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horizontal with lila

108. listening about race: horizontalism with lila

in episodes on 16/06/20

Image by Robyn Sky. Winter 2018


108. listening about race: horizontalism with lila

In this episode, I lie down with myself. I share: *  the WOC Podcasters solidarity statement *  my personal commitment to ongoing anti-racist action *  the names of a few of the many Black lives lost to police brutality, and: *  the story of that time I didn’t talk about race (for 11 years) and how that is a textbook example of white fragility and privilege *** I stand with my sisters from the WOC Podcasters Community, lead by Danielle Desir and crafted by change-maker Tangia Renee [TAN-gee].

Hello horizontal lover.

Greetings from Bali. You’ll probably hear jungle sounds throughout the course of this episode.

Just like my other episodes, let this one move you.

Perhaps unlike my other episodes, please let this one move you to action.

I stand with my sisters from the WOC Podcasters Community, lead by Danielle Desir and crafted by change-maker Tangia Renee. These are Tangee’s words. These are our words:

We are podcasters united to condemn the tragic murders of George Floyd, Breonna Taylor, and many many others at the hands of police. This is a continuation of the systemic racism pervasive in our country since its inception and we are committed to standing against racism in all its forms.

We believe that to be silent is to be complicit.

We believe that Black lives matter.

We believe that Black lives are more important than property.

We believe that we have a responsibility to use our platforms to speak out against this injustice whenever and wherever we are witness to it.

In creating digital media we have built audiences that return week after week to hear our voices and we will use our voices to speak against anti-blackness and police brutality, and we encourage our audiences to be educated, engaged, and to take action.

That concludes the statement crafted by the WOC Podcasters Community. The rest of these words are my own.


Here are things I have learned this week:

It is not possible to be not racist. Therefore, I must be ANTI-RACIST, and seek to excavate racism in myself as I fight it outwardly in my society.

Being an ally is not enough. I must stand in SOLIDARITY with Black people, Indigenous people & People Of Color, and that means ACTION.

Action means RESOURCES. TIME. MONEY. ENERGY. WORK.

There are many ways to take action, and all of them must be done. They cannot all be done at once. I must settle in for a lifelong battle in order to be in SOLIDARITY with those that I love, who can’t escape this battle. 

Since they can’t escape, I must continue to STAND UP, with all this privilege that I have not earned.

I will NEVER feel like I am doing ENOUGH. But that is EXACTLY THE REASON TO CONTINUE.

Here are all the things I have written in all caps:

ANTI-RACIST

SOLIDARITY

ACTION

RESOURCES. TIME. MONEY. ENERGY. WORK.

STAND UP

NEVER ENOUGH

EXACTLY THE REASON TO CONTINUE.

I want to make sure that my participation in social justice activism is sustainable over the course of my lifetime, and not something I only do now, while the news cycle is hot.

For myself, I’ve identified 8 types of action to take, and I’ve written them here as imperative verbs:

  1. Study.
  2. Self-examine. 
  3. Donate. 
  4. Advocate. 
  5. Amplify. 
  6. Educate.
  7. Cherish. 
  8. And Celebrate.

Here are a few examples of what each of these can look like for me:

I can STUDY by reading books like Reni Eddo Lodge’s Why I’m No Longer Talking to White People about Race and Layla F Saad’s Me and White Supremacy and Ta-Nehisi Coates’s Between the World and Me.

I can SELF-EXAMINE by sitting with, meditating on, and journaling about the white supremacist brainwashing I’ve excavated in myself. I can join a small private group in which white people will reckon with our privilege, blind spots, and activism together — the one I’m in is called “Get to Work: antiracism support for white allies” — and then I can marinate on and write about the topics we discuss.

I can DONATE by setting up an ongoing donation (which is exactly what I have done!) to an organization like my personal favorite podcast, Ear Hustle, which makes marginalized voices HEARD, from both inside and outside the prison system— many of them Black, most of them People Of Color. When you hear this podcast you’ll be participating in one of the most crucial anti-racist actions — LISTENING to the experiences of People Of Color.

Follow my lead, and / or contribute to other organizations that make marginalized voices heard, that protect black & brown bodies, and, if you are white, that uplift people who do not look like you. As a fellow white person, do your part by redistributing some of the wealth you got from participating in a system RIGGED FOR YOUR BENEFIT. Two other worthy organizations you might consider pledging your ongoing financial support to are:

Black Lives Matter

and

the NAACP — the National Association for the Advancement of Colored People.

 

I can ADVOCATE by voting for people who value the lives of BIPOC — Black, Indigenous, and People of Color. I can advocate by going to a protest, phoning my government representatives, and using my social media power for activism, letting the people in my web know how they too can take action.

I can AMPLIFY by using my horizontal platform to interview even more BIPOC guests and broadcast their stories to the world. (I do. And I will.) I can re-post content created by BIPOC Sex Educators, artists, and Social Justice Warriors.

I can EDUCATE by leading discussions among my white friends and family about racism and social justice, by calling out microaggressions I see on social media, shouldering some of the burden of that emotional labor. I can say these words — from a script written by the author Kat Vellos, in her guide titled “How You Can Support Your Black & Non-Black Friends Right Now,” “Will you join with me to make a long term commitment to working on dismantling racism in the world and in ourselves?” And, “Will you hold me accountable and bring it up to me when I stop being focused on this?”

I can CHERISH the BIPOC people in my life by loving them in the way that they wish to be loved. Making sure I know their love language, and acting on it. 

And last, but of vital importance, I can CELEBRATE the accomplishments, contributions, triumphs, art, and scholarship of Black people in this world. 

I can CELEBRATE the advancements of this revolution as, in the [Theodore Parker’s] words, made popular by MLK, “the arc of the moral universe” […] “bends toward justice.” 

