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horizontal with lila

63. I love you and I beat you to it: horizontal with an actor-romantic

in episodes on 11/01/19

This is Burl on the TV! Singing his solo on Crazy Ex-Girlfriend!


63. I love you and I beat you to it: horizontal with an actor-romantic

In this and next week’s episode, I lie down with my college friend, the actor-romantic, Triple Threat, improviser, mimic, voice-over artist, chameleon, ham, and all-around delightful, well-adjusted human, Burl Moseley.   He’s such a phenom that he recently got his own song on the musical TV show Crazy Ex-Girlfriend.

Lila:  I’m surprised that, having older brothers, you didn’t hear anything… about The Sex.

Burl:  Nnn. I think because of the way that our mom raised us, we’re all very, respectful people and, and um, the nice thing is I never heard, either of my brothers speak about women in a, derogatory fashion, which I think is (Lila mm’s) common of — or it can be common — um, of adolescent boys, especially in groups.

Lila:  Oh yes.

Burl:  Which is actually why I’m very selective about my, male friends— I didn’t realize it, until uh, I had a, had a girlfriend some years ago and she was like, “You know you have a lot of female friends. Like, your female friends outnumber your male friends,” and I was like, “Do they?” (Lila chuckles) And I like, went into my Facebook, and I started counting, and I was like, Oh my God, she’s right. And I was like, Huh. I wonder why this is. And so I was like, You know what, let me investigate this. (Lila mmhm’s) So. There was a group of guys, that I knew— we had all done like, you know, a film shoot together— a short film. And I was like, Let me get these guys together! (Lila chuckles) So we all got together, all went hangin’ out, we’re at this bar, hangin’ out, and then I was like, Ohh. This is why. Some of the casual misogyny that was just being thrown around, I was like, Ohhhhhh, I’m not down with this. (Lila mmhm’s) Like I don’t like this. I was like, Oooh, I can’t treat people this way— and so I was like, I was like, “Allright, uhhh, guys, I’m gonna pack it in!” (Lila and Burl crack up)

Lila:  But they didn’t know; you didn’t tell ‘em.

Burl:  It’s one of those things where like, it was before like the whole checkyourboys movement—

 

#checkyourboys = a hashtag representing a movement against toxic masculinity which encouraged men to stand up to their male peers and call them out on sexist, misogynistic ideas, jokes, and language. This movement is predicated on the idea that, though women bear the brunt of sexual harassment, it isn’t a women’s issue— it’s a men’s problem.

 

Office Boys on Crazy Ex-Girlfriend

Burl: — and like, stuff like that, and I just, I was so flabbergasted, and it was such a discovery for me, (Lila mmhm’s) to be like, Oh this is why I’m so selective about my guy friends is ‘cause I don’t, I’m not down with talking to women that way or treating women that way. And I just didn’t want to be around it. You know what I mean? I was like, I have to excuse myself.

Lila:  I think I often choose to absent myself rather than fight or—

Burl:  Right, right.

Lila:  — or call out, or—

Burl:  You know also, also the thing is like — and I’ve read, I’ve read several articles on this, but one in particular that struck me and, you know, and people’ll be like, “Aw, man, you know, you still gotta try.” It’s like, it is incredibly difficult, nigh— if not near-impossible— to change someone’s mind once they have a belief. […]

Lila:  The only thing I can think of that actually does that, is trauma.

Burl:  Mmm, ok.

Lila:  A traumatic event, somebody dies, somebody witnesses something horrible, somebody—

Burl:  Right.

Lila:  — experiences an accident or an illness or someth— that’s the only thing that I— like the rock bottomness of an alcoholic or—

Burl:  Mmhm, mmhm, mmhm.

Lila:  — the death of a parent, or the death of a child or—

Burl:  Right, right.



Welcome, hiii! Welcome to the podcast of intimacies recorded while reclining. You’ve heard of SlowTV? This is Slow Radio.

We don robes, lie down, share a single pillow, and invite you in, to eavesdrop on our conversation about sex, love, and relationships of all kinds.

In this and next week’s episode, I lie down with my college friend, the actor-romantic, Triple Threat, improviser, mimic, voice-over artist, chameleon, ham, and all-around delightful, well-adjusted human, Burl Moseley.  

He’s such a phenom that he recently got his own song on the musical TV show Crazy Ex-Girlfriend. If I were you, just before listening to this episode, I’d go straight to YouTube and type in “Don’t be a Lawyer.” He sings, acts, and dances the bejeesus out of it, in a full-on bright-pink 90s suit with a chunky tie. I have watched it an embarrassing number of times, I have insisted that my housemates watch it, and when I arrived at Burl’s apartment to record this episode in early December, I danced around his place singing it back to him. I’m reaally into it. And if you’ve ever known a lawyer (and I’ve dated two!) I’m pretty sure you will be into it as well.

In fact: here. You’re welcome.

Don’t Be A Lawyer – feat. Burl Moseley – “Crazy Ex-Girlfriend”

Buy the season 4 album here: https://lnk.to/ceg4 Don’t Be A Lawyer Starring Burl Moseley, Clark Moore Written by Rachel Bloom, Jack Dolgen, & Adam Schlesinger Jim: TWENTY YEARS OLD, PRETTY SMART KID DIDN’T KNOW WHAT I WANTED TO DO SO I TOOK THE LSAT AND THEN, JUST LIKE THAT GOT

Burl and I both went to NYU’s Tisch School of the Arts for Drama. He was a luminary in my favorite improv troupe, and I always made it a point to show up to their shows and cheer them on. Improv was never my thing, but Burl is a natural improviser … I think that’s part of the reason he’s so good at life-ing.

In this first half of our conversation, we talk about the origins of being a “live wire,”  the two types of military kids, making as many friends as possible, casual misogyny and male friends, Burl’s “showing out” at school, my “attitude problem,” our childhood celebrity crushes, how Burl felt about his parent’s PDA, the first kiss ritual, the mom & dad sofa, and trying to undo the damage that Disney has done.

If you enjoy cozying up with us, and want to listen to next week’s episode with Burl (episode 64), become a patron of the horizontal arts. Patreon is the love child of crowdfunding and a subscription service, and you can access all the part twos of every episode by becoming a patron of $5 a month or more.

Become a Patron!

Welcome to my newest patrons: Michael and Daniel, and an extra joyous thank you to Tiana, Rex, and Donald, for raising their pledges this month!

I’m deeply committed to Intimacy Maven as a career choice, and continuing to create work that diminishes loneliness, dispels shame, and alchemizes human connection, in multiple mediums. You can help me happen it.

I have some exciting twists coming for Season Three, which will start in the next couple of months, and I’ll also be revamping my Patreon tiers then, so if you want to be grandfathered in at the $5 level (meaning that the tier will go up, but you’ll still get access to all the episodes) go to Patreon now, dahling, and become part of my mission to make the world a more intimate place!

Become a Patron!

