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horizontal with lila

65. the clitoris and the culture: horizontal with wednesday martin phd

in episodes on 25/01/19

This is Wednesday Martin, PhD. Look into her eyyyyes.


65. the clitoris and the culture: horizontal with wednesday martin phd

People say “do what you love.” And I love sleepovers, spooning, sharing, sex, storytelling, and stargazing, among other things. So I metaphorically rolled them all up in audio form and called it a podcast. Welcome to horizontal! It’s Slow Radio. It’s intimacies of all kinds. It’s us in your ears, sharing secrets.

Wednesday:  It is a reconsideration of female infidelity — that’s why it’s called Untrue — right, “untrue” is a euphemism we used to use for women who were refusing monogamy, either on the DL or openly. But it’s also a play on words, because I’m looking at science about female sexuality that’s false, and that has been revisited. But the book is part first-person experience, and part data.

Lila:  And you know I love the first-person experience.

Wednesday:  And you love the first-person experience and I get it. […] So the context here is that I considered myself— and was a catastrophe at monogamy throughout my 20s. That was a real struggle. There were a lot of awkward scenes and tears—

Lila:  As in you were, you were trying bef—

Wednesday:  I was trying, and consistently getting sexually bored at the one or two year mark and, rather than having a conversation about it which, really wasn’t an option in the culture at the time — it was an option if you were a gay man, or in an open marriage or relationship, but it wasn’t in common practice to have monogamy discussions when I was (among heterosexuals) when I was in my 20s living in New York City. So that’s the context. So after being a catastrophe at monogamy in my 20s:

It was a relief when, in my mid-thirties, I found someone I lusted for and loved and could imagine settling down with, someone with whom I could have children and a life. Someone to whom I could stay true. It calmed the sexual static in my brain for a time. I was soon pregnant, and then exhausted by the demands of caring for an infant, who became a toddler, who became a preschooler, and then the whole thing began again with a second child. But when the heaviest lifting phase of motherhood subsided, when the nursing and the late nights were over and I came back to myself, a grown-up in command of her own mind and body again, I discovered that, although I wore a wedding ring on my left hand, not much had changed. My husband and I were thankfully back to having sex—sex I enjoyed, and plenty of it. So why, in my mind, was I faithless? I had fantasies I did not want to share, daydreams that were more graphic than soft focus and romantic. I liked sexually explicit novels and movies as much as I had before, maybe even more so. And I entertained crushes on wholly inappropriate objects—men who were married, or too young for me, or too old for me. I had crushes on women too, even though I was pretty sure I wasn’t gay or even bisexual. What kind of a wife and mother felt this way?

I was older now, and my work as a writer afforded me some autonomy in my intellectual and professional pursuits. I queried therapists and open-minded mommy friends and experts, and turned again to anthropology and primatology, particularly the writing of feminist anthropologists, and the new, game-changing sex research being done by women. What was sexually normal for women? Why was it so hard to be true?

My list of questions was long. I wanted to know: Who is the woman who steps out? And why does she do it? Are her motivations different from a man’s? What separates the woman who actually cheats from those who merely think about it? How do women who stray experience their infidelity, and live with it? And why do we as a society feel the way we do about these women—riveted, triggered, convinced that they must be contained, corrected, and punished, that something must be done about them? Finally, I wondered, what larger lessons can the adulteress teach us—about female longing and lust, about our fixation on women we deem “deceptive,” and about the past, present, and future of partnership and commitment?

I also wanted to know how things had changed for young women since I had been one. And how those changes were impacting the lives of women across a range of ages, socioeconomic groups, and identities.

horizontal with Wednesday Martin in Manhattan. January 2019


People say “do what you love.” And I love sleepovers, spooning, sharing, sex, storytelling, and stargazing, among other things. So I metaphorically rolled them all up in audio form and called it a podcast. Welcome to horizontal! It’s Slow Radio. It’s intimacies of all kinds. It’s us in your ears, sharing secrets.

If you’ve been listening, you know that each recording is between 2 and 3 hours long, and divided into two episodes. Part ones are available anywhere you get your podcasts, and part twos are available only to patrons of the horizontal arts. Right now, when you become my patron of $5 per month or more, you get access to all the part twos going forward, and going back to the beginning.

Become a Patron!

In a month or two, some big changes are coming to the podcast and the Patreon. When I launch Season 3, those who already have access to all the episodes will be grandfathered in at the same patronage level, with my deep gratitude for being an early listener. In other words, if you want access to all the episodes for $5+ per month, become a patron Now and lock that down! Fair warning, lovers!


I have an announcement.

I’m over-the-moon delighted to share the details of my Valentine’s Day event, a spectacular Spectacular. It’s called

14 Rooms

and it will be an intimate, immersive, sensual Valentine’s experience.

I usually don’t like Valentine’s Day very much, for obvious reasons. So I’m throwing a Valentine’s that I would want to attend.

Image by Valerie Zimmer Photography

A townhouse full of delights for all the senses, including:

4-handed massages

live erotica readings

the best hot cocoa you’ve ever tasted

sensual performances

sweet smells from the oven

a hot tub

and a giant teddy bear named Tiny.

And that’s not even what’s in the 14 rooms…

Each room unlocks a secret: an intimate, immersive rendezvous.

Your ticket comes with 5 tokens, which you can exchange for delights and experiences. Choose how to spend them — on treats, on libations, on a rendezvous or two. If you wish to collect more experiences (there are 14 rooms of delight, after all!) you may purchase more tokens for $5 each, cash, from someone very prettily dressed. 1 token for a treat, 2 tokens for a rendezvous.

This event is for people not in relationships + people in relationships + people in situationships + people who frankly don’t give a damn + everyone, Everyone. Let’s celebrate sensuality and loveliness all together! 

Come Valentine’s with us!

[TICKETS HERE]


Okay, here we go.

In this episode, I lie down with Wednesday Martin, PhD, #1 New York Times bestselling author, social researcher, anthropology scholar, and one of the most knowledgeable people about female sexuality on the planet.

She would demur, and say that she merely interviewed 31 female sexuality experts across a range of disciplines, but I’ll say that she has integrated, synthesized, and made their work widely accessible. She’s managed to harmonize a vast array of historical, anthropological, scientific, and anecdotal wisdom on the subject.

She is the author of many books, all in some way about quote unquote bad women. Marlene Dietrich, stepmothers, the rich mommies of the Upper East Side, and now, adulteresses.