I can CELEBRATE by following organizations like Good Black News & spreading the word.

Study.

Self-examine. 

Donate. 

Advocate. 

Amplify. 

Educate.

Cherish. 

And Celebrate.

I don’t have a neat acronym. SSDAAECA.

I’ll have to work on that.

What follows now is an incomplete, non-exhaustive list of Black people who have been killed by police brutality. Stay with me through this. Hear the names. Know that these are only a few of them. Repeat them after me. This can be our version of a candlelit vigil.

This list comes from NPR’s Code Switch podcast, which broadcasts fearless conversations about race. I’ve added the name of Tony McDade, a trans man, as trans folx are at even higher risk of being targeted, and yet receive far less attention from the press, as well as the name of Maurice Gordon, who was shot by an officer while waiting for a tow truck, has received minimal press, and whose death illustrates the great risk in Driving While Black, and the names of Aiyana Stanley-Jones and Pearlie Golden, killed in their own homes, who have not become household names, as there continues to be a lack of mobilized outrage at the deaths of Black women.

After I read these names, I’ll tell you the story of how I didn’t talk about race for 11 years, and how that is a textbook case of white fragility and white privilege.

Maurice Gordon

Aiyana Stanley-Jones

Pearlie Golden

&

Tony McDade 


This story is from my email missive dated July 26th, 2016. It is as true now as it was then.

Dear Ones,

This is the second time in my life I have written about race.

There was a period —  of about eleven years long — in which I didn’t even mention race, because I felt too ashamed.

From the time I was one year old until my parents got divorced when I was twelve, I grew up in a town called Freeport, Long Island. Freeport was the full-on suburbs, but an integrated community. I went to elementary school, middle school, and the first year of junior high with kids of all races. I played kickball with the Latin-American kids down the street (when they would let me).

My parent’s close friend, our next door neighbor Pat, was a Jamaican lawyer almost too busy with her studies and work to socialize, but we got to spend time with her once in a while, and she always had a kind word for me and let me stop by for visits.

When I was in first grade or so, I had a kind of love quartet (do you think? one more than a love triangle?) with a girl I don’t recall and two boys, Harry (who was Latino) and Khoury (who was black). I vaguely recall one of them sticking a note of mine down his pants.

Young love.

It’s not that I “didn’t see color.” I definitely noticed people’s skin. Most of all, in seventh grade, I noticed the skin of a girl called Kristy, who was both black and white and had skin of coffee and cream. She was the captain of my cheerleading squad, the most popular girl in school, and I wished I could be just like her.

I’m reminded of a hashtag my Facebook friend Kofi Opam often uses, #everybodywannabeblackbutdontnobodywannabeblack.

Kristy wore an oversized puffy boy’s jacket with the name of a sports team on it, so I begged my mom to buy me one too. I chose my team by the colors I liked best, and that is how I came to choose the Charlotte Hornets. This is what they call a “poser.” That was among the many things my schoolmates called me that year. One day, a strong older black girl let it be known that she was going to beat my ass after school. I’m not sure what I did to upset her. (Happily, I did not get beat up. When the time came, she was nowhere to be found.)

After my parent’s divorce, my mother moved us down to Seminole, Florida. Something was off-kilter and unsettling on my first day of eighth grade, and I didn’t figure it out until I looked at the expertly “tanned” skin of everyone around me. Save approximately two Asian people, they were all white. Seminole, Florida was one of the whitest neighborhoods in the world. Probably still is.

Eighth grade rivaled seventh grade for the worst year of my life so far. At least in seventh grade I had a few outcasts to sit with at lunch. In eighth grade, once my little trio of Wicca dabblers turned their backs on me, I ate lunch in the bathroom for a good while until I fell in with the Baptist kids, who really wanted to save my soul but had little interest in being my friend. Those white children were some of the meanest people I’ve known.

In high school I understood why Seminole Middle School was so white. I recognized the residual damage of segregation, and the paltry attempts towards desegregation as I was bussed-in to a (mostly Black) high school in St. Petersburg — Gibbs High School — forty-five minutes from my house to attend a (mixed race) magnet school arts program, Pinellas County Center for the Arts. We had a few core curriculum classes that mingled us with the Gibbs students, maths and sciences and driver’s ed, and of course, lunch, (which I opted out of when my acting teacher allowed us to eat in her classroom) but we had an extra hour of class each day, so our program was almost entirely separate. We rode different buses.

My closest black friend in high school was the child actor Marque Lynche. We traded massages nearly every day. I was pretty sure that Marque wasn’t interested in women, so I don’t think I ever made my little crush known. To this day, there’s no one (and I have received many a professional massage) who has made my body tingle like Marque did, just by squeezing my shoulders. He smelled so good, something like almonds and sugar – marzipan, maybe. His skin was dolphin-smooth. (Or really, what I imagine a dolphin’s skin to feel like, as I’ve never swam with one.) Marque was more than a little bit famous, and I admired him for having already been on television while the rest of us were doing plays at the rec center. He had this suave confidence and style, so unusual for a high school student. I never could discern if he actually felt that self-assured on the inside. A lot of the other students felt that he was too full of himself. They talked about that huge chip on his shoulder. There was a little chip there. But I massaged it every time I saw him. Come to think of it, my connection with Marque is probably the reason I went on to practice Thai massage. Marque had, as they say, a magic touch. He’s dead now. I don’t know how. I learned about it on the internet. The articles were very vague.

I graduated my arts program and came back home to New York for college. I studied Drama at NYU. It felt like home and I was happy to have the world’s diversity present in my daily life, on every subway ride. I felt I belonged with the city.