For more horizontality in your inbox once a week-ish (okay, full disclosure, lately it’s been once a month-ish), sign up on horizontalwithlila.com for my raw personal writing, photos of me horizontal in unexpected places, images of my guests and links to the show notes, and the occasional bit of additional fabulosity, like a plug for my sex educator housemate’s online course on how to be a great lover.

And now, come lie down with us, in a place called Hollywood, in Los Angeles, California.

horizontal with Burl in L.A. December 2018


Links to Things:

Become a Patron!

Burl on the interwebz: Insta & imdb

An article about the #checkyourboys movement, which operates on the principle that sexual harassment is not a women’s issue— it’s a men’s problem.


Show Notes (feel free to share quotes/resources on social media, and please link to this website or my Patreon!):

website link: https://horizontalwithlila.com/

Patreon link: https://www.patreon.com/horizontalwithlila

[5:36]  In college, Burl reminded Lila of the handsome and talented Marque Lynche, who she went to high school with and who is now deceased.

[7:32]  How Burl grew up all around the United States.

[8:12]  Burl on his wonderful sex ed teacher.

Burl:  I was fortunate, because, when the sex ed time came up, I was […] I was in California and I was blessed with this wonderful sex ed teacher—

Lila:  (loudly) Really?!

Burl:  Yeah.

Lila:  (again loudly) Literally never heard anybody say that.

Burl:  Really?

Lila:  Yes!

Burl:  Oh man, yeah, it was pretty great, like she was so frank, and like, she was like, “I don’t care if you guys are embarrassed; you need to know this.” And we were like, “Okay!”

Lila:  (gasps) That’s so great! Do you remember her name?

Burl:  Mrs. Bayer. […]

Lila:  Thanks, Mrs. Bayer!

Burl:  Yeah. Really lovely, lovely lady.

Lila:  So, was it just condom-on-banana… period… how to make a baby—

Burl:  No, it was every—

Lila:  Or did she go—

Burl:  It was everything, it was contraceptives— they covered all the contraceptives that were available at the time, condoms and how to use them, how to put them on, female contraception, you know, birth control and everything. You know, and she had— her big thing was like, “Your hormones are raging,” she’s like, “I try to tell people: the kids, when they’re ready, are going to have The Sex.”

Lila:  (laughs) Definitely.

Burl:  […] I don’t think there was like, a big abstinence push at the time. It was just like, Look, if you’re going to do it, be protected, and, condoms were available— you know, if you needed them.

[10:00]  Burl on elementary school sex ed and the opt-out.

Burl:  When I was a little kid though, in elementary school […] that was like intro stuff, […] that was like, If you’re a boy, these are the parts that you have; if you’re a girl, these are the parts that you have, and this is how a baby is made, and this is how a baby is brought into the world and stuff like that. But then the, the craziest thing about that was that: you could opt out of it. Like some kids had their parents sign this thing that was like, You will not teach sex education to my kid.

Lila:  Wow.

Burl:  And it was only a handful of kids, but, I remember when they weren’t there, I was like, Wow, really?

Lila:  And often those are the ones who get pregnant, right, and have—

Burl:  Mmhm. […] I was like, Really? I was like, I feel like this is im— portant stuff.

Lila:  Had you gotten any sex ed at home before that?

Burl:  Yes. Yes. Because I had questions. And um— actually I al— I already knew about it; I learned about sex in the first grade, because I was curious about it, and there was uh, this 6th grader — top of the class at the school — and he was playing basketball. Just shooting around some hoops on the court and I was like, Ah, this guy probably knows somethin’. (Lila chuckles) So as a first grader I walked up to him and I was like, “Ah-he-hem: What Is Sex?”

Lila:  (high-pitched giggle) Really?

Burl:  Yeah. And without skipping a beat, he was bouncing his basketball, he was like, “It’s when a boy’s thing goes into a girl’s thing.” And I was like, pSSSSHHHHHHH! (the sound of a brain exploding) And I was like, “Thank you for telling me this.” I was like, Why do adults make it, like it’s such a big secret? I was like, It’s such a simple explanation. And then I remember one time, when I was at home, I was also in elementary school — the family was all watching the Family Feud. I don’t remember what the question was but, one of the answers— Oh! It was, Things a Woman Might Have in Her Purse. And one of the answers that popped up on the board was condoms. And I was like, Oh I don’t know that word. And so, I said to my mom, I was like, “Mom, what’s— what are condoms?” And there was a pause. And then she went, “It’s something that a man puts over his penis, when he enters a woman’s vagina and they have sex to prevent pregnancy.” I said, “Oh, okay great. Thank you.”

Lila:  (giggles) Right. Simple as that.

[12:31]  The landscape of Burl’s nuclear family.

[13:40]  Burl on being raised to respect women, and how that has affected his friendships with men.

[17:08]  Does Lila have any family?

Burl:  Do you have any family, any brothers or sisters?

Lila:  I don’t.

Burl:  (surprised) Really, you’re an only child?

Lila:  Yeah!

Burl:  I did not know that!

Lila:  Yeah, and I think that’s part of why I, have just pretty much always been so lonely.

[17:20]  Lila on the landscape of her (significantly smaller) nuclear family, her parent’s divorce, and her terrible horrible no good very bad time in middle school.

[20:07]  Burl on the two types of military kids.

I mean, with THIS SMILE?!

Burl:  When you’re growin’ up military, and you’re a military kid, I feel like you become one of two types kids, and that’s like: you move to a new place, and you either, you’re like, “Okay, I don’t know how long I’m gonna be here, so I’m just gonna keep to myself, I’m not gonna get to know anybody, I don’t wanna get close to anyone, right? ‘Cause then they’re gonna be (dramatic movie voice) ripped from my life.” (Lila mmm’s) Or! You become the kind of person that I became, and that was, I don’t know how much time I got here, so I gotta make as many friends as possible!

Lila:  (laughs) What a beautiful response!

Burl:  I would just jump in, I’d be like, “Hi! I’m Burl! What types of things do you like? I like video games and I like basketball!” (Lila laughs delightedly) “Do you like any of those things? Where do you live? How close do you— how close to me are you?”

Lila:  “Can we play?”

Burl:  “Can we play? You wanna play? Do you like to ride bikes? I love to ride bikes.” (both laugh)

Lila:  Oh, it’s so wonderful! And it worked, I’m assuming?

Burl:  Yeah yeah yeah it worked! It worked out great!

[21:05]  On Burl’s natural inclination towards gregariousness, and getting in trouble for “showing out” at school. Burl’s teacher called him a “live wire.”

[23:48]  On Lila’s attitude problem (in school).

[26:20]  When did Burl start acting? The “E is for his Everlasting Love” church play.

[29:07]  Lila inquires about Burl’s church.

Lila:  So you didn’t have the, hellfire and damnation if you have sex before marriage, thing?

