able to tell your family. But this, this, familial or ancestral shame… I don’t think there’s as much of that in the States.

Kai:  Not as much anymore.

Lila:  Maybe in more religious communities.



Hello my patrons.

This is the second part of my conversation with Kai Mata, Indonesia’s rainbow-toting, openly LGBTQ+ singer-songwriter: thoughtful rock star, articulate activist, love advocate, outspoken woman with a bamboo guitar and meter-long hair living a love life of liberation in a country that expects her to be neither outspoken nor liberated.

In episode 109. love who you love, we talked about the persecution of Chinese Indonesians, Kai’s California childhood, falling in love for the first time (and with a girl), coming outed on that fateful spring break in Bali, PDA in Indonesia, cultural sensitivity & admitting our privilege, modesty, menstruation, temples, & tampons, the illegality of sex toys, and the fact that our current sexual partners don’t define our sexual orientation.

In this part, we discuss:

  • Kai’s ideal relationship
  • the Bali cacao ceremony
  • age discrepancies & the sexiness of power
  • the dream marriage tour
  • Indonesia’s proposed “family resilience bill” which would label all LGBTQ+ people as sexual deviants and require their family members to turn them in to be tortured by the government in conversion therapy
  • how existing laws are currently used to target Indonesian queers
  • Kai’s escape plan
  • turning her adversity into an advantage
  • & a story about the self-proclaimed greatest dancer in the world

Kai kindly allowed me to include two of her original songs in these episodes. You heard one of them, “So Hard,” in episode 109, and here is the other.

It’s called “Within You Is a Light.” It’s my favorite song of hers. I first saw her play it at a show in Ubud on International Women’s Day, and I couldn’t stop smiling. Because she’s truly a rock star. A beacon of rainbow light.

Kai is composing anthems for the global queer revolution, and I couldn’t stop smiling imagining all of the people in the LGBTQ+ community whom she has already uplifted, and all those who will still get to discover her music in the years to come. It makes me want to hold a lighter in the air and sway with everyone in the world who stands for love.

Come lie down with us again in Ubud, Bali, Indonesia.


Links to Things:

Kai’s Instagram

Kai’s Twitter

Kai’s Facebook

Kai’s new song Where Love Goes

Beautiful profile of Kai’s activism in the South China Morning Post

Why We Pick Difficult Partners, the School of Life video Lila references as “how we code the love we received as a child, regardless of how we experienced it, as love”


Show Notes:

(if you share excerpts, please link to this page or the horizontal Patreon!)

[2:32]  On sexual fluidity.

[3:35]  Will Kai only have partners in the LGBTQ+ community?

Kai:  Why that is a rule that I have now is because of what I’m looking for in a partner, and that’s someone who has compassion, for… and the empathy to see from the eyes I see. And I hope that I could also have the empathy to see from their eyes as well. I wouldn’t say I’m gonna make a blanket statement; if there’s a lovely man who is super open about these ideas and understands them, on a personal level— then potentially, yeah, maybe. But, who do I want to keep in my life? That will help me represent myself in my truth and who can I help represent them in their truth… as well? And typically, a big part of my identity, especially now is the fact that I am in the queer community. And that is something I think a lot of straight people don’t recognize the importance of.

Lila:  Of being in the queer community?

Kai:  Yes, and why I’m so vocal about it. I—

Lila:  They— they don’t understand?

Kai:  No, I’m told “Just get on with it. What you do in your own bedroom is your thing.” […]  The whole thing is that it’s not about what happens in the bedroom. That’s,

Lila:  Right!

Kai:  It’s about love! Beyond that it’s about, I guess—

Lila:  And equal rights for partnerships.

Kai:  Exactly.

[5:16]  What does Kai’s dream partnership look like?

Kai:  I want someone who… can bring the awareness of what they want to achieve— within themselves, and within the world. I think a lot of— us— don’t want to look at who we are. And don’t take the time to grow into who we want to become. I think that, the ability to look with compassion, as a lens we see the world through, is something super important. Because we all have stories, that shape our perspectives. And, I think empathy is the biggest way to create bridges, and to recognize the humanity in every person, rather than demonize people for their differences. So, I would love to see that in my partners.

[6:18]  What does Lila want in a relationship — not in a relationshopping kind of way?

[10:01]  And what did her best friend say about that?

Lila: Freedom within union is what I dream of.

[11:16]  Lila’s experience at the Bali cacao ceremony witnessing a man “in the front row” for his partner.

[13:41]  What does Kai want in her partner?

[14:20]  Power imbalances & age differentials.

Kai:  I would say, my relationships in the past have had problems with, I guess, a balance. Maybe power imbalances. And, issues with who is in the limelight more. 

Lila:  Do you tend to choose people who are quote unquote “more powerful” in that regard? Or the other way around?

Kai:  Yeah, the the… yes. Yes the first one.

Lila:  (laughs) I understand. Power is very sexy.

Kai:  It is!

Lila:  I was talking to someone last night at a Secret Supper, and she was tracing some elements of narcissism in men that she’s dated, and I said, “Yes! I understand! Narcissists can be very sexy!” They’re so confident! They’re so clear! They’re so… all about what they’re about.

Kai:  Exactly. That’s very attractive to me. So I’ve typically… most of my relationships have had a… significant age difference.