In her new book Untrue: Why Nearly Everything We Believe About Women, Lust, and Infidelity Is Wrong and How the New Science Can Set Us Free, she debunks fallacy after fallacy, and highlights the conditions that invite female sexual autonomy to flourish. In other words, a woman after my own heart.

I admire Wednesday’s career immensely. I hope to have the kind of reach and grandiosity, some soon day. She said it’s gonna happen. I’ll just take her word for it, since her words have gotten her where she is!

In this first part of our conversation, we talk about social media’s crackdown on sex educators, the dark legacy of abstinence-only education, male attempts to control female sexuality and reproduction, and female counter-strategies, the single worst thing to ever happen to women, how the transition from tribal living to nuclear family homes cost women an important power base, a surefire formula for the uniquely human female dependence on men, and how, for me, living in a sex-positive community provides a counter-formula.

Next week’s episode with Wednesday, episode #66, is available to patrons only.

Become a Patron!

These are such rich episodes— anthropologically, historically, contextually.

Come lie down with us in New York, New York.


Links to Things:

Become a patron of the horizontal arts for access to ALL the episodes!

Get your ticket for 14 Rooms: a Lila-curated intimate, sensual, immersive Valentine’s Night experience!

Wednesday Martin’s website, the place for all things Wednesday

Untrue: Why Nearly Everything We Believe About Women, Lust, and Adultery is Wrong and How the New Science Can Set Us Free, Wednesday’s newest book, debunking fallacy after fallacy about female sexuality

Read about the SESTA/FOSTA legislation — ostensibly designed to protect people from involuntary sex work (human trafficking), these acts have now made it difficult or impossible for others working in the realm of sexuality (including, but not limited to: voluntary sex workers, Tantra practitioners, sex educators, lingerie models, Suicide Girls, and sex podcasters) to make their living

“Americans Still Have a Problem With Women Who Write About Sex,” Wednesday’s article for the Daily Beast

My Secret Garden, by Nancy Friday, the seminal book about female sexual fantasies

My Mother, Myself, also by Nancy Friday

Free to Be You & Me, by Marlo Thomas, which described orgasm to a 3rd grader as being similar to a sneeze!

“Inside Skirt Club,” Wednesday’s article about the high-end females-only sex party


Show Notes (feel free to share quotes/resources on social media, and please link to this website or my Patreon!):

website link: https://horizontalwithlila.com/

Patreon link: https://www.patreon.com/horizontalwithlila

[7:30]  Wednesday teases Lila about being a bed hog. Lila insists that she is a sharer, but, possibly not with her bed… If you have been a lover of Lila’s, do you agree? Feel free to write in and let her know.

[10:46]  Wednesday on her book Untrue: Why Nearly Everything We Believe About Women, Lust, and Adultery is Wrong and How the New Science Can Set Us Free.

[12:34]  Wednesday reads Lila’s favorite passage from Untrue.

[15:49]  On the changing landscape and how, for the generations below us, infidelity and gender are nearly passé.

Wednesday:  Between the time I had the idea to write the book and I actually started writing it, I realized, Oh wait a second, there’s a whole culture of people who don’t even really remember what the adulteress was, because they’re into consensual nonmonogamy, they have a different take entirely, and the ground has been shifting under my feet, and I haven’t even noticed it.

Lila:  They grew up with less constrictions about gender expression and—

Wednesday:  That’s right. Less binary thinking. And less buying into the script of: infidelity and fidelity.

Lila:  Adulteress really sounds—                                                       Wednesday:  Terms I don’t like…

Wednesday:  — being, you know, the ultimate binary. (Lila mm’s) People your age don’t buy into that as much as people my age used to and people in previous generations, really bought into it a lot.

Lila:  The word “adulteress” and even the word “infidelity” sound outdated.

Wednesday:  Yeah, exactly, I mean that’s the point of the historical cover of the book, too, to show like, we’re gonna engage with the entire history of representing (and often, misrepresenting) female sexual autonomy. I really love the word “adulteress.” It’s so lush, and delicious, and rebellious.

Lila:  (tries it on her tongue) Adulteress…                                           Wednesday:  Yeah, and it also has a kind of—

Wednesday:  Yeah, it has kind of a diagnostic ring to it.

Lila:  Diagnostic?

Wednesday:  Yeah, it’s like (lowering her voice) adulteress— you know, it sounds like something from the DSM. Or a medical diagnosis.

Lila:  I don’t get that from it!

Wednesday:  Yeah well to me, it has a taxonomic ring to it. It’s a very almost-scientific term, like the term tribidist, is the term that Victorians used for lesbians. […]

 

tribidist (noun) = the Victorian term for lesbian.

tribadism (noun) = the practice of a variety of sexual positions between vulva-owners that involve genital rubbing, or frottage, either genital to genital, or genital to other body part (save the mouth, since that has its own terminology).

tribbing (verb) = the act of a vulva-owner rubbing genitals with another vulva owner — most commonly seen in pornography as the act of scissoring, in which the legs are splayed open like scissors and interwoven to allow genital-on-genital rubbing — but which can be accomplished in many other positions, including misssionary.

scissoring (verb) = a form of tribbing — frottage, or genital rubbing, taking place between two vulva-owners with their legs splayed apart like scissors and interwoven to allow genital-on-genital contact.

 

Wednesday:  Right, so adulteress is […] part of that lexicon of judging female behavior, and I wanted to excavate it and have a look at it, and yes, adulteress is a really dated term and I think it can teach us a lot about, you know, how far we’ve come and how far we haven’t come when we think about female sexual autonomy— including women saying, I might be married to you or I might be in a long-term partnership with you, but that doesn’t mean that I’m not going to have sex with other people.

Lila:  I’ve been thinking about this so much. It feels like we are in both the most progressive and the most backward time that has ever been. It feels like a time rife with paradox.

Wednesday:  Yes, on the one— I know exactly what you mean, and I think a lot of people are feeling that right now.

Lila:  Is it that it was always there, but now it’s so much more obvious because of our, political settings that we have people coming out of the woodwork to show their misogyny? To show their true beliefs.

Wednesday:  Right. I get into this a little bit in Untrue […] that one way of looking at this is that— at the same time that Trump emboldened people who were, perhaps, zipping it, when Obama was president. When we had an intellectual, black leader of our country—

Lila:  Mph. So dreamy.

Wednesday:  As the signifier and reality of power— and as the embodiment of power, […] there were plenty of people voicing, you know, racist sentiment about that, but it was when Obama left office and Trump came into office, it seems, that those people felt really emboldened to speak, without censoring themselves, because now, the ultimate signifier of male power, and of power, is—

Lila:  Is bigoted, and misogynistic, and xenophobic and—

Wednesday:  So, Trump has unleashed those voices. And at the same time, he’s unleashed millions of voices of resistance.