Burl:  No, at least not from my parents. No, there was no hellfire and damnation. It didn’t— just as much as it didn’t really come up. ‘Cause I was a kid at the time… you know? And they weren’t like, (growls, first in a movie voice, then with a Southern accent) “Now you listen kids, if you engage in carnal behavior, then you will burn for eternity in the fires o’ hell!” No, there was none of that, there was none of that. Which I appreciated. And there was also a time when I kind of like, woke up to it all, and, and by that I mean, you know, not to say that like, all religion is bad, but, […] the thing I didn’t understand the most was— it was around the time when like the AIDS epidemic was going on, and people were talking about gays and gay marriage and all this stuff, and a lot of this didn’t go on in my church, but I saw it on television. I didn’t understand how people could call themselves Christians, (Lila mmhm’s) and yet have so much hatred towards a group of people—

Lila:  Yeah.

Burl:  Any group of people, but particularly, gay people. And I was like, I just never hear on the news, like, “3 gay men broke into a home and slaughtered an entire family,”

Lila:  (laughing) Oh my God.

Burl:  You know what I mean?

Lila:  Yeah!

Burl:  Like I was never hearing any of that on the news, and I was like, I was like, and, I was like, You guys are Christians, right? The first rule of it basically is like, God loves all of his children!”

Lila:  Love people!

Burl:  Yeah, and to love, thy neighbor as thyself. I was like, Whhhy is that so hard?

Lila:  Where’s the disconnect here? Yeah.

Burl:  Then I realized, Oh my God, it’s fear. Because people fear what they don’t understand. And a lot of these people that— ‘cause I see it all the time, a lot of these people that are like, “Oh, you know, homosexuals,” this and that, […] and then, their child, happens to be gay or lesbian—

Lila:  Right.

Burl:  And then, wow, look at how they turn around. “Well I didn’t know it could be my kid. But I love him or her!”

Lila:  Well you hope they turn around.

Burl:  You hope they turn around.

Lila:  I hear lots of stories of—

Burl:  Yeah, sometimes they get disowned.

Lila:  — of, not.

Burl:  Sometimes they get disowned.

Lila:  Yeah.

Burl:  That’s so sad. You’re like, Really? Disowned because of their sexuality?

Lila:  I know.

Burl:  Something that they had no control over? Really?

Lila:  Also, what is the skin off your nose! […] What does it even have to do with you?

Burl:  It has nothing to do with them. But then people are like, “Oh well you know, they had a choice!” And I was like, “Alright, well you’re a guy, right?”  “Yeah.” “When did you choose to start liking girls?” . . . Silence. (Lila chuckles) “Or, you’re a woman, right? When did you choose to start liking men?” … Silence. You know? And I’m like, “Hm. Think about that.”

[32:10]  What is an early memory of Burl liking a girl?

[32:24]

Burl:  I remember being a kid, and they show all those old reruns on TV all the time. And I remember I caught a rerun of …

Lila:  I Dream of Jeannie! No!

Burl:  No.

Lila:  No.

Sigh! Lynda Carter as Wonder Woman.

Burl:  (quietly) Wonder Woman. (big in-gasp from Lila) And I remember looking at Wonder Woman and being like (whispering) She’s amazing! (Lila giggles) And then I remember finding out that it was played by an actress, named Lynda Carter. And I was like, “! She’s so great!” And then I was like, Wow, and at the time, you know, as a kid, I didn’t know why, but I remember being like, I just need to watch Wonder Woman, do her thing. And then I would like, be spinning around the house, you know, ‘cause she like, used to spin around in a circle to like, change into her outfit—

Lila:  OooOOOh!

Burl:  And I was like, I was like, I need to transFORM! I need to go, fight this CRIME! (Lila giggles) You know what I mean? And I just always thought she was like… ah, man, I was like, That Lynda Carter. Was like, whenever she was on the TV, no matter what game I was playing or, you know, what toys I was playing with, I was like, Y’all can wait. Wonder Woman’s on. I remember she just made me feel like— I don’t wanna say “tingly,” but, there was somethi— there was an awareness. There was an awareness. And I was like, I don’t know why. But, you know, now that I’m older, I know.

[34:08]  Who was Lila’s childhood celebrity crush? (Hint: She loved musicals.)

P.S. Lila likes Wonder Woman, too. Photo by Julie Savage Lee Photography.

[35:07]  Why Lila never pursued musical theatre, and her mom’s opinion.

Lila:  But I never did musical theatre, because […] my mom, when I was a kid, and I would sing, and I was probably trying to imitate New Kids on the Block or something, you know, I was probably just trying to imitate what I heard, and I’m a pretty good mimic, […] she would say, “Why are you singing through your nose? You sing through your nose. Stop singing through your nose.” And, just that was enough, (sympathetic sounds from Burl) it’s just amazing what’s, what, can seep in to kid’s consciousness. Because that was enough to keep me from training my voice. (Burl ohhhs) For most of my life.

Burl:  You have a lovely voice, by the way. (Lila mewls) I was gonna say that earlier.

Lila:  (mewling) Thank you.

Burl:  I was like, Oh, she knows. I was like, I don’t have to say it. But now, I was like, Maybe you should say it.

Lila:  Oh, it really means something when people say it, because it’s like I’m— it’s like the scales, […] and I envisioned my mom’s opinion as a— when I was a child, you know, it’s so heavy and so I just like and adding these little— you know, every time one of my yoga students says “Oh my God, what a lovely! You should record that!” You know, I just like, add it to the scale, hoping that someday it’s—

Burl:  It will balance, yeah.

Lila:  It’s just gonna balance out. […] But it really goes to show, how incredibly… hard children can take something and how […] it gets ingrained in their brains and can keep us from, from excelling or from using a gift.

Burl:  Absolutely.

Lila:  I’m still mad at her for that; I don’t think I’ve ever told her that I’m mad at her for that. […] Oh no I think I did tell her!

Burl:  Oh! What’d she say; did she even remember?

Lila:  She did not remember.

Burl:  Yeah that’s, that’s the way it is. […] ‘Cause it means nothing to them. You know? But it means so much. To us. […]

Lila:  To this day she hasn’t complimented my voice, even though she heard me a few years ago. […] It’s very odd, ‘cause she doesn’t sing well.

Burl:  Ahhh.

Lila:  Maybe that, maybe that’s why.

Burl:  That’s why. She’s like, “Dang, she turned out to be a really good singer.” (melodrama voice) “Better than me!”

Lila:  It’s so strange though, because she compliments me about everything else! […] I don’t know that she even knows that she withheld her approval in this area. […] I don’t know that I told her how much it stunted me. How I really wanted to, go this one way but I, felt, that I wasn’t good enough.

[38:08]  Lila on seeing her mom for the first time since the disastrous Thanksgiving of 2017.

Lila:  She and I have got a lot to unpack. We’re just tryna— we’re just tryna be okay, with each other, you know? I just went down to see her and, it was the first time I’d seen her— a year ago, I went down for Thanksgiving, annnd… mmm, we got in a… fight, and I told her that I (quietly) didn’t feel love for her.