[15:28]  Kai on the age discrepancy and shifting imbalances in her first partnership.

[16:23]  The unequal but balanced agreements one of Lila’s lovers had with his partner. How do we navigate the intersectional power differentials in relationships?

Lila:  For instance, one of the first men who I had any interaction with who was in an open relationship, in an open marriage, was describing to me the, the agreements that they had. And they were that, because his wife was— he said, mostly a lesbian, that’s how he described her. She was free to be with women, and so she could be with him, and, and women, and he, at first, did not have the liberty to be with anybody else. I was like, “But that’s not fair. That doesn’t seem fair.” And he said, “Lila, it doesn’t have to be equal to be balanced.” And I’ve thought a lot about that since. So I wonder— because there is, just like intersectional feminism. There’s, there’s going to be differential between the people in a relationship in different ways, right, so: a person might have more privilege because they have more money; the other person might have more privilege because of their race. And that, and there’s all these different factors that play into power imbalances, and, probably there is— unless you are very very very similar in background and in earnings and, you know? And in looks, like— there’s going to be imbalances. So I wonder about ways that people navigate a power differential in relationships, that acknowledges those things, those differentials, and yet feels… okay, feels balanced. Like, the older person can never get any younger; that age gap is never going to get any smaller. But the younger person will… get older, you know, and will ostensibly grow.

[18:40]  When did Lila start dating younger men?

[19:32]  The married man who called Lila a bohemian, and her relationship to the word.

[20:05]  Lila on the conventional desire she’s a bit embarrassed by.

[22:16]  What leads Lila?

Lila:  I’m pretty much guided, 98.5 percent of the time, by my attraction. […] I don’t want to live a relationship — or a life — without that part of me blossoming. I spend a lot of time single.

[23:03]  Lila on releasing a limiting belief about men.

I used to say it was hard for me to find people that I’m physically attracted to. But that’s not true. And I am just now in the process of acknowledging that that is a belief that is not true, and I can let go of that. It’s not true! There actually are lots of people that I am attracted to and can be attracted to. So… there’s something else going on. You know? There’s other stuff. Attachment style stuff, potentially. Choosing unavailable men is a theme.

[23:37]  In what ways are they unavailable? And where does this proclivity come from?

[24:58]  The School of Life video about how we code the love we received as a child, regardless of how we experienced it, as love.

[27:36]  Singing as healing

[27:51]  Kai’s dream wedding tour

Kai:  I will get married in every country it’s legal!

[29:30]  Kai on the proposed Indonesian Family Resilience Bill. Her Facebook post on this is what leads Lila to seek her out and propose a podcast together.

Lila:  So right now, as I understand from your post, there is a bill?

Kai:  Yes.

Lila:  That is attempting to be pushed through government, that would require anyone, I guess outed by anybody else as LGBTQ+ to go to conversion therapy?

Kai:  Yes. This bill, called what translates to in English as the Family Resilience Bill— 

Lila:  Oo, ew.

Kai:  Yes. Of course. Any time we mention family it’s usually against any sort of family. It defines LGBTQ+ people as sexual deviants.

Lila:  (sarcastically) Yeah, let’s keep them from making families to protect families. […] No sense-making.

Kai:  Yes. It also labels us as sexual deviants along the lines of people that participate in incestuous relationships and non-consensual relationships.

Lila:  Whoa!

Kai:  This law, this bill, also targets, a lot of woman’s rights, basically saying that a woman’s duties are in the household to clean. (Lila sighs heavily) It is a bill that is a grave stomping on human rights. And the rights of marginalized groups in Indonesia. And though we know it’s not gonna pass because it’s impossible to implement, what it does is it’s normalizing hate speech, and anti-LGBTQ+ sentiments. It is normalizing the demonization and the villainization of LGBTQ+ people. And it’s shoving more and more queer people deeper into the closet for fear of speacking out. Indonesia has such a strong culture of shame. And the idea of familial shame, so, I can’t come out because of my family’s repercussions it’ll have. And that’s what keeps people so deeply embedded in the closet and from saying anything.

Lila:  Caged.

Kai:  It’s caged! The only Indonesians that are out towards their friends are only out not in their own cities. They move somewhere else to be out, and back home they’re still in the closet. Which is why you can see gay and queer Indonesians here in Bali, but most of them are not Balinese. The ones that are Balinese, either leave the country or go to a different city.

Lila:  Feels like… maybe how it was 80 years ago in the States or something?

Kai:  Even just 20 years ago in the States, 30 years ago in the States.

Lila:  Moving someplace else to be out, moving to a big city… not being able to tell your family. But this, this, familial or ancestral shame… I don’t think there’s as much of that in the States.

Kai:  Not as much anymore.

Lila:  Maybe in more religious communities.

[32:17]  How’s Kai’s outness could affect her family.

Kai:  Yeah. When I came out — and I’m very publicly out — as you know!

Lila:  Yes!

Kai:  As you’ve seen. As we’ve become connected by. I… had to recognize the position I put my family in. And it’s an idea of, now they have to take on the responsibility too. They didn’t ask for that.

Lila:  Did you talk to them about it?