Lila:  Right.

Wednesday:  So it makes sense that you have this feeling, and so many of us do, that we’re living in a moment that is at once unprecedentedly progressive and resistant—

Lila:  And liberated.

Wednesday:  And liberated, and, at the same time, we’re living through a terrible backlash against all the progress that we— felt, rightfully so, I think, that we had made. It was a real repudiation for me when Trump was elected, of what I thought we had accomplished.

[20:52]  Lila & Wednesday on the censorship of female sexuality on social media.

Lila:  Yes, me too. I cried all night. The SESTA/FOSTA legislation […] has now turned on sex educators and every day I hear about, somebody’s account is being frozen, taken down, for even mentioning sex, for giving accurate sex education, and it’s so unbelievably inane to bar people from getting accurate— because, where are they gonna turn now? They’re gonna turn to porn, and they’re gonna learn from inaccurate images.

Wednesday:  Yeah.

Lila:  I’m not sure where I stand— Patreon froze my account. For six weeks, I couldn’t access my patron funds, because— well, they didn’t actually tell me why. They were like, We’ve frozen your account. Our trust and safety team needs to review it… because it violates our policy, and I read the policy, and the only thing I could have possibly violated in that policy was “implied nudity.”

Wednesday:  Implied nudity!

Lila:  Implied nudity. What in the fuhuck, is implied nudity? I’m wearing clothes, and that’s implied nudity, right?

Wednesday:  And underneath your clothes, you’re naked.

Lila:  (hushed tone) I’m naked. So I’ve implied nudity, right?

Wednesday:  Oh my God. Everyone in the world, every day when we get up and go to work, we’re implying nudity.

Lila:  It’s, it’s—

Wednesday:  That’s a serious crime.

Lila:  — so backwards, and so shocking. And I started going down the rabbit hole of trying to figure out what this was, and it goes to the credit card companies—

Wednesday:  Oh my God this is all—

Lila:  And the credit card companies have this extremely backward […] obscenity clauses!

Wednesday:  Oh no. Really?

Lila:  That there— are vague.

Wednesday:  Mmhm. Sure.                                                                      Lila:  So they can interpret them in—

Lila:  Any way they want, and shut people down when they want to.

Wednesday:  So they give themselves a lot of leeway to retain control of your account. […] And your life.

Lila:  And I did some research into that. I learned that the reason why they do that and the reason that they have high risk… oh what’s it called, high risk… it’s what porn companies use. They have to use a high risk credit account or something.

Wednesday:  I see.

Lila:  Because— what has the most reversal of charges?

Wednesday:  So basically—

Lila:  Porn.

Wednesday:  — they’re looking into whether you’re a pornographer. And they have a wide definition, I presume.

Lila:  An unbelievably wide brush they are painting.

Wednesday:  I want to say that, it’s hard to believe that they don’t have better things to do with their time. But I’m sure there’s a profit motive here. […] I share your sense of alarm about this development, for a couple reasons.

[43:47]  Wednesday on the dark legacy of abstinence-only sex ed.

horizontal with Wednesday. The bts of the bts. For the ‘gram. January 2019


Wednesday:  Instagram and social media— they serve as an ecological niche where a lot of things happen, and one of the things that can happen, on social media, is that we can work against the legacy that is really deep, that was begun in the Reagan era, when Reagan attached legislation to another bill, which specified that sex education had to be abstinence-only sex education. […] Now, this was decades ago, and we’re still all living the legacy of abstinence-only sex education and in a shocking number of—

Lila:  Teenaged pregnancies?

Wednesday:  — states, there’s still abstinence-only sex education. […] This legislation is still powerful and it’s still impacting our lives.

[25:23]  Wednesday on Pinterest’s crackdown on sexually-explicit imagery, and what that meant for women.

Wednesday:  Not too long ago, Pinterest stopped allowing women to post what Pinterest deemed “sexually-graphic” images— remember this?

Lila:  No, I don’t. I just know that it’s Facebook was doing that now—

Wednesday:  Pinterest— women were using Pinterest as an ecology where they could curate their own sexual fantasies and sort of, image boards of their own desire.

Lila:  Hmm, like a desire map.

Wednesday:  And I think you know how Pinterest is kind of gendered female. Men and women both use it, but it skews in the popular imagination as being a more female space, and that Pinterest does have a lot of women users, and they were using it against the grain. They were using it, instead of pinning recipes and fashion, they were using it as women will— as a place to express what they wanted sexually, what they desired, what turned them on— so it was a great sort of laboratory for looking at and thinking about female desire, and that was shut down, and a lot of articles have been written about the fact that it happened, and what it means, and why, and how it’s really a shame. And how it’s part of a larger effort to regulate female sexuality and control it. Hey, nothing new. It’s been going on for 10,000 years now. And Pinterest is just really sort of the latest enactment of this form of social control of female sexuality.

[27:07]  Lila continues the Patreon story.

Lila:  When I went back to look at what, what could possibly have been implied nudity— because it was in my public posts, they said, Something in your public posts. What my public posts were, were the show notes for all the episodes. And that meant that what was visible, was a photo of my guest. And the only thing that I could think of was: there’s one where, one of my guests is wearing lingerie— Fiona’s wearing black, strappy, Dominatrix-y looking lingerie—

Wednesday:  Also known as fashion.

Lila:  Uhhuh. Yeah. And in another one, a woman is wearing underwear and is in Shibari— a rope suspension.

Wednesday:  Right. Speaking of which: kissmedeadlydoll, one of my favorite IG accounts— she’s a Shibari artist. […] Wonderful, beautiful images of her rope artistry. I’m very interested in the way social media has become a space where women can curate images of themselves and have control over what they put out about themselves, about who they are sexually.

[28:27]  Wednesday on the watershed moment (for female sexuality) when you could turn the phone camera around.

Wednesday:  Bryony Cole talks a lot about how important it was [Note: Bryony’s episodes are 28. future of sex: horizontal with a sex tech podcaster, and 29. sexual attitude readjustment day: horizontal with a woman of sex tech.] when iPhones suddenly had this function where you could reverse the camera. (Lila mmhms emphatically) Right, and take a photo of yourself. (underlapping) She has some really smart observations about that.

Lila:  (overlapping) And you could control the angle and the, the depth of field and—

Wednesday:  You can, yes, and you could control your sexuality and the images, (underlapping) of your sexuality—

Lila:  (getting very excited, overlapping) Literally the frame.