Burl:  (under his breath) Ohhh, shit.

Lila:  Yeah. And… and that it was really just wrapped up in obligation, annnd I have an awareness of how horrible that is to say, to . . . someone who loves you so much.

Burl:  Right.

Lila:  But it is also— … was also, the truth. (Burl mmhm’s) And . . . . . I think it… it relieved a lot of pressure, actually, for me. Because for a while I could just— I was on a road trip, I, I left early, I was like, “I’m sorry, I just need to go.” And I—

Burl:  Yeah.

Lila:  Left and, and then for a little while I didn’t feel that pressure to tell her that I love her on the phone, and I didn’t— I wasn’t keeping to this weekly, Skype date that I had set a time for so she would feel less anxious; I just wasn’t keeping to that. (Burl mmhm’s) And I just gave myself more space. […] Part of it is that— I don’t know if you know this, but when I was 7, 8, and 9, my mom was in the hospital for colon cancer.

Burl:  (quietly) No, I didn’t know that.

Lila:  And so, there’s some, some abandonment, there, (Burl mmhm’s) right, ‘cause she just wasn’t, she couldn’t be around and she couldn’t— she was sick so she needed care, so she couldn’t care for me, although she did her best to bring me to a babysitter that had a lot of love, and and and tenderness for me, […] but she wasn’t there. For… reasons beyond her control. […] And then she’s also been battling manic depression, for most of her life.

Burl:  Ohw. That’s hard.

Lila:  And took lithium, which is really, a really really harsh […] drug where the difference between a healthy dose and an unhealthy dose is (long inhale) thin? […] And she had been taking it for manymany years because for a long time that was the only thing that was prescribed for people with manic depression. […] And then at one point, when I was living in Portland, it actually built up in her blood to a toxic level so that she had an overdose.

Burl:  (gasp) Oh jeez.

Lila:  When I couldn’t get ahold of her on the phone I was like, That’s weird; that’s unusual. So I called her friend to go over and she was just like lying on the floor in the living room, looking up at this gallery of pictures of us that she has, and pictures of me that she has on her living room wall, and, incoherent, basically.

Burl:  (softly) Aw no.

Lila:  And then they took her to the hospital and put her on dialysis, and they said, you know, “We don’t know if she’s ever gonna speak again.”

Burl:  Oh my goodness.

Lila:  And I was, twenty… six? Maybe, twenty-four, maybe. And I was like, I feel too young to deal with this! And I’m an only child, so there’s nobody else, you know. My dad did come down to help, help out, but […] I felt, pretty overwhelmed. […] And she did, eventually, start speaking again. And, when she started to speak again, she spoke in Portuguese.

Burl:  (cartoon surprised sound) Wha?!

Lila:  Because she’s a Brazilian.

Burl:  Oh, Okay! Oh wow!

Lila:  And, often, people, after a traumatic event, when they lose their power of speech, they might, begin to speak again, in their first language.

Burl:  Oh wow.

Lila:  I had grown up kind of resisting— not wanting to be different, probably— resisting learning Portuguese, because there weren’t people in my sphere except for my mom, who, who spoke it. (Burl mmhm’s) But I had gone, right after college— she had offered it throughout high school, I didn’t want to do it; I was in an arts high school. I wanted to graduate. She had offered it, you know, between high school and college, I was like, No, I want to go straight to NYU. She offered it during NYU; I was like, No, I want to finish my program. And then afterwards I said, “Okay. Now’s the time.” And because she was ill, you know, she had offered it and pushed it and pushed it, and then, she said, “How would you feel if I died while you were there?” … And I was like, What the fuck! I don’t think she remembers saying that.

Burl:  Wow.

Lila:  But the, the manipulation of that—

Burl:  Right.

Lila:  I think that— I’m not sure that— she did wind up sending me, but I’m not sure that I’ve ever forgiven her for that kind of extreme guilt tripping manipulation. I was like, “You were the one who wanted me to go! And to learn and!” So I did go, right after college, I went for three months that summer, of 2000, and I lived with my late aunt, and, she didn’t speak much English, and I played capoeira, and the whole turma was pretty— you know, they were of a class that didn’t learn English […] and so I had to f— I wanted so much to communicate with them and to be a part of it. So I learned. […] And I also had some private classes, twice a week, so those three things, those three components, had me learn, and I came back, pretty much fluent, and […] 2003 – 2009 I would speak with my mom on the phone, in Portuguese, and when this happened, I was in the hospital and I was able to translate, because I could understand her.

Burl:  Wow. Woooow. Holy. That’s major. […]

Lila:  So last year, Thanksgiving, you know, I just kind of ruined Thanksgiving (Burl chuckles under his breath) and left. (laughs) I really did! Burl—

Burl:  (still chuckling) Burn it all down.

Lila:  I really did.

Burl:  Just burn it all down. (laughs)

Lila:  And, this year, November, early November, for her birthday was the first time I saw her again, so I went down for her birthday. And… it was better.

Burl:  (gently) Good.

Lila teaching mom how to selfie at her 77th birthday dinner.

Lila:  Like, we were actually able to have some… good times— she called me out on my, my tone with her, she’s like, “I wish you weren’t basically disgusted by me; I just don’t understand.” And I was like, “I don’t know! It’s awful! I’m so sorry!” Like, I don’t know, I don’t know what it is. I have some, ideas, as I said to you, you know, some resentments that I haven’t cleared… […] But I was able to enjoy her company and her 77th birthday dinner—

Burl:  (gently) Good.

Lila:  And we saw a movie together— we like period films, so we were able to, enjoy that, even though it was sad. I told her once: “When I come to see you, I need time for myself every day. I need some hours that I, have just for myself. Otherwise I—” This is how I operate; I can’t be with somebody all the time. […] I have to have that. When I didn’t have that, when I didn’t take it, I felt the difference. […] And when I did, when I went to a coffeeshop for two hours, and I wrote, and I worked on the podcast, and I did stuff— and then I came back, I was in a good mood and I gave her a hug and I was— I had something to give. […] So I think maybe I’m learning better how to deal with it. But I also— there’s also a part of me that’s like h— fuckin’ hurry up! She’s 77! And, you know, I’m like, She could die any minute, you know, I just feel this, sense of, I really want to be able to express genuine love and, and care, before she dies, you know? […] She loves me so much; she has always done the best that she possibly could for me, and I know that not many people can say that about their parents, I know that I’m fortunate! So how could I feel this w— you know, how could I feel this way about her? But of course, you castigate yourself for how you feel; it just gets worse.

[46:42]  What were Burl’s parent’s like together?

Burl:  It’s so funny because, people always talk about um, you know, um, “Oh yeah, my parents, man, kissin’ on each other, it’s so gross.” (Lila giggles) It always made me really happy, because I was like Oh, they’re in love! That’s what, people in love do!

Lila:  Oooooohhhh, that’s so sweet!