In my freshman acting class, I began to become friends with a brilliant tap dancer looking to make a transition into acting, a black man with beautiful twisted dreads in a pattern that looked like a romanesco. We enjoyed each other’s company. We sat next to each other. We hung out outside of class. I had the sense that he might be romantically attracted to me, and though I didn’t feel the same way about him, I didn’t bring it up because I didn’t want to lose him.

One day during freshman year, our German acting teacher Saskia conducted a slam poetry acting exercise. I felt extremely ungainly and unskilled, all prickles and nervous sweats. On my turn, the only thing I remember saying was, “I don’t feel like I can slam because I’m not black, and I’m not black, I’m not.” Surely I was in the hot seat for longer than it took to say those words, but those are the only words I remember.

Matthew essentially never spoke to me again. 

Those are the words I remember, because those are the words that lost me my friend.

At that time, I didn’t yet know terms like Driving While Black, systemic racism, or intersectionality.

Sophomore year, Matthew and I were assigned to work together on a scene. I was also taking classes on Multicultural Women Playwrights and Sex & Gender. I was starting to learn. I tried to broach the subject the first time we met for rehearsal in my dorm’s common room. I said something like, “I know you haven’t been comfortable with me since that slam exercise in class last year. I think if we’re gonna to be working together we should probably address that.” He said that there was nothing to talk about.

I said, “Do you think I’m racist?”

He said, “No, I just think you’re ignorant.”

“Okay, I responded, “then why don’t you educate me?”

“Because that’s not my job,” he replied.

I had nothing to say to that, so we just rehearsed the scene.

Then I didn’t talk about race for a decade.

I imagine that I am not the only white person with great love for people of color in my heart who has, cloaked in privilege and shame, remained silent for years while our friends prayed and fought and ran and donned suits for their lives.

This is from a post I wrote at 1am on December 17th, 2014. That was the first time I wrote about this:

I didn’t talk about race until November of 2013, when I performed in Amina Henry‘s brilliant, heinous play An American Family Takes a Lover, in which I played one of the most vile characters I have ever come across — an emotionally, verbally, physically, and sexually abusive wife of an emotionally, verbally, physically, and sexually abusive husband, who kidnap a young black woman from a grocery store and make her their modern-day slave. I was unsure that I wanted to take the part, because I didn’t know if I wanted to go into the abyss like that. The way Kira Simring, our director, finally was able to help me navigate myself into the part, without nausea, was to tap me into how stylized I could make the character of Lady Anne. This took the character away from my voice and made her like a storybook witch. Still, the way my character treats Justine is unpalatable.

Tiffany Nichole Greene did one of the bravest acting feats I have ever witnessed, allowing herself to experience the terror, rage, anxiety, self-loathing, hatred and numbness of Justine. During the process, I asked her how she was doing, and she told me that nobody had asked her that, and she was grateful that I asked, and that it was really hard.

I thought maybe audience members of color would be angry at me, because they hated my character. The opposite was true. Many many members of the audience (including men that Amina had worked with through an arts program in a prison) came up to shake my hand or hug me and say, “I hated you! Well done!” In fact, the only person I got word of that conflated me with my character was a white friend of a friend who said that he wasn’t sure he wanted to meet me because he couldn’t imagine that I wasn’t mean.

After each show, for the first time in my life, I went out with a group of diverse people and actually talked about race, injustice, sexism, oppression, legacy, and inequality. It was a relief to speak about it openly, with people I have so much affection for, kind, talented, luminous people. People that I didn’t feel afraid would hate me for the genetic accident of my skin color. People that I didn’t feel afraid would turn their back to me if I proved to be ignorant.

This is when I first got to meet and share deep feelings and time with Celestine, Dennis, Lori. I listened a lot. I will listen more. I am reading.

I am listening.

I intend to be an ally. If you see that I could be doing that better, please tell me. 

I would find it very meaningful if you did not turn your back on me in my ignorance. I love you. Your life matters to me. You matter to me.

I have done a lot of reading since then.

A brief reading primer:

    • If you’re uncertain of the meaning of the phrase “unearned privilege,” please read “White Privilege: Unpacking the Invisible Knapsack“
    • If you wonder about racist blind spots, please read “28 Common Racist Attitudes and Behaviors” (I feel particularly schooled by this one.)
    • If you wish someone would give you a guide, here is one, “10 Simple Ways White People Can Step Up to Fight Everyday Racism“

Lori J. Laing wrote this post on Facebook a bit ago, and it has been vibrating in my heart since:

“I don’t think enough white people talk to each other about how fucked up their community is. And this IS about a sickness in the white community. I think the best thing white people can do in the wake of these tragedies is talk to other white people about what the hell is going on. I mean, if you really care. Don’t sit around and boo hoo with black people trying to sympathize. Get you another white person and figure out what the hell yall are doing wrong and how you can help more (white) people in your community find their humanity.”

As I best understand it today, here is the responsibility of the privileged and aware person:

TALK ABOUT RACE. (Your loved ones of color can’t ignore the topic.) (For that matter, make sure you HAVE LOVED ONES OF COLOR.)

Better yet: LISTEN ABOUT RACE.  EXAMINE YOURSELF. Choose to act from LOVE INSTEAD OF GUILT.

When someone tells you they’ve been discriminated against, BELIEVE THEM.

In the event that you witness injustice, SPEAK UP and CALL IT OUT.

When you hear a racist comment, say THAT’S RACIST.

And, if you can find the bravery, BE THE SHIELD between hatred and human.

Because of my unearned privilege, I can wear that t-shirt you see at the top of this missive. I can wear a message of protest emblazoned across my chest without fear of being shot. I can say things that it is dangerous for my loved ones of color to say.

Williamsburg, 2016.


That means it is just, it is right, it is fair, that I should take it upon myself to say those things.

Since people who look like me have oppressed people who don’t look like me and are still suffering in great numbers, it takes people who look like me Standing Up and saying This Is Unacceptable to truly dismantle the system.