Wednesday:  Literally the frame.

Lila:  With which your sexuality was gazed upon— […] you were making the frame, you were painting the frame. […]

Wednesday:  So, that this is now being regulated, that the space is now being regulated— what we’re gonna see is that: women will come up with a counter-strategy. Because, this is what happens. There are attempts to control and then women make an […] end run around those attempts to control.

Lila:  A workaround.

Wednesday:  That’s what all of sexual selection in human evolution has been. You know, male attempts to control female sexuality and reproduction, and female strategizing to make an end run around that. So I think that in a very real way, the battles over sexually-explicit images on social media hook into longer struggles.

[29:53]  The million-dollar question.

Lila:  What do you think is so actually scary about female sexuality that we have this lengthy history, of control?

Wednesday:  I think what frightens a lot of people in the industrialized West, is not so much female sexuality, but female sexual autonomy is remarkably threatening to people.

Lila:  But why?

I ask of you Wednesday, “What is so scary to people about female sexuality?”


Wednesday:  A lot of anthropologists trace it back to a moment 10-12,000 years ago when we transitioned to, not just agriculture — there are plenty of agricultural settings where women do really well — but when we switched to plow agriculture.

Lila:  OOOoooh.

Wednesday:  And, I get into this a lot in Untrue. […]  Helen Fisher, the anthropologist, has said that the plow is the single worst thing that ever happened to women. And I concur with her. And read Untrue to find out all about it, the specifics of it, but the big picture is that, with the development of plow agriculture, came the belief that men should be outside, and women should be inside. Plow agriculture prioritized upper body strength, one of the few advantages that men do have over women, anatomically, and it also gave rise to the notion of property, and perimeter defense, and women as property. So, the history of fearing female sexual autonomy is one that we can locate as having a really important moment, and perhaps being born in the moment when we started using plows to till the soil. […]

Lila:  So is the premise here: If she has autonomy, she will no longer stay inside and cook for me?

Wednesday:  There’s that, and then there’s also fears about progenitor, which is, inheritance, so, when suddenly—

Lila:  Okay. Who gets the land.

Wednesday:  Yes, when we have this idea about property coming into being, so did the idea of inheriting property, and the thought is that men then became concerned about paternity, and that they were handing down their property to only their own children, so this is […] the thinking among a lot of anthropologists about how we got to this place where it became so important for us to control female sexuality. And you know, we’ve used various coercive tactics and strategies to control female sexuality, so everything from lethal violence, right, places where women are stoned—

Lila:  (simultaneously) Stoned.

Wednesday:  — to death for being sexual or in the United States, where women are—

Lila:  — publicly shamed.

Wednesday:  Well, publicly shamed is the other end of the spectrum, but there are plenty of women in the United States who don’t have the privilege of saying, “You know, I think I’d like to be poly or open or nonmonogamous, because they will get beaten, severely for it, or shot. Women in this country who exercise sexual autonomy by having affairs, or by leaving men, just leaving them, face really dramatically increased risks of lethal and near-lethal violence. So there’s that end of the spectrum of controlling female sexuality, and then the other end of the spectrum, as you said: slut-shaming, judging, gossiping.

Lila:  Bullying.

Wednesday:  Bullying. These are all ways that we’ve sought to control female sexuality.

[33:50]  Lila relates the shift to plow agriculture to the shift from tribal communities to nuclear family units.

Lila:  This shift that you’re talking about, when the concept of land as property comes into play—

Wednesday:  And women as property, uhhuh.

Lila:  Seems to be a source of many other far-ranging problems, that make, the nuclear family unit the center of what people are willing to work for, care about, protect and defend. […] So that we then wind up, if we don’t like our family, don’t connect with our family, have different ideology from our family, don’t want to be with our family, […] then are isolated from that nucleus of people who are designated, let’s say, to protect us and care for us, and leaves many many people feeling deeply isolated— without community, without support, and then we get this epidemic of loneliness that’s happening now.

[34:48]  Wednesday on social media.

Wednesday:  Social media, on the one hand, is a great way for people to— as we’ve said, it’s a wonderful ecology in a lot of ways, but it’s not real connection.

Lila:  It’s a tool. It can—

Wednesday:  I like to say, Social media is like a campfire, but then you go and you sit there and you see that—

Lila:  (chuckles) It’s not warm.

Wednesday:  There aren’t actual real people around the campfire and it’s not— the fire isn’t throwing off any warmth. You know, the campfire used to be where we sat in a community,

Lila:  And shared stories!

Wednesday:  And felt warmth and connection, exactly.

Lila:  Laughed.

Wednesday:  So, social media—

Lila:  Marveled at the universe.

Wednesday:  Social media is a thing that gives us the impression that we’re countering loneliness, but in many ways, if we abuse it, it makes us lonelier. […] I agree with you about the loneliness and the isolation and, another way of viewing that, is that, when we started living in nuclear families, and we left our extended families, women lost a really important power base. Our families might drive us crazy, we might disagree with them, but if you’re female, having your kin nearby is a great hedge against male control. And you’ll see, in many traditional hunter-gatherer populations, who are living — as many anthropologists believe we all did in the Pleistocene — you will see in many of those societies, women have the power to “vote with their feet,” as the anthropologist Sarah Hrdy says. If a man is abusing a woman, if a woman, simply doesn’t wanna be in a relationship anymore, she can vote with her feet, and leave without risking lethal violence, because she has her kin nearby to— not only to protect her from lethal violence, but to help her with child-rearing, to literally give her a bed to sleep in, and to help provision her kids and provision her. If you want to disempower a woman, take her away from her kin, and forbid her from working, and then give her some dependent offspring.

Lila:  Oh my God.

Wednesday:  And that is the formula.

Lila:  For repression!

Wednesday:  For female dependence on men, and that’s a formula that holds— you know, if you look at the worldwide ethnographic data, you see that if women are around their kin, or fictive kin, you can have a community of friends—

 

fictive kin (noun) = the technical term for chosen family, or chosen kin, people who, without being related by blood, function as the kind of support network that is socially-expected from a family unit.

 

Lila:  Chosen family.

Wednesday:  — who act as chosen kin. Your chosen kin, some people call it fictive kin— we can also call it elective kin. Your community can be that for you. But if you don’t have that, and you don’t have a way of supporting yourself, and you have dependent offspring—

Lila:  Recipe for dependence.

Wednesday:  Then the stage is perfectly set for unique female dependence on males, which we only see in the human species. We don’t see it in other animal species.