Burl:  And I can remember also, you know, growin’ up, and, y’know, bein’ a kid, havin’ all those kids in the house, every now and again you’d hear the sounds, that your parents make in the middle of the night. And I remember asking my brothers, I was like, “What’s that noise?” (Lila giggles, Burl, high-pitched) “What are they doin’?!” And my brothers were like, “Oh they’re, making love. Having sex.” And I was like, “Ohhh, of course they are.” And it always made me really happy— some people are like, (uber-dramatic) “Oh no, I can’t hear this!” I was always like, (very matter-of-fact) “Oh, good for them.” (Lila laughs) ‘Cause it’s a sense of security, like, that sound, meant, that, my family unit, had security. […] It was like, Oh good. I was like, oh, that’s part of a, a healthy marriage and relationship and I appreciate that my parents love each other enough to still engage with each other in that way.

[48:29]  Were Burl’s parent’s affectionate in front of him?

Burl:  So, every day, when my dad came home— so when I was a little kid, […] me and my sister used to have a competition. So my dad would come home, and he would ring the doorbell, dingalingalingalingalingalingalingaling! That’s how we always knew that it was Daddy like, dingalingalingalingalingalingalingaling! And so we would stop whatever we were doing, wherever we were in the house, and we would drop everything, we were like, “I’m gonna get the first kiss!” And she would be like, my sister would be like, “No, I’m gonna get the first kiss!” And we would like, run to the door, and my dad would open it, and we would run and like, kiss him on the cheek. And then my parents would kiss, after that. But like, it was always such a competition, like every day, it was so great. And eventually we grew out of it, but—

Lila:  Awwwww.

Burl:  I don’t remember, I don’t remember the exact time when like— like I don’t think I walked in the door and gave my dad a handshake, but like— (both laugh)

Lila:  You stopped doing it by high school.

Burl:  Yeah yeah, definitely by high school. Maybe even by junior high. I don’t remember when it phased out. But. I do remember when I was a little kid, oh my gosh, that was peak. And then, and then my parents were always very affectionate, you know, my dad and my mom always kissed whenever they would leave one another and whenever they would greet one another. There was always kisses to be had.

Lila:  I bet he missed it when you stopped. (Burl chuckles) But maybe he wouldn’t say so!

Burl:  Right… like “the kids used to make such a big deal when I got home!”

Lila:  (giggling) Yeah!

Burl:  “And now I have to come find them in their rooms somewhere.” (both chuckle)

Lila:  You should start it again. When you go home for Christmas.

Burl:  Well I always— you know what? I do always give my dad a kiss on the cheek whenever I see him and whenever I leave.

Oh, Burl Moseley. What an adorable headshot you have.


[50:16]  What did Burl learn about relationships from observing his parents?

Burl:  I learned that […] love takes… you need to nurture it, you know? It’s not just— you can’t take it for granted. It’s something that you, put effort into. […] ‘Cause I also noticed that there were times when they were like— over the years— it wasn’t all the same! It was always evolving and changing. And there were things that they would incorporate into their relationship, that I noticed that was, that was useful… […] So I remember there was a time when this didn’t exist, but now it exists: my folks always say, “I love you and I beat you to it.” (Lila chuckles) And I was like, Oh that’s interesting. That’s this little game that they play. You know?

Lila:  I love you and I beat you to it. […]

Burl:  What else did I learn about relationships? They were always close. Like when they could be close, they were close. They were in proximity, to one another. Like, they always sat on the m— on the mom and dad sofa. They were always sittin’ on that sofa. If you ever came down, and the TV was on, and they were both there, they were both sitting there. Och! My favorite memory! I just reminded me of my favorite memory. My faaavorite memory… was one tiiime, this was like, it must have been, maybe it was a weekend, because everybody was home. And I think I’d like, just cut the grass or something— but don’t quote me on that. (Lila giggles) I remember um, I remember my dad had done some yardwork too, which is why. So my dad was in the shower. And I remember running into my mom in the hallway. And she was like, (whispering) “Is that your dad in the shower?” And I was like, “Yeh.” And then she just like, held her finger up to her lips and she was like Shhh. And then she like, opened the door, and like, went in there (Lila giggles) and then, she was like, “Whassup!” (Lila & Burl crack up) And then I heard them like, laughing and everything, and then I’m pretty sure she like, got in there with him, and I was like, “Awwww.”

Lila:  Awww, gosh!

Burl:  And then I like, went to go play. You know it’s that security, it’s that thing, it’s like, My parents love one another! Don’t have to move out yet! Whoohoo!

[53:10]  Are his parents his model for an ideal relationship?

63. I love you and I beat you to it: horizontal with an actor-romantic

In this and next week’s episode, I lie down with my college friend, the actor-romantic, Triple Threat, improviser, mimic, voice-over artist, chameleon, ham, and all-around delightful, well-adjusted human, Burl Moseley.   He’s such a phenom that he recently got his own song on the musical TV show Crazy Ex-Girlfriend.

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See that resting frown face on my mom as she slept See that resting frown face on my mom as she slept?

I’ve started to make that same face. I wake from a dream or a doze to find that I’m frowning. I touch my lips to make it stop. After a few moments, I discover that they are making the frown shape again. I can’t make it stop because I’m sleeping when I do it. I’ve started doing it when I’m not sleeping too. When I’m awake, I think it’s a cross between a grimace and a frown. A frimace? (I mean, it can’t be a grown. Or can it?)

I don’t really have that much to frown about anymore, except, I suppose, for the onslaught of fresh horrors perpetrated by the country I live in on the daily, the greed of the few and desperation of the many, the natural disasters that are frequenter and hotter and wetter and gnarlier as the earth continues its job of beginning to shake us off its back… yeah I guess there’s not much to frown about, really. 

I took Mom to FloridaRAMA because she had been complaining for months that she didn’t do anything anymore. She mentioned concerts, plays, ballets. But by the time the sun went down, she would be sundowning and wouldn’t want to go anywhere anyway. So that afternoon I decided to pick her up and take her on an outing — which was always a pain in the ass, and especially a pain in the ass to do solo. It involved going to her room and making sure she was dressed, convincing her to get dressed if she wasn’t, which was a laborious process, insisting that we needed to take the wheelchair which of course we did because she was falling all the time and brachiating (holding onto walls and less sturdy things like chairs, tables — at least, some nurse told me that this is what it’s called but the internet seems to only relate it to apes swinging from their arms to get from place to place) […]

Continued on horizontalwithlila dot substack dot com (the link is in my bio)
In the bathroom of the Italian restaurant after Da In the bathroom of the Italian restaurant after Dad’s cold rainy rural upstate funeral looking like a sad British clown / Nowhere, NY / April 12th, 2025

Right after my father died, there were Anthonys and Tonys everywhere. 

Suddenly everyone was called Tony and everybody else was talking about their Dad or playing songs about death. 

* Passing a girl on the street talking to her friend, and the only words you catch are “My dad had…” 
* Walking into your favorite gluten-free café, and they’re playing the Flaming Lips song “Do You Realize?”