Kai:  No. They know very little about what I do publicly, and I prefer to keep it that way, just like I prefer most people not to know about my family, besides the fact that they’re very loving and accepting. […] But I know that, my mother’s friends kind of know that I’m, not straight, and they will bring it up in like slight passive-aggressive ways. But not directly be like, Yo! Your kid’s flaming gay! Or something like that.

Lila:  How do they bring it up?

Kai:  Just snide comments about other people in this LGBTQ+ community. Or if they’re out to lunch, and they see like, a very feminine man, they’ll all make comments about him. Things like that. There’s, there’s an aspect of: I’m very out, and also recognizing that there’s kind of a strong Don’t Ask Don’t Tell culture that goes on here. Where it’s so shameful that people don’t even want to bring it up.

Lila:  Don’t Ask Don’t Tell can be so harmful.

Kai:  It can. It keeps people in the shadows. People have written me and said, “This law’s not gonna pass. Don’t worry.”

Lila:  Right, “you’re fine.”

Kai:  But it still has— it’s already shown such adverse negative effects, on a community as a whole.

Lila:  Yeah, it’s like having a horrible President of the United States — it brings out all these hateful people from the gutters. Basically. Who feel emboldened now that a hateful person is in power. And it’s scary.

Kai:  It is.

[34:10]  Kai’s escape plan. Has she talked to her parents about it?

[34:49]  How Indonesia uses existing prostitution & pornography laws to persecute LGBTQ+ folx

Kai:  Indonesia’s an interesting place because very rarely is there like physical harm— or less so than what we, I guess saw in the U.S., during everything like Stonewall Riots.

Lila:  Yeah, but being ostracized or excommunicated can be just—

Kai:  Exactly.

Lila:  — as devastating.

Kai:  Either that or being detained. People that run LGBTQ+ Facebook groups have been detained before in Indonesia, under the guise of a 2008 law about electronic communications. And, Indonesia doesn’t have a federal law that criminalizes same-sex relationships… they use existing laws— specifically prostitution and pornography laws as a way to target the group anyway. Or anything that they can think of. So it’s the idea of knowing, even though there’s nothing in the books right now, that says that Indonesia can arrest me for… if they wanted to, they’ll find a way.

[35:47]  Lila’s dreams for Kai.

Lila:  Someday, I hope, to see you at the center of an Indonesian Pride parade. (pause, sniffles from both) I really hope that.

Kai:  I think it’s sad that I can’t imagine that happening.

Lila:  I think sometimes I am shortsighted in my ability to imagine better change for the world. Because, I think, a hundred years ago, probably, nobody could imagine same-sex marriages being legalized in the United States.

Kai:  Yeah.

Lila:  And, fifty years ago, sixty maybe, I bet people couldn’t imagine polyamorous relationships being all over the newspapers and on television. […] So I, I really wanna believe that change, more loving change, is much more possible than my limited ability to conceptualize it actually happening. I think of that quote— you know the one I’m talking about? “The arc of the moral universe is long, and” I’m paraphrasing, “my eye sees but a little ways, but as far as I can see, it bends towards justice.” I hope I’m not misquoting.

Kai:  Whoever it is, that is profound.

 

Note:

This quote is a rephrasing of a passage in a sermon by the abolitionist minister Theodore Parker, popularized by Martin Luther King. 

The exact wording of the Parker sermon is: “I do not pretend to understand the moral universe. The arc is a long one. My eye reaches but little ways. I cannot calculate the curve and complete the figure by experience of sight. I can divine it by conscience. And from what I see I am sure it bends toward justice.”

The MLK rephrase is: “The arc of the moral universe is long, but it bends toward justice.”

 

[37:32]  Lila loves on Kai; Kai ruminates about how her privilege and voice were born of adversity.

Kai:  I’m crying right now.

Lila:  Me too. (laughs) I also feel like your brethren— they’re lucky to have you. They’re lucky to have you so vocal, so brave, so eloquent. I am sure that there is much more support and celebration for you than even you know, here. You’re uniquely positioned, because of your nationality and then your upbringing, to speak to the world about this.

Kai:  Definitely.

Lila:  (emotional) So thank goodness for you.

Kai:  I mean it’s, it’s a funny thing to think about— when I’ve reflected recently that, the reason my parents are so open and understanding, and the reason why I, I think developed a healthier identity with my sexual orientation and sexuality in general, is the fact that… we… were survivors of political unrest and sent to the U.S. and saved in that regard! So it is a privilege that came from complete adversity, and thus, I want to turn my adversity here, into an advantage. Cause I am an ethnic minority; I’m a sexual minority. I’m also a woman. But I have something that is super important that most Indonesians don’t have and that’s choice. I can choose to stay, and I can choose to leave. And if I choose to leave, I can easily assimilate into the West. Moreso than most Indonesians who gain asylum. 

Lila:  Yes.

Kai:  So in that regard, I’m here planted, because for so many times throughout history, they have tried to kick my people out, whether it’s for our ethnic origin, or now, my sexual orientation. And if I leave, that is giving them what they want. That is telling them they win. (emotional) That I will abide by their ridiculous ideas of what humankind is, and what compassion is meant to look like. And what justice is. So I stay… and it’s scary to stay.

Lila:  (almost a whisper) Yeah! … But it’s like your life has poised you to be a voice, for those who cannot use theirs, at this moment.

Kai:  Yeah.