It will take men to dismantle patriarchy.

It will take white people to dismantle systemic racism.

It will take cisgendered people and “straight” people to dismantle transphobia and homophobia.

The sickness is with the oppressor and those who benefit from the privileges of the oppressors and it is we who must learn and fight.

I witness white people turning away from conversations about racial matters all the time, because the subject makes them uncomfortable. There is an academic term for this. It’s called white fragility. Consider this sign held up by a white protester, photographed, (re?)posted by Spike Lee, which read “Black Lives Matter More Than White Feelings.” 

[Note: Didn’t find the original photo. Here is one from around the same time, circa 2016]

From the 2016 article “On the Ground at the Black Lives Matter Protest in Union Square“


I think what my fellow white people who “don’t want to talk about it” are really expressing is that they are unwilling to be heartbroken for people of color and the lengthy history of horrendous acts that have been perpetrated on people of color. By someone who looks white.

But our feelings are RESILIENT, my fellow white-lookin’ people, and being heartbroken is CORRECT. It is a proper response to the maelstrom of injustice permeating our society.

And then the question is, what do you do with your heartbreak?

Do you stop reading the news and scrolling through your social media feed because it’s too much of a bummer?

Do you try to numb yourself with: alcohol, drugs, food, sex, expensive things, bars on your windows, electricity on your gates?

Do you content yourself with the belief that they are not coming for you?

Remember Pastor Martin Niemoller’s poem:

First they came for the Socialists, and I did not speak out—

Because I was not a Socialist.

Then they came for the Trade Unionists, and I did not speak out—

Because I was not a Trade Unionist.

Then they came for the Jews, and I did not speak out—

Because I was not a Jew.

Then they came for me—and there was no one left to speak for me.

My friend Deborah said to me the other day, “I’ve been living with this for thirty-one years. I don’t know if tomorrow my brothers will be alive. My mother. Myself.”

And my heart broke again.

And it is capable of breaking again and again.

Heartbreak can be the most combustible catalyst.

Let’s figure out ways to share the burden of heartbreak that people of color have had no choice but to carry for generations. I believe in our ability to learn to, as Stephen Jenkinson puts it, “carry our grief.” I deeply feel Jenkinson’s belief that grief can never be vanquished, it can only be carried.

Jenkinson says, “Grief is not a feeling; grief is a skill.”

Now more than ever we must become practiced in the skill of grief so that it doesn’t paralyze us. Our grief must not keep us from doing the work that needs to be done in our lifetimes.

We must use our privilege to dismantle this horrible, horrifying system.

***

One magical day last September, I decided to take an adventure up to my friend’s empty house in Woodstock. I knew that it was a forty-minute walk from the bus stop, but I decided that I’d figure that out later. I had to get a sandwich or face hangriness so I picked one up and very nearly missed the bus. I slid into the line with five minutes to spare, panting, and this beautiful Black man in front of me turned around, flashed me a huge smile and said, “We made it!”

“We did,” I said, “And I got a sandwich!”

“And I got to swim,” he said.

I recognized his accent and said, in Portuguese, “You’re a capoeirista, aren’t you.”

“I am,” he answered in Portuguese, and we were off.

It turned out that he was heading upstate to perform with his students in a site-specific multi-disciplinary dance piece at Opus 40, a site of forty years of handcrafted stone work performed by one man. He invited me along. We were picked up in New Paltz by a nice old hippie musician lady, and I spent the day watching all these lovely children dance on art. At the end of the program, we chanted a song that the camp-leading hippie couple had written back in the 60s. I thought it was pretty cheesy. It went like this:

 

May peace prevail on Earth

And let it begin with me

We celebrate the birth

Of joyful harmony

May peace prevail on Earth (May peace prevail on Earth!)

May peace prevail on Earth (May peace prevail on Earth!)

 

Now I hear it differently, and I think it is profound. I hear Prevail, may Peace PREVAIL on Earth, and let it BEGIN WITH ME.

Big Love,

Lila


That’s the end of the email I sent in 2016.

I do not think I have done enough for the cause since then.

I am committed to doing better.

Finally, here’s the last line of a letter I wrote to a young listener, a woman who had joined the ranks of the heartbroken. 

“What will you do,” I asked her, “with all that empathy?”

And now I ask you, dear ones, horizontal lovers, Intimacy Warriors: 

What will you do with all 

your 

Empathy?

P.S. Matt Stillman, beloved horizontal guest [of episodes 30. my heart is broken may it never heal, and 31. the skull story] and my dear friend, just brought to my attention that horizontalismo, in Spanish, or horizontalism in English, is a movement of mutual aid, most prominently publicized in Argentina, that exists when governments fail to take care of their people. I’ll be learning about ways that I can extend my horizontality into horizontalism.

In next week’s episode of horizontal, I lie down with Kai Mata, Indonesia’s openly queer, rainbow-toting singer-songwriter. It’s still very dangerous to be queer in Indonesia. We will celebrate her bravery with the next couple of episodes.

Until then, may you love people. 

May you love people and let them know. 

May you fight the good fight and, in the words of Cornel West, “Never forget that justice is what love looks like in public, just like tenderness is what love feels like in private.”

Thank you for getting horizontal-

ism.

108. listening about race: horizontalism with lila

In this episode, I lie down with myself. I share: *  the WOC Podcasters solidarity statement *  my personal commitment to ongoing anti-racist action *  the names of a few of the many Black lives lost to police brutality, and: *  the story of that time I didn’t talk about race (for 11 years) and how that is a textbook example of white fragility and privilege *** I stand with my sisters from the WOC Podcasters Community, lead by Danielle Desir and crafted by change-maker Tangia Renee [TAN-gee].