Do you realize / that everyone you know / someday / will die?

* Realizing that the second title for Billy Joel’s song “Movin’ Out” is “Anthony’s Song.” I never truly registered this until I was trying to write one morning in a blessed cacao shop (yes, for real) and I paused to listen to the opener:

Anthony works in the grocery store
Savin’ his pennies for someday

* Ordering fries from the surfer guy at the beach shack on my pilgrimage to the ocean, when his co-worker shouts, “Hey Anthony!”

If you put this stuff in your feature film script, your screenwriting teacher would tell you it’s too pat, too predictable, “don’t put a hat on a hat.” (The Writer!)

It’s like that old quarters experiment on attention… you start looking for quarters on the ground, and suddenly, you see them everywhere.

The drugstores full of Father’s Day crap. Marketing emails about “Dads and grads.” Only one company sent an email that said, Hey, we know that Father’s Day time is tough for some people, so click this to opt out of all Father’s Day related emails.

Click. CLICK!

I wish I could click that link for the universe. No father stuff, please. No Dad shit. But there were quarters everywhere, of course, because the back of my mind was attuned to all things Dad.

{You can read the rest of the essay on Substack. Link in my bio, bb.}
Love Letter to New York, whom I miss so much 1. S Love Letter to New York, whom I miss so much

1. Straight out of a fitting for “The Deuce”?

2. Free Friday at @whitneymuseum 

3. Basquiat makes me feel like home

4. Madison Square Park photo op (irresistible)

5. Candid

6. Got to see the lovely @josescaro & @benbecherny ply their craft at @bricktheater 

7. Charming marquee!

8. Closing night vibes (not pictured: the succulent plant I brought in lieu of flowersof)

9. Chuck Close in the subway!

10. More subway Chuck Close!

11. Man Ray retrospective at the Met

12. Love a good silhouette

13. A rare VERTICAL bathroom portrait in one of the finest bathrooms of them all, at the lovely New Mexican food joint with the rainbow cookies Of My Dreams, @ursula_brooklyn 

14. My man is a photographer too. 🤩

15. Cannot. Resist. Photo Booth.
I wrote a list in 2020 titled “How to love me wh I wrote a list in 2020 titled “How to love me when I’m ... depressed”... and in this essay, I encourage you to write your own version (How to love me when I’m... anxious, How to love me when I’m... burned out, How to love me when I’m... in despair)...

And if you write one, how I would love to read it. (Or even learn about one of the items on your list, here in the comments).

Here’s an excerpt:

 “One of the characteristics of my depression (and most of my other tizzies, such as but not limited to anxiety, severe procrastination, adulting paralysis, etc.) is that while I’m in it I have no idea what — if anything — will help me get out of it.

It’s more like I DON’T WANT TO BE HERE BUT I DON’T KNOW HOW TO GET OUT SO I’LL JUST HIDE UNDER THE COVERS UNTIL I WANT TO DO SOMETHING AGAIN CALL ME IN 6 MONTHS.

Ergo, therefore, if I’m in a state, and you ask me what I need, or what you can do, I may or may not have the wherewithal to tell you. Emphasis on the not. I may not even have the wherewithal to know.

And if I don’t know, how can I tell you?

I can’tdon’t, then.

If I’m not in a state I probably have plenty of things I could say but that’s when I don’t need the help so badly. (A lá it’s not the worst while you can still say the worst.)

As I mentioned in the subtitle: You don’t come with an operator’s manual. Your model came out of the fleshbox with zero instructions. And since no one possesses your operator’s manual, no matter how much they love you, you are going to be the supreme author, the expert on you, since you’ve been studying you your whole life. Please for the love of Pete & Ashleigh, do your people the great good turn of writing them some instructions. Triage options, if you will. Trust me when I say that they (nearly all of them) need it.

If you write it for them, they will have it when you need it.

This little list could, quite without exaggeration, save your life.”

The link to the whole essay is in my bio. (Join me on Substack darling!)

#substack #substackwriter #depressionandanxiety #communityiseverything
Love Letter to St. Pete @stpetefl Where we met, Love Letter to St. Pete @stpetefl 

Where we met, where we re-met ❤️‍🔥

1. An afternoon at @grandcentralbrewhouse with my handsome gentleman in @warbyparker 

2. Bb’s first @nineinchnails concert (okay, technically in Tampa) in @selkie & @viveylife . It was stellar. Trent sounds just like he used to and the projections were gorgeous!

3. Matching denim jumpsuits ( but his is a @onepiece )

4. The finest pizza in all the land (even with my dietary restrictions!) from @noblecrust (OMNOMNOMNOM)

5. He even makes doctor’s appointments fun.

6. I love matching him sooooo muchmuch. 

7. Just us and a zebra, nbd.

8. Theme Park joy

9. At the art show @wadastpete that my gentleman curated for his students. 🪐☄️🛸👽🚀✨
When I was a kid, I used to read myself to sleep. When I was a kid, I used to read myself to sleep. 

Actually, I don’t know when I stopped.

I read myself to sleep in my childhood bedroom, with a flashlight under the covers of a trundle bed (drawers filled to the brim with dress-up clothes) when my mom said it was too late to be awake. I checked out 25 books from the Freeport library at a time, filling the trunk of my parent’s car, and devoured them in weeks, partly from my perch in the flowering dogwood tree in our backyard (were the blooms ivory? or cherry blossom pink?), partly while curled up on an orange-and-yellow-ticked seat cushion I dragged down to the crawlspace in the basement — my “secret hiding spot,” which was neither secret nor hidden and so can only be termed a spot, armed with Oreos and flashlight, and the remainder under the covers before bed.

I suspect I knew more words then than I know now. There are still words like “vehement” that I’m only about 70% sure I know how to pronounce. I learned them in context. I can spell them. I can use them in a sentence! But am I saying them correctly? 

Unsure.

I read myself to sleep in high school, even though I had to get up unconscionably early to get bussed in to my magnet program — Pinellas County Center for the Arts — 35 minutes away from our sad little apartment. Like a magnet, @pcca_gibbs PCCA grabbed young artists from the whole county.

I had a major in high school, which is more usual now, from what I hear, but wasn’t so usual then, and what I majored in was called Performance Theatre (as opposed to Musical Theatre, the love of my life I never thought I was good enough for). 

I really wanted to go to the Fame school in New York — LaGuardia — but when I was 12 my Mom divorced my Dad and forced me to move to Flah-rida. So I went to PCCA instead. (To be honest, she probably wouldn’t have let me commute into the city to go to Fame even if we had stayed on Long Island.) 

Read the whole essay (link to Substack in my bio)!

#booknerdlife #readingforpleasure #readingrainbow
My man and I got our nerd on at @nerdnitestpete ! My man and I got our nerd on at @nerdnitestpete ! 