Lila:  (laughing and crying) That’s amazing! And I can imagine what a burden. (whispers) But it’s also amazing.

[40:21]  Kai tells a story about the self-proclaimed Greatest Dancer in the World

Kai:  My ex-girlfriend — and we ended on pretty bad terms — we’ll call her K. Because, I don’t wanna say her name. K had shown me a different side of her when I came. We went from being super in love, and her being so warm towards me, to a complete 180. And that was especially seen, when she asked me to leave, on Christmas Eve.

Lila:  Whoa!

Kai:  Yes. She had told me she didn’t love me, and she didn’t care about me, and she didn’t want me there.

Lila:  How did this happen?

Kai:  I guess, people change their minds, and, she didn’t know, what she wanted, and didn’t know how to say what she wanted once she figured it out, until it was too late! So thankfully, her twin sister, took me in— shoutout to you, Lucy! Love you!

Lila:  Yeah Lucy!

Kai:  Lucy took me in. And I was a guest of her, when I still went to all their family gatherings! 

Lila:  Ohh!

Kai:  I still went to family Christmas, and I saw K there, but I was a guest of her twin sister…..

[46:35]  Kai tells a story about her first role model couple.

[48:53]  Lila’s love of Unitarian Universalists, the agnostics of the religious world, and her first glimpse of a queer family in the form of St. Pete UU’s phenomenal former minister, Dee Graham.

[55:15]  Kai tells a story about her love of LGBTQ+ tourism, and NYC rainbows.

Kai:  I walk around as a symbol of a rainbow, because most people, they won’t recognize it, but to those who notice, it means the world to them. […] So I got to participate in New York City’s World Pride in 2019. […] And I remember, arriving into this big city that I had never been to before, and seeing rainbows emblazoned everywhere. On ATM machines, on the streets, in food, everywhere. And I was overwhelmed with all the rainbows around me, as a 21 year-old. I just remember, I couldn’t leave the hotel room without crying every time I saw a rainbow, and having to take the time, to take a photo of it. I was, with people who had lived in New York, and everyone was sick of me doing it, because I would basically have an emotional breakdown of celebration and rejoice, but, I remember, crying at every single moment, every day because I saw a little, a rainbow sticker on a bakery, or, something etched into a bench, to remember a beautiful gay icon or hero. And I also recall being in the Pride March. I was on a float. In the front. My face was painted in rainbow, kinda ended up everywhere! And, I was there— in the par— the march lasted around four hours, but I was standing and dancing the entire time. And I would scan the audience and see, Asian people specifically, point me out, as if I was like a beacon! 

 

Lila:  Yes!

Kai:  And it was so rare for me to see Asian support and celebration. And it was all like— like there were old women with plastic visors, that you wouldn’t expect to, to be at a Pride March!

Lila:  Yes!

Kai:  And, families. And everything like that. And, I felt, I felt, so… celebrated. And that, my voice wasn’t the only one. I think that has charged me with a sense of needing to create community and making sure that people don’t feel alone.


To listen to this episode:

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If you have an LGBTQ+ friend living in an intolerant place, or among people who provide little support for their true identity, would you share this episode with them? They are not alone. People like Kai are fighting for their right to love who they love.

And to find out about all things horizontal, including upcoming workshops, my How to Connect course, and Intimacy Advice sessions, sign up for my email missives on horizontalwithlila.com.

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Lila
See that resting frown face on my mom as she slept See that resting frown face on my mom as she slept?

I’ve started to make that same face. I wake from a dream or a doze to find that I’m frowning. I touch my lips to make it stop. After a few moments, I discover that they are making the frown shape again. I can’t make it stop because I’m sleeping when I do it. I’ve started doing it when I’m not sleeping too. When I’m awake, I think it’s a cross between a grimace and a frown. A frimace? (I mean, it can’t be a grown. Or can it?)

I don’t really have that much to frown about anymore, except, I suppose, for the onslaught of fresh horrors perpetrated by the country I live in on the daily, the greed of the few and desperation of the many, the natural disasters that are frequenter and hotter and wetter and gnarlier as the earth continues its job of beginning to shake us off its back… yeah I guess there’s not much to frown about, really. 

I took Mom to FloridaRAMA because she had been complaining for months that she didn’t do anything anymore. She mentioned concerts, plays, ballets. But by the time the sun went down, she would be sundowning and wouldn’t want to go anywhere anyway. So that afternoon I decided to pick her up and take her on an outing — which was always a pain in the ass, and especially a pain in the ass to do solo. It involved going to her room and making sure she was dressed, convincing her to get dressed if she wasn’t, which was a laborious process, insisting that we needed to take the wheelchair which of course we did because she was falling all the time and brachiating (holding onto walls and less sturdy things like chairs, tables — at least, some nurse told me that this is what it’s called but the internet seems to only relate it to apes swinging from their arms to get from place to place) […]

Continued on horizontalwithlila dot substack dot com (the link is in my bio)
In the bathroom of the Italian restaurant after Da In the bathroom of the Italian restaurant after Dad’s cold rainy rural upstate funeral looking like a sad British clown / Nowhere, NY / April 12th, 2025

Right after my father died, there were Anthonys and Tonys everywhere. 

Suddenly everyone was called Tony and everybody else was talking about their Dad or playing songs about death. 