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Lila
See that resting frown face on my mom as she slept See that resting frown face on my mom as she slept?

I’ve started to make that same face. I wake from a dream or a doze to find that I’m frowning. I touch my lips to make it stop. After a few moments, I discover that they are making the frown shape again. I can’t make it stop because I’m sleeping when I do it. I’ve started doing it when I’m not sleeping too. When I’m awake, I think it’s a cross between a grimace and a frown. A frimace? (I mean, it can’t be a grown. Or can it?)

I don’t really have that much to frown about anymore, except, I suppose, for the onslaught of fresh horrors perpetrated by the country I live in on the daily, the greed of the few and desperation of the many, the natural disasters that are frequenter and hotter and wetter and gnarlier as the earth continues its job of beginning to shake us off its back… yeah I guess there’s not much to frown about, really. 

I took Mom to FloridaRAMA because she had been complaining for months that she didn’t do anything anymore. She mentioned concerts, plays, ballets. But by the time the sun went down, she would be sundowning and wouldn’t want to go anywhere anyway. So that afternoon I decided to pick her up and take her on an outing — which was always a pain in the ass, and especially a pain in the ass to do solo. It involved going to her room and making sure she was dressed, convincing her to get dressed if she wasn’t, which was a laborious process, insisting that we needed to take the wheelchair which of course we did because she was falling all the time and brachiating (holding onto walls and less sturdy things like chairs, tables — at least, some nurse told me that this is what it’s called but the internet seems to only relate it to apes swinging from their arms to get from place to place) […]

Continued on horizontalwithlila dot substack dot com (the link is in my bio)
In the bathroom of the Italian restaurant after Da In the bathroom of the Italian restaurant after Dad’s cold rainy rural upstate funeral looking like a sad British clown / Nowhere, NY / April 12th, 2025

Right after my father died, there were Anthonys and Tonys everywhere. 

Suddenly everyone was called Tony and everybody else was talking about their Dad or playing songs about death. 

* Passing a girl on the street talking to her friend, and the only words you catch are “My dad had…” 
* Walking into your favorite gluten-free café, and they’re playing the Flaming Lips song “Do You Realize?”

Do you realize / that everyone you know / someday / will die?

* Realizing that the second title for Billy Joel’s song “Movin’ Out” is “Anthony’s Song.” I never truly registered this until I was trying to write one morning in a blessed cacao shop (yes, for real) and I paused to listen to the opener:

Anthony works in the grocery store
Savin’ his pennies for someday

* Ordering fries from the surfer guy at the beach shack on my pilgrimage to the ocean, when his co-worker shouts, “Hey Anthony!”

If you put this stuff in your feature film script, your screenwriting teacher would tell you it’s too pat, too predictable, “don’t put a hat on a hat.” (The Writer!)

It’s like that old quarters experiment on attention… you start looking for quarters on the ground, and suddenly, you see them everywhere.

The drugstores full of Father’s Day crap. Marketing emails about “Dads and grads.” Only one company sent an email that said, Hey, we know that Father’s Day time is tough for some people, so click this to opt out of all Father’s Day related emails.

Click. CLICK!

I wish I could click that link for the universe. No father stuff, please. No Dad shit. But there were quarters everywhere, of course, because the back of my mind was attuned to all things Dad.

{You can read the rest of the essay on Substack. Link in my bio, bb.}
Love Letter to New York, whom I miss so much 1. S Love Letter to New York, whom I miss so much

1. Straight out of a fitting for “The Deuce”?

2. Free Friday at @whitneymuseum 

3. Basquiat makes me feel like home

4. Madison Square Park photo op (irresistible)

5. Candid

6. Got to see the lovely @josescaro & @benbecherny ply their craft at @bricktheater 

7. Charming marquee!

8. Closing night vibes (not pictured: the succulent plant I brought in lieu of flowersof)

9. Chuck Close in the subway!

10. More subway Chuck Close!

11. Man Ray retrospective at the Met

12. Love a good silhouette

13. A rare VERTICAL bathroom portrait in one of the finest bathrooms of them all, at the lovely New Mexican food joint with the rainbow cookies Of My Dreams, @ursula_brooklyn 

14. My man is a photographer too. 🤩

15. Cannot. Resist. Photo Booth.
I wrote a list in 2020 titled “How to love me wh I wrote a list in 2020 titled “How to love me when I’m ... depressed”... and in this essay, I encourage you to write your own version (How to love me when I’m... anxious, How to love me when I’m... burned out, How to love me when I’m... in despair)...

And if you write one, how I would love to read it. (Or even learn about one of the items on your list, here in the comments).

Here’s an excerpt:

 “One of the characteristics of my depression (and most of my other tizzies, such as but not limited to anxiety, severe procrastination, adulting paralysis, etc.) is that while I’m in it I have no idea what — if anything — will help me get out of it.

It’s more like I DON’T WANT TO BE HERE BUT I DON’T KNOW HOW TO GET OUT SO I’LL JUST HIDE UNDER THE COVERS UNTIL I WANT TO DO SOMETHING AGAIN CALL ME IN 6 MONTHS.

Ergo, therefore, if I’m in a state, and you ask me what I need, or what you can do, I may or may not have the wherewithal to tell you. Emphasis on the not. I may not even have the wherewithal to know.

And if I don’t know, how can I tell you?

I can’tdon’t, then.

If I’m not in a state I probably have plenty of things I could say but that’s when I don’t need the help so badly. (A lá it’s not the worst while you can still say the worst.)

As I mentioned in the subtitle: You don’t come with an operator’s manual. Your model came out of the fleshbox with zero instructions. And since no one possesses your operator’s manual, no matter how much they love you, you are going to be the supreme author, the expert on you, since you’ve been studying you your whole life. Please for the love of Pete & Ashleigh, do your people the great good turn of writing them some instructions. Triage options, if you will. Trust me when I say that they (nearly all of them) need it.