We had the opportunity to support my lovely, engaging, and compassionate Happiness Ambassador friend Adam Peters aka @mindmaprenovations as he changed some lives by teaching us how to begin developing a preference for positivity. I’ve seen him give this presentation a few times before, and this was the best one yet — and to the biggest crowd, over 300 human nerds!

I love us.

I consider it my sacred duty to paparazzi my friends when they do marvelous things, as I hope to have done unto me!

P.S. Applied to give a Nerd Nite presentation myself … fingers crossed bb’s! 

1. My gentleman is so handsome. (Also, I got this stellar skirt in excellent condition from my favorite thrift store with a cause @casapinellas !)

2. Toasties supporting Toasties! @dtsptoastmasters members: me, Steve Diasio, Dawn Cecil (two-time Nerd Nite Speaker alumni!), & Rick! (Not pictured here — but later in the carousel) Christian Carrasco.

3. Fit check baybeeee.

4. Caryn, Nerd Nite boss extraordinaire, introducing the evening.

5. Caryn introducing my friend Adam (did I yell “THAT’S MY FRIEND!” at the end? WHY YES I DID.)

6-10. Adam rocking the casbah.

11. Fellow Toastmaster Christian.

12. I love mein mann!

#nerdnite #nerdnitestpete
A woman approached me. We collaborated once, a yea A woman approached me. We collaborated once, a year prior, I think. Time is weird. She reached out both her hands.

“What a beautiful mourner you are,” she said.

I took her hands.

I think I said thank you.

She was referring, I suppose, to the gloves, the dress, the shoes, the lipstick, the earrings. 

But what does it mean, to be a beautiful mourner? 
What does it mean to mourn beautifully? 
To have good grief?

“My dad dropped dead,” I said, to get myself used to the shock of it. 

“My mother is dying,” I said, to reconcile myself to the fact of it. 

I don’t wear mascara anymore, because I cry every day.

People hugged me in airports, at rental car counters, in line for a sandwich. They hugged me in the TSA line. At the chiropractor. The grocery store. My father dropped dead, I told them. My mother is dying. I told them and they hugged me. I was glad I did. I was glad they did.

Sometimes, when people were truly asking, if I had the time, and I had the spoons, I repeated my litany of 2025. So they’d understand: it has been this kind of year. It seems that everyone has this kind of year at some point, or, devastatingly, at several points in a life — a maelstrom, a dervish, a crucible, a nexus, a whammy, a time — an Alexander’s-no-good-very-bad-terrible kind of year. 

There were so many months in February. So many years in April. So many decades in the first half of 2025. I didn’t want to become an adult, but 2024 made me, and 2025 sealed the deal. 

It’s amazing I managed to get this far without growing up.

READ the whole essay on Substack
SUBSCRIBE through the link in my bio and make my day, darling 

💋 

#substackwriters #goodgrief
Love in La La Land 1. “So this is where they ke Love in La La Land

1. “So this is where they keep the LIGHT!” -SATC … At our first @lacma member preview, enjoying the majestically empty Geffen galleries before the permanent collections moves in.

2. Urban Light, and me (installation by Chris Burden)

3. A historic view at LACMA, never again to be seen!

4 - 13. Art, mostly part of the Digital Witness exhibit

14. Love at the @gettymuseum 

15. Queer exhibits! 

16. Sunset at the Getty with my love

#museumnerd #lacma #lacmamember #digitalwellness #thegetty #loveinlalaland
For you, when you need it, and for the people in y For you, when you need it, and for the people in your life, when they need it.

Here’s an excerpt from the essay:

[To read the whole thing, follow the link in my bio to my Substack (and subscribe there, darling)!]

My chiropractor called me out a few weeks back. 
He said, with his characteristic smile (he has nice little teeth), “I read your essay.”

“You did? Thank you for reading,” I began, genuinely surprised and moved.

“But I still don’t know what to say!” he admonished. “You only told us what not to say!” 

Then he gave me an enormous cashmere-scented candle in a plastic bag. 

This was not apropos of nothing. I mentioned that scent in the essay. 

That giant cashmere candle, so big it has not one but FOUR wicks, means something. And then he had to go and ruin it. (jk, jk, Dr. Brian!)

“Hang in there,” he said, at the end of our session.

I cringed a liddle. (That’s not a little, not a lot, it’s right in the middle, a liddle.)

But you see, he was completely right! I told him I’d give him a list! I hadn’t given him a list! So I began compiling. Every time someone said a thing that made me wince, it went on the list, which lead to Part 1: What NOT to say when someone dies.

Each time someone said a thing that felt like love, made me farklempt, I took a screenshot, and it went on the list. 

This is the farklempt list.

As I wrote in “what NOT to say,” the useful things people say are fairly varied (and tailored to the griever), while the un-useful things tend to be generic variations on a tired theme.
“what TO say” will be a living document, updated whenever I have something useful, or supremely un-useful, to add. Here we go.
Love in Louisville. 1. Photo credit to my love, Love in Louisville.

1.  Photo credit to my love, Zachary

2.  Selfie with Street Art by the windy, windy river

3.  Horsies! Street Art! (Do you know how much I love murals?!)

4.  Looking like an award-winning art teacher at the art teacher conference (ahem, he is the award-winning art teacher!), wearing a @riskgalleryboutique necklace & big fcking bow!)

5.  A Wizard interlude! What a delight to witness my friend @personisawake absolutely Rock @cm_louisville & inspire a roomful of humans

6.  When your love matches the art. 🖼️ *chef’s kiss*

7 & 8. Major interior design maxi inspo for my ADU reno from @21clouisville by @fallen_fruit 🌺🌷🌸🌻🌼💐🪷

9.  The crayon shirt, bow, and soft rainbow chiclet necklace style brought to you by my inner 6-year old!

#ilovelouisville #wizardry #creativemornings #21clouisville #21c
The video clip of me in the yellow dress and anthr The video clip of me in the yellow dress and anthropology-professor blazer is an excerpt from second iteration of my talk, “The Intimacy Equation,” which I first gave as part of the @bof VOICES conference, outside London in 2021. 

This rendition had a test-drive at my Toastmasters meeting last week. Imperfect, unrehearsed, delivered from bullet points with a slim little notebook in my hand… and yet, I have shared it with my paid subscribers over on Substack (link in bio) because I want to be a person who shares process, not just product.

(This is a bit of a coup for my recovering inner perfectionist, and I have to say, I’m a wee bit proud.)

I kept my fancy equation. 

But now I have a simple one, too. 

#toastmasters #publicspeaking #intimacycoach
More Chiro Office Portraits: 1. NY vibes in the 6 More Chiro Office Portraits:

1. NY vibes in the 6th borough

2. Googly eyes in @selkie 

3. Bossbitch even when she doesn’t get the grant

4. Started practicing yoga again did I tell you?

5. Big mad (but not at that yellow two-piece thrift score from @casapinellas !)

6. Sporty Spice (obsessed with that @tottobrand bag)

7. Grumpy girl, big bow

8. Resort style bb!

9. Sad girl lemonade

10. @selkie ballerina

11. Bridgerton on a no-makeup day (also @selkie )

12. The day I picked up my mother’s ashes (still haven’t opened them)

13. @temperleylondon & mourning
A Funny Thing Happened on the Way to the Funeral ( A Funny Thing Happened on the Way to the Funeral (excerpt)

It was the night before Craig’s memorial, and I had an audition due. 