* Passing a girl on the street talking to her friend, and the only words you catch are “My dad had…” 
* Walking into your favorite gluten-free café, and they’re playing the Flaming Lips song “Do You Realize?”

Do you realize / that everyone you know / someday / will die?

* Realizing that the second title for Billy Joel’s song “Movin’ Out” is “Anthony’s Song.” I never truly registered this until I was trying to write one morning in a blessed cacao shop (yes, for real) and I paused to listen to the opener:

Anthony works in the grocery store
Savin’ his pennies for someday

* Ordering fries from the surfer guy at the beach shack on my pilgrimage to the ocean, when his co-worker shouts, “Hey Anthony!”

If you put this stuff in your feature film script, your screenwriting teacher would tell you it’s too pat, too predictable, “don’t put a hat on a hat.” (The Writer!)

It’s like that old quarters experiment on attention… you start looking for quarters on the ground, and suddenly, you see them everywhere.

The drugstores full of Father’s Day crap. Marketing emails about “Dads and grads.” Only one company sent an email that said, Hey, we know that Father’s Day time is tough for some people, so click this to opt out of all Father’s Day related emails.

Click. CLICK!

I wish I could click that link for the universe. No father stuff, please. No Dad shit. But there were quarters everywhere, of course, because the back of my mind was attuned to all things Dad.

{You can read the rest of the essay on Substack. Link in my bio, bb.}
Love Letter to New York, whom I miss so much 1. S Love Letter to New York, whom I miss so much

1. Straight out of a fitting for “The Deuce”?

2. Free Friday at @whitneymuseum 

3. Basquiat makes me feel like home

4. Madison Square Park photo op (irresistible)

5. Candid

6. Got to see the lovely @josescaro & @benbecherny ply their craft at @bricktheater 

7. Charming marquee!

8. Closing night vibes (not pictured: the succulent plant I brought in lieu of flowersof)

9. Chuck Close in the subway!

10. More subway Chuck Close!

11. Man Ray retrospective at the Met

12. Love a good silhouette

13. A rare VERTICAL bathroom portrait in one of the finest bathrooms of them all, at the lovely New Mexican food joint with the rainbow cookies Of My Dreams, @ursula_brooklyn 

14. My man is a photographer too. 🤩

15. Cannot. Resist. Photo Booth.
I wrote a list in 2020 titled “How to love me wh I wrote a list in 2020 titled “How to love me when I’m ... depressed”... and in this essay, I encourage you to write your own version (How to love me when I’m... anxious, How to love me when I’m... burned out, How to love me when I’m... in despair)...

And if you write one, how I would love to read it. (Or even learn about one of the items on your list, here in the comments).

Here’s an excerpt:

 “One of the characteristics of my depression (and most of my other tizzies, such as but not limited to anxiety, severe procrastination, adulting paralysis, etc.) is that while I’m in it I have no idea what — if anything — will help me get out of it.

It’s more like I DON’T WANT TO BE HERE BUT I DON’T KNOW HOW TO GET OUT SO I’LL JUST HIDE UNDER THE COVERS UNTIL I WANT TO DO SOMETHING AGAIN CALL ME IN 6 MONTHS.

Ergo, therefore, if I’m in a state, and you ask me what I need, or what you can do, I may or may not have the wherewithal to tell you. Emphasis on the not. I may not even have the wherewithal to know.

And if I don’t know, how can I tell you?

I can’tdon’t, then.

If I’m not in a state I probably have plenty of things I could say but that’s when I don’t need the help so badly. (A lá it’s not the worst while you can still say the worst.)

As I mentioned in the subtitle: You don’t come with an operator’s manual. Your model came out of the fleshbox with zero instructions. And since no one possesses your operator’s manual, no matter how much they love you, you are going to be the supreme author, the expert on you, since you’ve been studying you your whole life. Please for the love of Pete & Ashleigh, do your people the great good turn of writing them some instructions. Triage options, if you will. Trust me when I say that they (nearly all of them) need it.

If you write it for them, they will have it when you need it.

This little list could, quite without exaggeration, save your life.”

The link to the whole essay is in my bio. (Join me on Substack darling!)

#substack #substackwriter #depressionandanxiety #communityiseverything
Love Letter to St. Pete @stpetefl Where we met, Love Letter to St. Pete @stpetefl 

Where we met, where we re-met ❤️‍🔥

1. An afternoon at @grandcentralbrewhouse with my handsome gentleman in @warbyparker 

2. Bb’s first @nineinchnails concert (okay, technically in Tampa) in @selkie & @viveylife . It was stellar. Trent sounds just like he used to and the projections were gorgeous!

3. Matching denim jumpsuits ( but his is a @onepiece )

4. The finest pizza in all the land (even with my dietary restrictions!) from @noblecrust (OMNOMNOMNOM)

5. He even makes doctor’s appointments fun.

6. I love matching him sooooo muchmuch. 

7. Just us and a zebra, nbd.

8. Theme Park joy

9. At the art show @wadastpete that my gentleman curated for his students. 🪐☄️🛸👽🚀✨
When I was a kid, I used to read myself to sleep. When I was a kid, I used to read myself to sleep. 

Actually, I don’t know when I stopped.