If you write it for them, they will have it when you need it.

This little list could, quite without exaggeration, save your life.”

The link to the whole essay is in my bio. (Join me on Substack darling!)

#substack #substackwriter #depressionandanxiety #communityiseverything
Love Letter to St. Pete @stpetefl Where we met, Love Letter to St. Pete @stpetefl 

Where we met, where we re-met ❤️‍🔥

1. An afternoon at @grandcentralbrewhouse with my handsome gentleman in @warbyparker 

2. Bb’s first @nineinchnails concert (okay, technically in Tampa) in @selkie & @viveylife . It was stellar. Trent sounds just like he used to and the projections were gorgeous!

3. Matching denim jumpsuits ( but his is a @onepiece )

4. The finest pizza in all the land (even with my dietary restrictions!) from @noblecrust (OMNOMNOMNOM)

5. He even makes doctor’s appointments fun.

6. I love matching him sooooo muchmuch. 

7. Just us and a zebra, nbd.

8. Theme Park joy

9. At the art show @wadastpete that my gentleman curated for his students. 🪐☄️🛸👽🚀✨
When I was a kid, I used to read myself to sleep. When I was a kid, I used to read myself to sleep. 

Actually, I don’t know when I stopped.

I read myself to sleep in my childhood bedroom, with a flashlight under the covers of a trundle bed (drawers filled to the brim with dress-up clothes) when my mom said it was too late to be awake. I checked out 25 books from the Freeport library at a time, filling the trunk of my parent’s car, and devoured them in weeks, partly from my perch in the flowering dogwood tree in our backyard (were the blooms ivory? or cherry blossom pink?), partly while curled up on an orange-and-yellow-ticked seat cushion I dragged down to the crawlspace in the basement — my “secret hiding spot,” which was neither secret nor hidden and so can only be termed a spot, armed with Oreos and flashlight, and the remainder under the covers before bed.

I suspect I knew more words then than I know now. There are still words like “vehement” that I’m only about 70% sure I know how to pronounce. I learned them in context. I can spell them. I can use them in a sentence! But am I saying them correctly? 

Unsure.

I read myself to sleep in high school, even though I had to get up unconscionably early to get bussed in to my magnet program — Pinellas County Center for the Arts — 35 minutes away from our sad little apartment. Like a magnet, @pcca_gibbs PCCA grabbed young artists from the whole county.

I had a major in high school, which is more usual now, from what I hear, but wasn’t so usual then, and what I majored in was called Performance Theatre (as opposed to Musical Theatre, the love of my life I never thought I was good enough for). 

I really wanted to go to the Fame school in New York — LaGuardia — but when I was 12 my Mom divorced my Dad and forced me to move to Flah-rida. So I went to PCCA instead. (To be honest, she probably wouldn’t have let me commute into the city to go to Fame even if we had stayed on Long Island.) 

Read the whole essay (link to Substack in my bio)!

#booknerdlife #readingforpleasure #readingrainbow
My man and I got our nerd on at @nerdnitestpete ! My man and I got our nerd on at @nerdnitestpete ! 

We had the opportunity to support my lovely, engaging, and compassionate Happiness Ambassador friend Adam Peters aka @mindmaprenovations as he changed some lives by teaching us how to begin developing a preference for positivity. I’ve seen him give this presentation a few times before, and this was the best one yet — and to the biggest crowd, over 300 human nerds!

I love us.

I consider it my sacred duty to paparazzi my friends when they do marvelous things, as I hope to have done unto me!

P.S. Applied to give a Nerd Nite presentation myself … fingers crossed bb’s! 

1. My gentleman is so handsome. (Also, I got this stellar skirt in excellent condition from my favorite thrift store with a cause @casapinellas !)

2. Toasties supporting Toasties! @dtsptoastmasters members: me, Steve Diasio, Dawn Cecil (two-time Nerd Nite Speaker alumni!), & Rick! (Not pictured here — but later in the carousel) Christian Carrasco.

3. Fit check baybeeee.

4. Caryn, Nerd Nite boss extraordinaire, introducing the evening.

5. Caryn introducing my friend Adam (did I yell “THAT’S MY FRIEND!” at the end? WHY YES I DID.)

6-10. Adam rocking the casbah.

11. Fellow Toastmaster Christian.

12. I love mein mann!

#nerdnite #nerdnitestpete
A woman approached me. We collaborated once, a yea A woman approached me. We collaborated once, a year prior, I think. Time is weird. She reached out both her hands.

“What a beautiful mourner you are,” she said.

I took her hands.

I think I said thank you.

She was referring, I suppose, to the gloves, the dress, the shoes, the lipstick, the earrings. 

But what does it mean, to be a beautiful mourner? 
What does it mean to mourn beautifully? 
To have good grief?

“My dad dropped dead,” I said, to get myself used to the shock of it. 

“My mother is dying,” I said, to reconcile myself to the fact of it. 

I don’t wear mascara anymore, because I cry every day.

People hugged me in airports, at rental car counters, in line for a sandwich. They hugged me in the TSA line. At the chiropractor. The grocery store. My father dropped dead, I told them. My mother is dying. I told them and they hugged me. I was glad I did. I was glad they did.

Sometimes, when people were truly asking, if I had the time, and I had the spoons, I repeated my litany of 2025. So they’d understand: it has been this kind of year. It seems that everyone has this kind of year at some point, or, devastatingly, at several points in a life — a maelstrom, a dervish, a crucible, a nexus, a whammy, a time — an Alexander’s-no-good-very-bad-terrible kind of year. 