Lila:  And I was thinking about how I can possibly be so autonomous, and the fact that I live in an intentional community—  and I think this resurgence of intentional communities — you can call them communes, but it’s an outdated term, you know — in Israel they’re called kibbutzes […] but this obviously is a return to a more tribal way of living.

 

kibbutz (noun) = a communal living arrangement in Israel, typically a farm, where people work and live together deliberately.

 

Lila:  The fact that I have this group of people to go home to who share my values, who believe in my, my right to be autonomous. Also the fact that we don’t live with our partners, makes a huuuge difference, right, because I’m, I’m not worried that — in talking about the economic dependence part — I’m not worried that if I break up with someone, I won’t be able to pay my rent. Because I live with a lot of people— […] to keep my rent low, and— that’s not true for everybody; some people have more expensive situations in these intentional communities or these co-living communities, but, it makes a difference! Right, the resource-sharing makes such a difference.

Wednesday:  Yeah, it’s very important, the resource-sharing. Because what we see, in terms of female autonomy and sexual autonomy— because what we see when we look at the worldwide ethnographic data, is that anywhere women have really high rates of labor force participation, and really high rates of political participation, they will also have high rates of autonomy. […] Having resources, having kin or elective kin who have your back, not fearing that you’ll be out on the street if you exercise autonomy, makes it much more likely that you can be autonomous—

Lila:  Of course!

Wednesday:  — including that you can do what you’d like sexually, and not feel married, if you will, to an exclusive pair bond for life. Meanwhile, if you’re economically dependent on a man, which many women in this country are because, the ratio is really pretty alarming by which white men out-earn women of color, and, white women as well. That’s a situation that’s ripe for economic dependency, which means having less sexual autonomy— it’s all linked: money, political participation, having kin around you, your sexual behavior— they are all linked to each other. And that’s why, feminists used to say — and some still do — that the personal is political. […] There’s nothing more political than your sexuality, if you’re a woman.

International Whore’s Day Rally for Sex Worker’s Rights. June 2nd, 2018. “My Body. My Fucking Business.”


[40:38]  On the question, “Is desire political?”

[40:57]

Wednesday:  I think people wanna have this fantasy that their desires emanate just from them. […] Especially, our sexual desires, which are so personal. And of course, we’re creatures of biology as much as we are creatures of culture, and our sexuality happens at that intersection. I like to say that female sexuality happens at the confluence of the clitoris and the culture.

[43:21]  How did little Wednesday learn about sex in the 70s? Why does she consider herself lucky?

[43:56]

Wednesday:  We talk about this moment when, as a kid, we learned about sex, but I think that the learning is a very gradual, unfolding process—

Lila:  And a series of moments, of course.

Wednesday:  And a series of moments, and I think we need to think about that more. Not us, you and me, but as a culture.

65. the clitoris and the culture: horizontal with wednesday martin phd

People say “do what you love.” And I love sleepovers, spooning, sharing, sex, storytelling, and stargazing, among other things. So I metaphorically rolled them all up in audio form and called it a podcast. Welcome to horizontal! It’s Slow Radio. It’s intimacies of all kinds. It’s us in your ears, sharing secrets.

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Lila
See that resting frown face on my mom as she slept See that resting frown face on my mom as she slept?

I’ve started to make that same face. I wake from a dream or a doze to find that I’m frowning. I touch my lips to make it stop. After a few moments, I discover that they are making the frown shape again. I can’t make it stop because I’m sleeping when I do it. I’ve started doing it when I’m not sleeping too. When I’m awake, I think it’s a cross between a grimace and a frown. A frimace? (I mean, it can’t be a grown. Or can it?)

I don’t really have that much to frown about anymore, except, I suppose, for the onslaught of fresh horrors perpetrated by the country I live in on the daily, the greed of the few and desperation of the many, the natural disasters that are frequenter and hotter and wetter and gnarlier as the earth continues its job of beginning to shake us off its back… yeah I guess there’s not much to frown about, really. 

I took Mom to FloridaRAMA because she had been complaining for months that she didn’t do anything anymore. She mentioned concerts, plays, ballets. But by the time the sun went down, she would be sundowning and wouldn’t want to go anywhere anyway. So that afternoon I decided to pick her up and take her on an outing — which was always a pain in the ass, and especially a pain in the ass to do solo. It involved going to her room and making sure she was dressed, convincing her to get dressed if she wasn’t, which was a laborious process, insisting that we needed to take the wheelchair which of course we did because she was falling all the time and brachiating (holding onto walls and less sturdy things like chairs, tables — at least, some nurse told me that this is what it’s called but the internet seems to only relate it to apes swinging from their arms to get from place to place) […]

Continued on horizontalwithlila dot substack dot com (the link is in my bio)
In the bathroom of the Italian restaurant after Da In the bathroom of the Italian restaurant after Dad’s cold rainy rural upstate funeral looking like a sad British clown / Nowhere, NY / April 12th, 2025

Right after my father died, there were Anthonys and Tonys everywhere. 

Suddenly everyone was called Tony and everybody else was talking about their Dad or playing songs about death. 

* Passing a girl on the street talking to her friend, and the only words you catch are “My dad had…” 
* Walking into your favorite gluten-free café, and they’re playing the Flaming Lips song “Do You Realize?”

Do you realize / that everyone you know / someday / will die?

* Realizing that the second title for Billy Joel’s song “Movin’ Out” is “Anthony’s Song.” I never truly registered this until I was trying to write one morning in a blessed cacao shop (yes, for real) and I paused to listen to the opener:

Anthony works in the grocery store
Savin’ his pennies for someday

* Ordering fries from the surfer guy at the beach shack on my pilgrimage to the ocean, when his co-worker shouts, “Hey Anthony!”

If you put this stuff in your feature film script, your screenwriting teacher would tell you it’s too pat, too predictable, “don’t put a hat on a hat.” (The Writer!)

It’s like that old quarters experiment on attention… you start looking for quarters on the ground, and suddenly, you see them everywhere.

The drugstores full of Father’s Day crap. Marketing emails about “Dads and grads.” Only one company sent an email that said, Hey, we know that Father’s Day time is tough for some people, so click this to opt out of all Father’s Day related emails.

Click. CLICK!

I wish I could click that link for the universe. No father stuff, please. No Dad shit. But there were quarters everywhere, of course, because the back of my mind was attuned to all things Dad.