I read myself to sleep in my childhood bedroom, with a flashlight under the covers of a trundle bed (drawers filled to the brim with dress-up clothes) when my mom said it was too late to be awake. I checked out 25 books from the Freeport library at a time, filling the trunk of my parent’s car, and devoured them in weeks, partly from my perch in the flowering dogwood tree in our backyard (were the blooms ivory? or cherry blossom pink?), partly while curled up on an orange-and-yellow-ticked seat cushion I dragged down to the crawlspace in the basement — my “secret hiding spot,” which was neither secret nor hidden and so can only be termed a spot, armed with Oreos and flashlight, and the remainder under the covers before bed.

I suspect I knew more words then than I know now. There are still words like “vehement” that I’m only about 70% sure I know how to pronounce. I learned them in context. I can spell them. I can use them in a sentence! But am I saying them correctly? 

Unsure.

I read myself to sleep in high school, even though I had to get up unconscionably early to get bussed in to my magnet program — Pinellas County Center for the Arts — 35 minutes away from our sad little apartment. Like a magnet, @pcca_gibbs PCCA grabbed young artists from the whole county.

I had a major in high school, which is more usual now, from what I hear, but wasn’t so usual then, and what I majored in was called Performance Theatre (as opposed to Musical Theatre, the love of my life I never thought I was good enough for). 

I really wanted to go to the Fame school in New York — LaGuardia — but when I was 12 my Mom divorced my Dad and forced me to move to Flah-rida. So I went to PCCA instead. (To be honest, she probably wouldn’t have let me commute into the city to go to Fame even if we had stayed on Long Island.) 

Read the whole essay (link to Substack in my bio)!

#booknerdlife #readingforpleasure #readingrainbow
My man and I got our nerd on at @nerdnitestpete ! My man and I got our nerd on at @nerdnitestpete ! 

We had the opportunity to support my lovely, engaging, and compassionate Happiness Ambassador friend Adam Peters aka @mindmaprenovations as he changed some lives by teaching us how to begin developing a preference for positivity. I’ve seen him give this presentation a few times before, and this was the best one yet — and to the biggest crowd, over 300 human nerds!

I love us.

I consider it my sacred duty to paparazzi my friends when they do marvelous things, as I hope to have done unto me!

P.S. Applied to give a Nerd Nite presentation myself … fingers crossed bb’s! 

1. My gentleman is so handsome. (Also, I got this stellar skirt in excellent condition from my favorite thrift store with a cause @casapinellas !)

2. Toasties supporting Toasties! @dtsptoastmasters members: me, Steve Diasio, Dawn Cecil (two-time Nerd Nite Speaker alumni!), & Rick! (Not pictured here — but later in the carousel) Christian Carrasco.

3. Fit check baybeeee.

4. Caryn, Nerd Nite boss extraordinaire, introducing the evening.

5. Caryn introducing my friend Adam (did I yell “THAT’S MY FRIEND!” at the end? WHY YES I DID.)

6-10. Adam rocking the casbah.

11. Fellow Toastmaster Christian.

12. I love mein mann!

#nerdnite #nerdnitestpete
A woman approached me. We collaborated once, a yea A woman approached me. We collaborated once, a year prior, I think. Time is weird. She reached out both her hands.

“What a beautiful mourner you are,” she said.

I took her hands.

I think I said thank you.

She was referring, I suppose, to the gloves, the dress, the shoes, the lipstick, the earrings. 

But what does it mean, to be a beautiful mourner? 
What does it mean to mourn beautifully? 
To have good grief?

“My dad dropped dead,” I said, to get myself used to the shock of it. 

“My mother is dying,” I said, to reconcile myself to the fact of it. 

I don’t wear mascara anymore, because I cry every day.

People hugged me in airports, at rental car counters, in line for a sandwich. They hugged me in the TSA line. At the chiropractor. The grocery store. My father dropped dead, I told them. My mother is dying. I told them and they hugged me. I was glad I did. I was glad they did.

Sometimes, when people were truly asking, if I had the time, and I had the spoons, I repeated my litany of 2025. So they’d understand: it has been this kind of year. It seems that everyone has this kind of year at some point, or, devastatingly, at several points in a life — a maelstrom, a dervish, a crucible, a nexus, a whammy, a time — an Alexander’s-no-good-very-bad-terrible kind of year. 

There were so many months in February. So many years in April. So many decades in the first half of 2025. I didn’t want to become an adult, but 2024 made me, and 2025 sealed the deal. 

It’s amazing I managed to get this far without growing up.

READ the whole essay on Substack
SUBSCRIBE through the link in my bio and make my day, darling 

💋 

#substackwriters #goodgrief
Love in La La Land 1. “So this is where they ke Love in La La Land

1. “So this is where they keep the LIGHT!” -SATC … At our first @lacma member preview, enjoying the majestically empty Geffen galleries before the permanent collections moves in.

2. Urban Light, and me (installation by Chris Burden)

3. A historic view at LACMA, never again to be seen!

4 - 13. Art, mostly part of the Digital Witness exhibit

14. Love at the @gettymuseum 

15. Queer exhibits! 

16. Sunset at the Getty with my love

#museumnerd #lacma #lacmamember #digitalwellness #thegetty #loveinlalaland
For you, when you need it, and for the people in y For you, when you need it, and for the people in your life, when they need it.