It was a feature film audition, due at 11am Pacific / 2pm Eastern. This happened to be squarely during the memorial. I was playing an elementary school teacher, and so when I packed in a whirl for New York, I grabbed my crayon shirt and a giant hair bow and figured surely I’d be able to wangle a human into helping me with my self-tape. New York is my hometown! So many potential wangles! Right?

Two nights prior, out with my friend @kristianndances , no stranger to auditions herself, I had an invitation to her Brooklyn apartment to get’er’done, but, you see, I didn’t have the shirt with me. And friend, if you pack your crayon shirt to audition for Miss Kelly the elementary school teacher then frankly, no other shirt will do.

Since I was staying with another friend, I asked him to help me, but he wasn’t available until the morning. 

The morning of the memorial. 

{ continued on horizontalwithlila.substack.com }
Just out here looking like the Pride Statue of Lib Just out here looking like the Pride Statue of Liberty.

Remember, I promised the good people of @stpetefl that if they gave me another limited edition Pride flag, I would wear it as a dress. @stpetepride 

AND SO I HAVE.

The Pride Market at Grand Central today was full of rainbows and swag and glitter, just the way I like it.

I love us all.

And I look forward to the day when all any of us need, is love. Because we’ve got plenty of that to go around.

#stpetepride #stpetefl
POV: When your friend is one of the great young ja POV: When your friend is one of the great young jazz guitarists, but you haven’t seen him play in a decade (except for that time last month when he accompanied you to sing at your mother’s funeral). What a mensch. What a band!

#natenajar
I’m just gonna leave this here. My fave sign at I’m just gonna leave this here.

My fave sign at @blackcrowcoffeeco 

Apropos of Everything.

#stpetepride 
#transrightsarehumanrights 
#blacklivesmatter 
#notinourname
Excerpt: You can even make a difference through sm Excerpt: You can even make a difference through small acts of resistance, ones that annoy or befuddle the evildoers, like witty and nonsensical emails to awful government agencies, clowns showing up outside imm!gration hearings, giant group dances in front of vile businesses. We can find a thousand little ways to gum up the works. Bonus to you if it makes you laugh. Bonus to everyone if it makes others laugh. The Resistance doesn’t have to be stodgy. 

We, like the Dark Side, can have cookies. 
We, unlike the Dark Side, can have joy.
But we MUST PROTEST in some fashion.

When I protest, I don’t want to do so by:

- Shaming the physical appearance of the evildoer
- Slut-shaming the evildoer
- Shaming their nationality, sexuality, identity, profession
- Talking about what they smell like
- Threatening murder or castration or people’s families

I completely understand why we do this, or at least, I think I understand why we are tempted to do this. We want to bully the bully, thinking that’s the only way he’ll understand. But the truth is that he’s probably not going to understand, whether or not we stoop to the low ground. He’s not going to understand because he is likely a sociopath. 

But we’re not doing it for him. We’re not pr0testing for him. 
We are pr0testing for Ian in Iowa who is a bit messed up and kind of confused and doesn’t really get the impact that this is having on, say, WOMEN, who opens up his news app and sees thousands upon thousands of, let’s just say women, pr0testing with signs, and maybe he goes, hm, why might they be pr0testing when they could be home having pancakes? Why might that be? And maybe Ian gets a little more informed that day about the plight of, hell, let’s say, women, and maybe just maybe he starts to act a wee bit differently, and then the whole butterfly effect thing is possible.

When pr0testing evildoing in its many many oppressive forms, I want to focus on their harmful ACTIONS, and CHOICES. 

I want them to rot for being rotten.

I’m interested in dismantling their ARGUMENTS
Proving false their IDEOLOGIES
Laying bare their HYPOCRISIES
Exploiting their INCONSISTENCIES
Disproving their FALSEHOODS

Cont’d on Substack
I want to share with you something in the famous @ I want to share with you something in the famous @elizabeth_gilbert_writer speech on creativity. It’s one of the most famous @ted talks in the world, and she talks about how ideas come to people. 

The way that I, that ideas come to me, is I will get a line of something and then I will get another line, and then I get nervous because I, if I get a third line, I might be okay, but the fourth line is gonna push the first line completely out. And it’s gone. 

So I have to, I have to get my, to my paper. I have to get to my paper and I have to write it down or, or, or whatever it is, my notes app in my phone, anything. I have to get it down or I’ll lose it. 

She talks about @tomwaits the famoso musician, driving in his car and a bit of melody comes to him. And he goes, “Can’t you see I’m driving? If you wanna exist, go bother somebody else. Go bother Leonard Cohen or somebody.” 

I don’t suggest you talk to your creativity that way, because as Elizabeth Gilbert likes to say, it is like a cat and it doesn’t understand you and your face looks funny when you do that. 

[4 of 5] 

The speech is available in bits here, or in its entirety on my horizontal with lila Substack — link in my bio. Love you. Go make art.
These are a few of my notebooks from over the year These are a few of my notebooks from over the years. Here are a few more. You’re invited to flip through them. These are my (not so private anymore) ideas, thoughts, classes, poems. I have no idea what you’re looking at. I don’t even remember most of what’s in these notebooks. But they’re there, because I captured them.

Anybody have a date in theirs? There should be dates. Can you call it out? 

[people call out dates]

So this is my work! Beginning in 2009 was the, the earliest date. There is so much that comes out of a creative brain, and I know that your brain is not dissimilar. I know that you are all creative beings.

One of my favorite books on creativity, and I don’t know if it’s been mentioned tonight because sadly I missed the first part, but it is a book called “bird by bird.” 

Oh, I didn’t mention it, but I love that book. 

By Anne Lamott. Are you the only one who’s read it? Has anybody else read this book? “bird by bird” It is one of only two books on creativity I would actually recommend. Otherwise, I would recommend you just go out and make stuff. 

In this book, she says, and I have carried this quote with me because I have been this way throughout... I mean, it must be... it’s, it’s my entire remembered life, it could be as young as 5 years old, a perfectionist. She says, “Perfectionism is the voice of the oppressor. It will keep you cramped and insane your entire life.” 

The voice of the oppressor. 

I think about that all the time. I do not want to be oppressed. No! Viva la revolución! You know, I don’t want that for myself. And so I have been internally oppressing myself. Most of what you see in these books, and that’s not all of them, right? And that’s only from 2009. Most of what you’ve seen in these books has not seen the light of day. 

[3 of 5] Full “Are you an artist, tho?” video & transcript on Substack

Subscribe there and make a Lila happy! Link in my bio, bb.

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