{You can read the rest of the essay on Substack. Link in my bio, bb.}
Love Letter to New York, whom I miss so much 1. S Love Letter to New York, whom I miss so much

1. Straight out of a fitting for “The Deuce”?

2. Free Friday at @whitneymuseum 

3. Basquiat makes me feel like home

4. Madison Square Park photo op (irresistible)

5. Candid

6. Got to see the lovely @josescaro & @benbecherny ply their craft at @bricktheater 

7. Charming marquee!

8. Closing night vibes (not pictured: the succulent plant I brought in lieu of flowersof)

9. Chuck Close in the subway!

10. More subway Chuck Close!

11. Man Ray retrospective at the Met

12. Love a good silhouette

13. A rare VERTICAL bathroom portrait in one of the finest bathrooms of them all, at the lovely New Mexican food joint with the rainbow cookies Of My Dreams, @ursula_brooklyn 

14. My man is a photographer too. 🤩

15. Cannot. Resist. Photo Booth.
I wrote a list in 2020 titled “How to love me wh I wrote a list in 2020 titled “How to love me when I’m ... depressed”... and in this essay, I encourage you to write your own version (How to love me when I’m... anxious, How to love me when I’m... burned out, How to love me when I’m... in despair)...

And if you write one, how I would love to read it. (Or even learn about one of the items on your list, here in the comments).

Here’s an excerpt:

 “One of the characteristics of my depression (and most of my other tizzies, such as but not limited to anxiety, severe procrastination, adulting paralysis, etc.) is that while I’m in it I have no idea what — if anything — will help me get out of it.

It’s more like I DON’T WANT TO BE HERE BUT I DON’T KNOW HOW TO GET OUT SO I’LL JUST HIDE UNDER THE COVERS UNTIL I WANT TO DO SOMETHING AGAIN CALL ME IN 6 MONTHS.

Ergo, therefore, if I’m in a state, and you ask me what I need, or what you can do, I may or may not have the wherewithal to tell you. Emphasis on the not. I may not even have the wherewithal to know.

And if I don’t know, how can I tell you?

I can’tdon’t, then.

If I’m not in a state I probably have plenty of things I could say but that’s when I don’t need the help so badly. (A lá it’s not the worst while you can still say the worst.)

As I mentioned in the subtitle: You don’t come with an operator’s manual. Your model came out of the fleshbox with zero instructions. And since no one possesses your operator’s manual, no matter how much they love you, you are going to be the supreme author, the expert on you, since you’ve been studying you your whole life. Please for the love of Pete & Ashleigh, do your people the great good turn of writing them some instructions. Triage options, if you will. Trust me when I say that they (nearly all of them) need it.

If you write it for them, they will have it when you need it.

This little list could, quite without exaggeration, save your life.”

The link to the whole essay is in my bio. (Join me on Substack darling!)

#substack #substackwriter #depressionandanxiety #communityiseverything
Love Letter to St. Pete @stpetefl Where we met, Love Letter to St. Pete @stpetefl 

Where we met, where we re-met ❤️‍🔥

1. An afternoon at @grandcentralbrewhouse with my handsome gentleman in @warbyparker 

2. Bb’s first @nineinchnails concert (okay, technically in Tampa) in @selkie & @viveylife . It was stellar. Trent sounds just like he used to and the projections were gorgeous!

3. Matching denim jumpsuits ( but his is a @onepiece )

4. The finest pizza in all the land (even with my dietary restrictions!) from @noblecrust (OMNOMNOMNOM)

5. He even makes doctor’s appointments fun.

6. I love matching him sooooo muchmuch. 

7. Just us and a zebra, nbd.

8. Theme Park joy

9. At the art show @wadastpete that my gentleman curated for his students. 🪐☄️🛸👽🚀✨
When I was a kid, I used to read myself to sleep. When I was a kid, I used to read myself to sleep. 

Actually, I don’t know when I stopped.

I read myself to sleep in my childhood bedroom, with a flashlight under the covers of a trundle bed (drawers filled to the brim with dress-up clothes) when my mom said it was too late to be awake. I checked out 25 books from the Freeport library at a time, filling the trunk of my parent’s car, and devoured them in weeks, partly from my perch in the flowering dogwood tree in our backyard (were the blooms ivory? or cherry blossom pink?), partly while curled up on an orange-and-yellow-ticked seat cushion I dragged down to the crawlspace in the basement — my “secret hiding spot,” which was neither secret nor hidden and so can only be termed a spot, armed with Oreos and flashlight, and the remainder under the covers before bed.

I suspect I knew more words then than I know now. There are still words like “vehement” that I’m only about 70% sure I know how to pronounce. I learned them in context. I can spell them. I can use them in a sentence! But am I saying them correctly? 

Unsure.

I read myself to sleep in high school, even though I had to get up unconscionably early to get bussed in to my magnet program — Pinellas County Center for the Arts — 35 minutes away from our sad little apartment. Like a magnet, @pcca_gibbs PCCA grabbed young artists from the whole county.

I had a major in high school, which is more usual now, from what I hear, but wasn’t so usual then, and what I majored in was called Performance Theatre (as opposed to Musical Theatre, the love of my life I never thought I was good enough for). 

I really wanted to go to the Fame school in New York — LaGuardia — but when I was 12 my Mom divorced my Dad and forced me to move to Flah-rida. So I went to PCCA instead. (To be honest, she probably wouldn’t have let me commute into the city to go to Fame even if we had stayed on Long Island.) 

Read the whole essay (link to Substack in my bio)!

#booknerdlife #readingforpleasure #readingrainbow
My man and I got our nerd on at @nerdnitestpete ! My man and I got our nerd on at @nerdnitestpete ! 

We had the opportunity to support my lovely, engaging, and compassionate Happiness Ambassador friend Adam Peters aka @mindmaprenovations as he changed some lives by teaching us how to begin developing a preference for positivity. I’ve seen him give this presentation a few times before, and this was the best one yet — and to the biggest crowd, over 300 human nerds!

I love us.

I consider it my sacred duty to paparazzi my friends when they do marvelous things, as I hope to have done unto me!

P.S. Applied to give a Nerd Nite presentation myself … fingers crossed bb’s! 

1. My gentleman is so handsome. (Also, I got this stellar skirt in excellent condition from my favorite thrift store with a cause @casapinellas !)

2. Toasties supporting Toasties! @dtsptoastmasters members: me, Steve Diasio, Dawn Cecil (two-time Nerd Nite Speaker alumni!), & Rick! (Not pictured here — but later in the carousel) Christian Carrasco.