Here’s an excerpt from the essay:

[To read the whole thing, follow the link in my bio to my Substack (and subscribe there, darling)!]

My chiropractor called me out a few weeks back. 
He said, with his characteristic smile (he has nice little teeth), “I read your essay.”

“You did? Thank you for reading,” I began, genuinely surprised and moved.

“But I still don’t know what to say!” he admonished. “You only told us what not to say!” 

Then he gave me an enormous cashmere-scented candle in a plastic bag. 

This was not apropos of nothing. I mentioned that scent in the essay. 

That giant cashmere candle, so big it has not one but FOUR wicks, means something. And then he had to go and ruin it. (jk, jk, Dr. Brian!)

“Hang in there,” he said, at the end of our session.

I cringed a liddle. (That’s not a little, not a lot, it’s right in the middle, a liddle.)

But you see, he was completely right! I told him I’d give him a list! I hadn’t given him a list! So I began compiling. Every time someone said a thing that made me wince, it went on the list, which lead to Part 1: What NOT to say when someone dies.

Each time someone said a thing that felt like love, made me farklempt, I took a screenshot, and it went on the list. 

This is the farklempt list.

As I wrote in “what NOT to say,” the useful things people say are fairly varied (and tailored to the griever), while the un-useful things tend to be generic variations on a tired theme.
“what TO say” will be a living document, updated whenever I have something useful, or supremely un-useful, to add. Here we go.
Love in Louisville. 1. Photo credit to my love, Love in Louisville.

1.  Photo credit to my love, Zachary

2.  Selfie with Street Art by the windy, windy river

3.  Horsies! Street Art! (Do you know how much I love murals?!)

4.  Looking like an award-winning art teacher at the art teacher conference (ahem, he is the award-winning art teacher!), wearing a @riskgalleryboutique necklace & big fcking bow!)

5.  A Wizard interlude! What a delight to witness my friend @personisawake absolutely Rock @cm_louisville & inspire a roomful of humans

6.  When your love matches the art. 🖼️ *chef’s kiss*

7 & 8. Major interior design maxi inspo for my ADU reno from @21clouisville by @fallen_fruit 🌺🌷🌸🌻🌼💐🪷

9.  The crayon shirt, bow, and soft rainbow chiclet necklace style brought to you by my inner 6-year old!

#ilovelouisville #wizardry #creativemornings #21clouisville #21c
The video clip of me in the yellow dress and anthr The video clip of me in the yellow dress and anthropology-professor blazer is an excerpt from second iteration of my talk, “The Intimacy Equation,” which I first gave as part of the @bof VOICES conference, outside London in 2021. 

This rendition had a test-drive at my Toastmasters meeting last week. Imperfect, unrehearsed, delivered from bullet points with a slim little notebook in my hand… and yet, I have shared it with my paid subscribers over on Substack (link in bio) because I want to be a person who shares process, not just product.

(This is a bit of a coup for my recovering inner perfectionist, and I have to say, I’m a wee bit proud.)

I kept my fancy equation. 

But now I have a simple one, too. 

#toastmasters #publicspeaking #intimacycoach
More Chiro Office Portraits: 1. NY vibes in the 6 More Chiro Office Portraits:

1. NY vibes in the 6th borough

2. Googly eyes in @selkie 

3. Bossbitch even when she doesn’t get the grant

4. Started practicing yoga again did I tell you?

5. Big mad (but not at that yellow two-piece thrift score from @casapinellas !)

6. Sporty Spice (obsessed with that @tottobrand bag)

7. Grumpy girl, big bow

8. Resort style bb!

9. Sad girl lemonade

10. @selkie ballerina

11. Bridgerton on a no-makeup day (also @selkie )

12. The day I picked up my mother’s ashes (still haven’t opened them)

13. @temperleylondon & mourning
A Funny Thing Happened on the Way to the Funeral ( A Funny Thing Happened on the Way to the Funeral (excerpt)

It was the night before Craig’s memorial, and I had an audition due. 

It was a feature film audition, due at 11am Pacific / 2pm Eastern. This happened to be squarely during the memorial. I was playing an elementary school teacher, and so when I packed in a whirl for New York, I grabbed my crayon shirt and a giant hair bow and figured surely I’d be able to wangle a human into helping me with my self-tape. New York is my hometown! So many potential wangles! Right?

Two nights prior, out with my friend @kristianndances , no stranger to auditions herself, I had an invitation to her Brooklyn apartment to get’er’done, but, you see, I didn’t have the shirt with me. And friend, if you pack your crayon shirt to audition for Miss Kelly the elementary school teacher then frankly, no other shirt will do.

Since I was staying with another friend, I asked him to help me, but he wasn’t available until the morning. 

The morning of the memorial. 

{ continued on horizontalwithlila.substack.com }
Just out here looking like the Pride Statue of Lib Just out here looking like the Pride Statue of Liberty.

Remember, I promised the good people of @stpetefl that if they gave me another limited edition Pride flag, I would wear it as a dress. @stpetepride 

AND SO I HAVE.

The Pride Market at Grand Central today was full of rainbows and swag and glitter, just the way I like it.

I love us all.

And I look forward to the day when all any of us need, is love. Because we’ve got plenty of that to go around.