There were so many months in February. So many years in April. So many decades in the first half of 2025. I didn’t want to become an adult, but 2024 made me, and 2025 sealed the deal. 

It’s amazing I managed to get this far without growing up.

READ the whole essay on Substack
SUBSCRIBE through the link in my bio and make my day, darling 

💋 

#substackwriters #goodgrief
Love in La La Land 1. “So this is where they ke Love in La La Land

1. “So this is where they keep the LIGHT!” -SATC … At our first @lacma member preview, enjoying the majestically empty Geffen galleries before the permanent collections moves in.

2. Urban Light, and me (installation by Chris Burden)

3. A historic view at LACMA, never again to be seen!

4 - 13. Art, mostly part of the Digital Witness exhibit

14. Love at the @gettymuseum 

15. Queer exhibits! 

16. Sunset at the Getty with my love

#museumnerd #lacma #lacmamember #digitalwellness #thegetty #loveinlalaland
For you, when you need it, and for the people in y For you, when you need it, and for the people in your life, when they need it.

Here’s an excerpt from the essay:

[To read the whole thing, follow the link in my bio to my Substack (and subscribe there, darling)!]

My chiropractor called me out a few weeks back. 
He said, with his characteristic smile (he has nice little teeth), “I read your essay.”

“You did? Thank you for reading,” I began, genuinely surprised and moved.

“But I still don’t know what to say!” he admonished. “You only told us what not to say!” 

Then he gave me an enormous cashmere-scented candle in a plastic bag. 

This was not apropos of nothing. I mentioned that scent in the essay. 

That giant cashmere candle, so big it has not one but FOUR wicks, means something. And then he had to go and ruin it. (jk, jk, Dr. Brian!)

“Hang in there,” he said, at the end of our session.

I cringed a liddle. (That’s not a little, not a lot, it’s right in the middle, a liddle.)

But you see, he was completely right! I told him I’d give him a list! I hadn’t given him a list! So I began compiling. Every time someone said a thing that made me wince, it went on the list, which lead to Part 1: What NOT to say when someone dies.

Each time someone said a thing that felt like love, made me farklempt, I took a screenshot, and it went on the list. 

This is the farklempt list.

As I wrote in “what NOT to say,” the useful things people say are fairly varied (and tailored to the griever), while the un-useful things tend to be generic variations on a tired theme.
“what TO say” will be a living document, updated whenever I have something useful, or supremely un-useful, to add. Here we go.
Love in Louisville. 1. Photo credit to my love, Love in Louisville.

1.  Photo credit to my love, Zachary

2.  Selfie with Street Art by the windy, windy river

3.  Horsies! Street Art! (Do you know how much I love murals?!)

4.  Looking like an award-winning art teacher at the art teacher conference (ahem, he is the award-winning art teacher!), wearing a @riskgalleryboutique necklace & big fcking bow!)

5.  A Wizard interlude! What a delight to witness my friend @personisawake absolutely Rock @cm_louisville & inspire a roomful of humans

6.  When your love matches the art. 🖼️ *chef’s kiss*

7 & 8. Major interior design maxi inspo for my ADU reno from @21clouisville by @fallen_fruit 🌺🌷🌸🌻🌼💐🪷

9.  The crayon shirt, bow, and soft rainbow chiclet necklace style brought to you by my inner 6-year old!

#ilovelouisville #wizardry #creativemornings #21clouisville #21c
The video clip of me in the yellow dress and anthr The video clip of me in the yellow dress and anthropology-professor blazer is an excerpt from second iteration of my talk, “The Intimacy Equation,” which I first gave as part of the @bof VOICES conference, outside London in 2021. 

This rendition had a test-drive at my Toastmasters meeting last week. Imperfect, unrehearsed, delivered from bullet points with a slim little notebook in my hand… and yet, I have shared it with my paid subscribers over on Substack (link in bio) because I want to be a person who shares process, not just product.

(This is a bit of a coup for my recovering inner perfectionist, and I have to say, I’m a wee bit proud.)

I kept my fancy equation. 

But now I have a simple one, too. 

#toastmasters #publicspeaking #intimacycoach
More Chiro Office Portraits: 1. NY vibes in the 6 More Chiro Office Portraits:

1. NY vibes in the 6th borough

2. Googly eyes in @selkie 

3. Bossbitch even when she doesn’t get the grant

4. Started practicing yoga again did I tell you?

5. Big mad (but not at that yellow two-piece thrift score from @casapinellas !)

6. Sporty Spice (obsessed with that @tottobrand bag)

7. Grumpy girl, big bow

8. Resort style bb!

9. Sad girl lemonade

10. @selkie ballerina

11. Bridgerton on a no-makeup day (also @selkie )

12. The day I picked up my mother’s ashes (still haven’t opened them)

13. @temperleylondon & mourning
A Funny Thing Happened on the Way to the Funeral ( A Funny Thing Happened on the Way to the Funeral (excerpt)

It was the night before Craig’s memorial, and I had an audition due. 

It was a feature film audition, due at 11am Pacific / 2pm Eastern. This happened to be squarely during the memorial. I was playing an elementary school teacher, and so when I packed in a whirl for New York, I grabbed my crayon shirt and a giant hair bow and figured surely I’d be able to wangle a human into helping me with my self-tape. New York is my hometown! So many potential wangles! Right?

Two nights prior, out with my friend @kristianndances , no stranger to auditions herself, I had an invitation to her Brooklyn apartment to get’er’done, but, you see, I didn’t have the shirt with me. And friend, if you pack your crayon shirt to audition for Miss Kelly the elementary school teacher then frankly, no other shirt will do.

Since I was staying with another friend, I asked him to help me, but he wasn’t available until the morning. 

The morning of the memorial. 

{ continued on horizontalwithlila.substack.com }
Just out here looking like the Pride Statue of Lib Just out here looking like the Pride Statue of Liberty.