3. Fit check baybeeee.

4. Caryn, Nerd Nite boss extraordinaire, introducing the evening.

5. Caryn introducing my friend Adam (did I yell “THAT’S MY FRIEND!” at the end? WHY YES I DID.)

6-10. Adam rocking the casbah.

11. Fellow Toastmaster Christian.

12. I love mein mann!

#nerdnite #nerdnitestpete
A woman approached me. We collaborated once, a yea A woman approached me. We collaborated once, a year prior, I think. Time is weird. She reached out both her hands.

“What a beautiful mourner you are,” she said.

I took her hands.

I think I said thank you.

She was referring, I suppose, to the gloves, the dress, the shoes, the lipstick, the earrings. 

But what does it mean, to be a beautiful mourner? 
What does it mean to mourn beautifully? 
To have good grief?

“My dad dropped dead,” I said, to get myself used to the shock of it. 

“My mother is dying,” I said, to reconcile myself to the fact of it. 

I don’t wear mascara anymore, because I cry every day.

People hugged me in airports, at rental car counters, in line for a sandwich. They hugged me in the TSA line. At the chiropractor. The grocery store. My father dropped dead, I told them. My mother is dying. I told them and they hugged me. I was glad I did. I was glad they did.

Sometimes, when people were truly asking, if I had the time, and I had the spoons, I repeated my litany of 2025. So they’d understand: it has been this kind of year. It seems that everyone has this kind of year at some point, or, devastatingly, at several points in a life — a maelstrom, a dervish, a crucible, a nexus, a whammy, a time — an Alexander’s-no-good-very-bad-terrible kind of year. 

There were so many months in February. So many years in April. So many decades in the first half of 2025. I didn’t want to become an adult, but 2024 made me, and 2025 sealed the deal. 

It’s amazing I managed to get this far without growing up.

READ the whole essay on Substack
SUBSCRIBE through the link in my bio and make my day, darling 

💋 

#substackwriters #goodgrief
Love in La La Land 1. “So this is where they ke Love in La La Land

1. “So this is where they keep the LIGHT!” -SATC … At our first @lacma member preview, enjoying the majestically empty Geffen galleries before the permanent collections moves in.

2. Urban Light, and me (installation by Chris Burden)

3. A historic view at LACMA, never again to be seen!

4 - 13. Art, mostly part of the Digital Witness exhibit

14. Love at the @gettymuseum 

15. Queer exhibits! 

16. Sunset at the Getty with my love

#museumnerd #lacma #lacmamember #digitalwellness #thegetty #loveinlalaland
For you, when you need it, and for the people in y For you, when you need it, and for the people in your life, when they need it.

Here’s an excerpt from the essay:

[To read the whole thing, follow the link in my bio to my Substack (and subscribe there, darling)!]

My chiropractor called me out a few weeks back. 
He said, with his characteristic smile (he has nice little teeth), “I read your essay.”

“You did? Thank you for reading,” I began, genuinely surprised and moved.

“But I still don’t know what to say!” he admonished. “You only told us what not to say!” 

Then he gave me an enormous cashmere-scented candle in a plastic bag. 

This was not apropos of nothing. I mentioned that scent in the essay. 

That giant cashmere candle, so big it has not one but FOUR wicks, means something. And then he had to go and ruin it. (jk, jk, Dr. Brian!)

“Hang in there,” he said, at the end of our session.

I cringed a liddle. (That’s not a little, not a lot, it’s right in the middle, a liddle.)

But you see, he was completely right! I told him I’d give him a list! I hadn’t given him a list! So I began compiling. Every time someone said a thing that made me wince, it went on the list, which lead to Part 1: What NOT to say when someone dies.

Each time someone said a thing that felt like love, made me farklempt, I took a screenshot, and it went on the list. 

This is the farklempt list.

As I wrote in “what NOT to say,” the useful things people say are fairly varied (and tailored to the griever), while the un-useful things tend to be generic variations on a tired theme.
“what TO say” will be a living document, updated whenever I have something useful, or supremely un-useful, to add. Here we go.
Love in Louisville. 1. Photo credit to my love, Love in Louisville.

1.  Photo credit to my love, Zachary

2.  Selfie with Street Art by the windy, windy river

3.  Horsies! Street Art! (Do you know how much I love murals?!)

4.  Looking like an award-winning art teacher at the art teacher conference (ahem, he is the award-winning art teacher!), wearing a @riskgalleryboutique necklace & big fcking bow!)

5.  A Wizard interlude! What a delight to witness my friend @personisawake absolutely Rock @cm_louisville & inspire a roomful of humans

6.  When your love matches the art. 🖼️ *chef’s kiss*

7 & 8. Major interior design maxi inspo for my ADU reno from @21clouisville by @fallen_fruit 🌺🌷🌸🌻🌼💐🪷

9.  The crayon shirt, bow, and soft rainbow chiclet necklace style brought to you by my inner 6-year old!

#ilovelouisville #wizardry #creativemornings #21clouisville #21c
The video clip of me in the yellow dress and anthr The video clip of me in the yellow dress and anthropology-professor blazer is an excerpt from second iteration of my talk, “The Intimacy Equation,” which I first gave as part of the @bof VOICES conference, outside London in 2021. 

This rendition had a test-drive at my Toastmasters meeting last week. Imperfect, unrehearsed, delivered from bullet points with a slim little notebook in my hand… and yet, I have shared it with my paid subscribers over on Substack (link in bio) because I want to be a person who shares process, not just product.

(This is a bit of a coup for my recovering inner perfectionist, and I have to say, I’m a wee bit proud.)

I kept my fancy equation. 

But now I have a simple one, too. 

#toastmasters #publicspeaking #intimacycoach
More Chiro Office Portraits: 1. NY vibes in the 6 More Chiro Office Portraits:

1. NY vibes in the 6th borough

2. Googly eyes in @selkie 

3. Bossbitch even when she doesn’t get the grant

4. Started practicing yoga again did I tell you?

5. Big mad (but not at that yellow two-piece thrift score from @casapinellas !)

6. Sporty Spice (obsessed with that @tottobrand bag)

7. Grumpy girl, big bow

8. Resort style bb!

9. Sad girl lemonade

10. @selkie ballerina

11. Bridgerton on a no-makeup day (also @selkie )

12. The day I picked up my mother’s ashes (still haven’t opened them)

13. @temperleylondon & mourning
A Funny Thing Happened on the Way to the Funeral ( A Funny Thing Happened on the Way to the Funeral (excerpt)

It was the night before Craig’s memorial, and I had an audition due. 