#stpetepride #stpetefl
POV: When your friend is one of the great young ja POV: When your friend is one of the great young jazz guitarists, but you haven’t seen him play in a decade (except for that time last month when he accompanied you to sing at your mother’s funeral). What a mensch. What a band!

#natenajar
I’m just gonna leave this here. My fave sign at I’m just gonna leave this here.

My fave sign at @blackcrowcoffeeco 

Apropos of Everything.

#stpetepride 
#transrightsarehumanrights 
#blacklivesmatter 
#notinourname
Excerpt: You can even make a difference through sm Excerpt: You can even make a difference through small acts of resistance, ones that annoy or befuddle the evildoers, like witty and nonsensical emails to awful government agencies, clowns showing up outside imm!gration hearings, giant group dances in front of vile businesses. We can find a thousand little ways to gum up the works. Bonus to you if it makes you laugh. Bonus to everyone if it makes others laugh. The Resistance doesn’t have to be stodgy. 

We, like the Dark Side, can have cookies. 
We, unlike the Dark Side, can have joy.
But we MUST PROTEST in some fashion.

When I protest, I don’t want to do so by:

- Shaming the physical appearance of the evildoer
- Slut-shaming the evildoer
- Shaming their nationality, sexuality, identity, profession
- Talking about what they smell like
- Threatening murder or castration or people’s families

I completely understand why we do this, or at least, I think I understand why we are tempted to do this. We want to bully the bully, thinking that’s the only way he’ll understand. But the truth is that he’s probably not going to understand, whether or not we stoop to the low ground. He’s not going to understand because he is likely a sociopath. 

But we’re not doing it for him. We’re not pr0testing for him. 
We are pr0testing for Ian in Iowa who is a bit messed up and kind of confused and doesn’t really get the impact that this is having on, say, WOMEN, who opens up his news app and sees thousands upon thousands of, let’s just say women, pr0testing with signs, and maybe he goes, hm, why might they be pr0testing when they could be home having pancakes? Why might that be? And maybe Ian gets a little more informed that day about the plight of, hell, let’s say, women, and maybe just maybe he starts to act a wee bit differently, and then the whole butterfly effect thing is possible.

When pr0testing evildoing in its many many oppressive forms, I want to focus on their harmful ACTIONS, and CHOICES. 

I want them to rot for being rotten.

I’m interested in dismantling their ARGUMENTS
Proving false their IDEOLOGIES
Laying bare their HYPOCRISIES
Exploiting their INCONSISTENCIES
Disproving their FALSEHOODS

Cont’d on Substack
I want to share with you something in the famous @ I want to share with you something in the famous @elizabeth_gilbert_writer speech on creativity. It’s one of the most famous @ted talks in the world, and she talks about how ideas come to people. 

The way that I, that ideas come to me, is I will get a line of something and then I will get another line, and then I get nervous because I, if I get a third line, I might be okay, but the fourth line is gonna push the first line completely out. And it’s gone. 

So I have to, I have to get my, to my paper. I have to get to my paper and I have to write it down or, or, or whatever it is, my notes app in my phone, anything. I have to get it down or I’ll lose it. 

She talks about @tomwaits the famoso musician, driving in his car and a bit of melody comes to him. And he goes, “Can’t you see I’m driving? If you wanna exist, go bother somebody else. Go bother Leonard Cohen or somebody.” 

I don’t suggest you talk to your creativity that way, because as Elizabeth Gilbert likes to say, it is like a cat and it doesn’t understand you and your face looks funny when you do that. 

[4 of 5] 

The speech is available in bits here, or in its entirety on my horizontal with lila Substack — link in my bio. Love you. Go make art.
These are a few of my notebooks from over the year These are a few of my notebooks from over the years. Here are a few more. You’re invited to flip through them. These are my (not so private anymore) ideas, thoughts, classes, poems. I have no idea what you’re looking at. I don’t even remember most of what’s in these notebooks. But they’re there, because I captured them.

Anybody have a date in theirs? There should be dates. Can you call it out? 

[people call out dates]

So this is my work! Beginning in 2009 was the, the earliest date. There is so much that comes out of a creative brain, and I know that your brain is not dissimilar. I know that you are all creative beings.

One of my favorite books on creativity, and I don’t know if it’s been mentioned tonight because sadly I missed the first part, but it is a book called “bird by bird.” 

Oh, I didn’t mention it, but I love that book. 

By Anne Lamott. Are you the only one who’s read it? Has anybody else read this book? “bird by bird” It is one of only two books on creativity I would actually recommend. Otherwise, I would recommend you just go out and make stuff. 

In this book, she says, and I have carried this quote with me because I have been this way throughout... I mean, it must be... it’s, it’s my entire remembered life, it could be as young as 5 years old, a perfectionist. She says, “Perfectionism is the voice of the oppressor. It will keep you cramped and insane your entire life.” 

The voice of the oppressor. 

I think about that all the time. I do not want to be oppressed. No! Viva la revolución! You know, I don’t want that for myself. And so I have been internally oppressing myself. Most of what you see in these books, and that’s not all of them, right? And that’s only from 2009. Most of what you’ve seen in these books has not seen the light of day. 

[3 of 5] Full “Are you an artist, tho?” video & transcript on Substack

Subscribe there and make a Lila happy! Link in my bio, bb.

#toastmasters #publicspeaker
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