Remember, I promised the good people of @stpetefl that if they gave me another limited edition Pride flag, I would wear it as a dress. @stpetepride 

AND SO I HAVE.

The Pride Market at Grand Central today was full of rainbows and swag and glitter, just the way I like it.

I love us all.

And I look forward to the day when all any of us need, is love. Because we’ve got plenty of that to go around.

#stpetepride #stpetefl
POV: When your friend is one of the great young ja POV: When your friend is one of the great young jazz guitarists, but you haven’t seen him play in a decade (except for that time last month when he accompanied you to sing at your mother’s funeral). What a mensch. What a band!

#natenajar
I’m just gonna leave this here. My fave sign at I’m just gonna leave this here.

My fave sign at @blackcrowcoffeeco 

Apropos of Everything.

#stpetepride 
#transrightsarehumanrights 
#blacklivesmatter 
#notinourname
Excerpt: You can even make a difference through sm Excerpt: You can even make a difference through small acts of resistance, ones that annoy or befuddle the evildoers, like witty and nonsensical emails to awful government agencies, clowns showing up outside imm!gration hearings, giant group dances in front of vile businesses. We can find a thousand little ways to gum up the works. Bonus to you if it makes you laugh. Bonus to everyone if it makes others laugh. The Resistance doesn’t have to be stodgy. 

We, like the Dark Side, can have cookies. 
We, unlike the Dark Side, can have joy.
But we MUST PROTEST in some fashion.

When I protest, I don’t want to do so by:

- Shaming the physical appearance of the evildoer
- Slut-shaming the evildoer
- Shaming their nationality, sexuality, identity, profession
- Talking about what they smell like
- Threatening murder or castration or people’s families

I completely understand why we do this, or at least, I think I understand why we are tempted to do this. We want to bully the bully, thinking that’s the only way he’ll understand. But the truth is that he’s probably not going to understand, whether or not we stoop to the low ground. He’s not going to understand because he is likely a sociopath. 

But we’re not doing it for him. We’re not pr0testing for him. 
We are pr0testing for Ian in Iowa who is a bit messed up and kind of confused and doesn’t really get the impact that this is having on, say, WOMEN, who opens up his news app and sees thousands upon thousands of, let’s just say women, pr0testing with signs, and maybe he goes, hm, why might they be pr0testing when they could be home having pancakes? Why might that be? And maybe Ian gets a little more informed that day about the plight of, hell, let’s say, women, and maybe just maybe he starts to act a wee bit differently, and then the whole butterfly effect thing is possible.

When pr0testing evildoing in its many many oppressive forms, I want to focus on their harmful ACTIONS, and CHOICES. 

I want them to rot for being rotten.

I’m interested in dismantling their ARGUMENTS
Proving false their IDEOLOGIES
Laying bare their HYPOCRISIES
Exploiting their INCONSISTENCIES
Disproving their FALSEHOODS

Cont’d on Substack
I want to share with you something in the famous @ I want to share with you something in the famous @elizabeth_gilbert_writer speech on creativity. It’s one of the most famous @ted talks in the world, and she talks about how ideas come to people. 

The way that I, that ideas come to me, is I will get a line of something and then I will get another line, and then I get nervous because I, if I get a third line, I might be okay, but the fourth line is gonna push the first line completely out. And it’s gone. 

So I have to, I have to get my, to my paper. I have to get to my paper and I have to write it down or, or, or whatever it is, my notes app in my phone, anything. I have to get it down or I’ll lose it. 

She talks about @tomwaits the famoso musician, driving in his car and a bit of melody comes to him. And he goes, “Can’t you see I’m driving? If you wanna exist, go bother somebody else. Go bother Leonard Cohen or somebody.” 

I don’t suggest you talk to your creativity that way, because as Elizabeth Gilbert likes to say, it is like a cat and it doesn’t understand you and your face looks funny when you do that. 

[4 of 5] 

The speech is available in bits here, or in its entirety on my horizontal with lila Substack — link in my bio. Love you. Go make art.
These are a few of my notebooks from over the year These are a few of my notebooks from over the years. Here are a few more. You’re invited to flip through them. These are my (not so private anymore) ideas, thoughts, classes, poems. I have no idea what you’re looking at. I don’t even remember most of what’s in these notebooks. But they’re there, because I captured them.

Anybody have a date in theirs? There should be dates. Can you call it out? 

[people call out dates]

So this is my work! Beginning in 2009 was the, the earliest date. There is so much that comes out of a creative brain, and I know that your brain is not dissimilar. I know that you are all creative beings.

One of my favorite books on creativity, and I don’t know if it’s been mentioned tonight because sadly I missed the first part, but it is a book called “bird by bird.” 

Oh, I didn’t mention it, but I love that book. 

By Anne Lamott. Are you the only one who’s read it? Has anybody else read this book? “bird by bird” It is one of only two books on creativity I would actually recommend. Otherwise, I would recommend you just go out and make stuff. 

In this book, she says, and I have carried this quote with me because I have been this way throughout... I mean, it must be... it’s, it’s my entire remembered life, it could be as young as 5 years old, a perfectionist. She says, “Perfectionism is the voice of the oppressor. It will keep you cramped and insane your entire life.” 

The voice of the oppressor. 

I think about that all the time. I do not want to be oppressed. No! Viva la revolución! You know, I don’t want that for myself. And so I have been internally oppressing myself. Most of what you see in these books, and that’s not all of them, right? And that’s only from 2009. Most of what you’ve seen in these books has not seen the light of day. 

[3 of 5] Full “Are you an artist, tho?” video & transcript on Substack

Subscribe there and make a Lila happy! Link in my bio, bb.

#toastmasters #publicspeaker
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