It was a feature film audition, due at 11am Pacific / 2pm Eastern. This happened to be squarely during the memorial. I was playing an elementary school teacher, and so when I packed in a whirl for New York, I grabbed my crayon shirt and a giant hair bow and figured surely I’d be able to wangle a human into helping me with my self-tape. New York is my hometown! So many potential wangles! Right?

Two nights prior, out with my friend @kristianndances , no stranger to auditions herself, I had an invitation to her Brooklyn apartment to get’er’done, but, you see, I didn’t have the shirt with me. And friend, if you pack your crayon shirt to audition for Miss Kelly the elementary school teacher then frankly, no other shirt will do.

Since I was staying with another friend, I asked him to help me, but he wasn’t available until the morning. 

The morning of the memorial. 

{ continued on horizontalwithlila.substack.com }
Just out here looking like the Pride Statue of Lib Just out here looking like the Pride Statue of Liberty.

Remember, I promised the good people of @stpetefl that if they gave me another limited edition Pride flag, I would wear it as a dress. @stpetepride 

AND SO I HAVE.

The Pride Market at Grand Central today was full of rainbows and swag and glitter, just the way I like it.

I love us all.

And I look forward to the day when all any of us need, is love. Because we’ve got plenty of that to go around.

#stpetepride #stpetefl
POV: When your friend is one of the great young ja POV: When your friend is one of the great young jazz guitarists, but you haven’t seen him play in a decade (except for that time last month when he accompanied you to sing at your mother’s funeral). What a mensch. What a band!

#natenajar
I’m just gonna leave this here. My fave sign at I’m just gonna leave this here.

My fave sign at @blackcrowcoffeeco 

Apropos of Everything.

#stpetepride 
#transrightsarehumanrights 
#blacklivesmatter 
#notinourname
Excerpt: You can even make a difference through sm Excerpt: You can even make a difference through small acts of resistance, ones that annoy or befuddle the evildoers, like witty and nonsensical emails to awful government agencies, clowns showing up outside imm!gration hearings, giant group dances in front of vile businesses. We can find a thousand little ways to gum up the works. Bonus to you if it makes you laugh. Bonus to everyone if it makes others laugh. The Resistance doesn’t have to be stodgy. 

We, like the Dark Side, can have cookies. 
We, unlike the Dark Side, can have joy.
But we MUST PROTEST in some fashion.

When I protest, I don’t want to do so by:

- Shaming the physical appearance of the evildoer
- Slut-shaming the evildoer
- Shaming their nationality, sexuality, identity, profession
- Talking about what they smell like
- Threatening murder or castration or people’s families

I completely understand why we do this, or at least, I think I understand why we are tempted to do this. We want to bully the bully, thinking that’s the only way he’ll understand. But the truth is that he’s probably not going to understand, whether or not we stoop to the low ground. He’s not going to understand because he is likely a sociopath. 

But we’re not doing it for him. We’re not pr0testing for him. 
We are pr0testing for Ian in Iowa who is a bit messed up and kind of confused and doesn’t really get the impact that this is having on, say, WOMEN, who opens up his news app and sees thousands upon thousands of, let’s just say women, pr0testing with signs, and maybe he goes, hm, why might they be pr0testing when they could be home having pancakes? Why might that be? And maybe Ian gets a little more informed that day about the plight of, hell, let’s say, women, and maybe just maybe he starts to act a wee bit differently, and then the whole butterfly effect thing is possible.

When pr0testing evildoing in its many many oppressive forms, I want to focus on their harmful ACTIONS, and CHOICES. 

I want them to rot for being rotten.

I’m interested in dismantling their ARGUMENTS
Proving false their IDEOLOGIES
Laying bare their HYPOCRISIES
Exploiting their INCONSISTENCIES
Disproving their FALSEHOODS

Cont’d on Substack
I want to share with you something in the famous @ I want to share with you something in the famous @elizabeth_gilbert_writer speech on creativity. It’s one of the most famous @ted talks in the world, and she talks about how ideas come to people. 

The way that I, that ideas come to me, is I will get a line of something and then I will get another line, and then I get nervous because I, if I get a third line, I might be okay, but the fourth line is gonna push the first line completely out. And it’s gone. 

So I have to, I have to get my, to my paper. I have to get to my paper and I have to write it down or, or, or whatever it is, my notes app in my phone, anything. I have to get it down or I’ll lose it. 

She talks about @tomwaits the famoso musician, driving in his car and a bit of melody comes to him. And he goes, “Can’t you see I’m driving? If you wanna exist, go bother somebody else. Go bother Leonard Cohen or somebody.” 

I don’t suggest you talk to your creativity that way, because as Elizabeth Gilbert likes to say, it is like a cat and it doesn’t understand you and your face looks funny when you do that. 

[4 of 5] 

The speech is available in bits here, or in its entirety on my horizontal with lila Substack — link in my bio. Love you. Go make art.
These are a few of my notebooks from over the year These are a few of my notebooks from over the years. Here are a few more. You’re invited to flip through them. These are my (not so private anymore) ideas, thoughts, classes, poems. I have no idea what you’re looking at. I don’t even remember most of what’s in these notebooks. But they’re there, because I captured them.

Anybody have a date in theirs? There should be dates. Can you call it out? 

[people call out dates]

So this is my work! Beginning in 2009 was the, the earliest date. There is so much that comes out of a creative brain, and I know that your brain is not dissimilar. I know that you are all creative beings.

One of my favorite books on creativity, and I don’t know if it’s been mentioned tonight because sadly I missed the first part, but it is a book called “bird by bird.” 

Oh, I didn’t mention it, but I love that book. 

By Anne Lamott. Are you the only one who’s read it? Has anybody else read this book? “bird by bird” It is one of only two books on creativity I would actually recommend. Otherwise, I would recommend you just go out and make stuff. 

In this book, she says, and I have carried this quote with me because I have been this way throughout... I mean, it must be... it’s, it’s my entire remembered life, it could be as young as 5 years old, a perfectionist. She says, “Perfectionism is the voice of the oppressor. It will keep you cramped and insane your entire life.” 

The voice of the oppressor. 

I think about that all the time. I do not want to be oppressed. No! Viva la revolución! You know, I don’t want that for myself. And so I have been internally oppressing myself. Most of what you see in these books, and that’s not all of them, right? And that’s only from 2009. Most of what you’ve seen in these books has not seen the light of day. 

[3 of 5] Full “Are you an artist, tho?” video & transcript on Substack

Subscribe there and make a Lila happy! Link in my bio, bb.

#toastmasters #publicspeaker
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