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horizontal with lila

122. rough stuff & aftercare: horizontal with an oversexed kinkster [2 of 2]

in episodes on 30/01/21

This is Iena, in his favored habitat.


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Iena:  I’ve been guilty of doing that myself. The thing is that, there’s so many times, even to this day, where I’m now able obviously to read partners a lot better than— well that comes with experience. And, so many times, still to this day, where, I am fucking someone and then I, I see in their face I’m like, “Is it hurting?” And they go like, “Yeh, it’s okay,” or they will then, go and like say, “Yeah,” I’m like, “But you’ve been pulling that face for the last 10 minutes!” And they go like, “Ah, yeah, but it’s o—” Like. Seriously. Just stop.

Lila:  Do you ever ask them why?

Iena:  What, why it’s hurting?

Lila:  No!

Iena:  Why they didn’t say anything?

Lila:  Why they actually didn’t say anything.

Iena:  For the same reason as you. Because it feels inadequate to. And… and also, going back to that ruthlessness, there’s also been times where, I was on the verge of coming, I really wanted to come, and I knew they were in pain, I just kept going….

Lila:  (softly) Yeah.

Iena:  And then you come, and then you realize… Mmh. I was ruthless. And then you can talk about it. And you establish boundaries.

[…]

It’s amazing how… a lot of women are reluctant to set boundaries. They’re afraid of it. It’s like they don’t, know that they have this right.

Lila:  I think it, it’s mostly fear around losing the person because it’s that whole, Ah, well if I won’t do this for him, he’ll just go find someone who will.

Iena:  I think everybody wants to … fit in. Human nature, we’re we’re, we’re sheeplings. So… you want to comply! You’re having sex, and obviously this whole patriarchal, thing is, you know that the man has to be satisfied and he has to orgasm. And that’s your duty as a woman, to make him happy and satisfied, so you just there and you bite the pillow, until he’s come and then you, if he takes too long, then you fake an orgasm or whatever, hoping he’ll, uhh, that will make it end sooner. The guy won’t realize because, they’re fucking clueless about stuff like that. And then, (snickering) you do the same the next time, I mean it— and you never address the root problem, that could just be, Oh, this position hurts— 

Lila:  Or I need some more lube!

Iena:  Or this pace hurts.

[…]

Iena:  I can tell you that if you’re doing your shit right, you do not need lube!

Lila:  I need lube all the time, because hardly any lover I’ve ever had, has ever taken the time that I really required.

[…]

Iena:  I’ve had a lot of women who said exact— “Oh, I need lube because I’m too dry,” and I’m just: “Leave it. Leave it to Uncle Yen.” (Lila giggles) And I’ll just get to work and they’ll say, “No no, really, you don’t understand,” I’m like, “Sh sh, just don’t worry.” They’re like, “Oh, but I know my body. I’ve had it for 30 years; it’s never happened,” I’m “Tch tch, don’t worry.” (Lila laughs) “No but you really don’t understand OH MY GOD! WHAT IS THAT?” (Lila laughs lightly) […] It’s the same thing with uh, anal sex.

Lila:  But people who haven’t had the kind of training that you had, they get in these habits that are seemingly impossible to break, of just wanting to go in really quickly and, getting impatient and, oh my God, if somebody’s impatient with me, I just, close up right away! You know?

Iena:  And I feel almost as bad for them as I do for the partners that they end up with.



Hello my patron.

This is part two of my recording with Iena: kinkster, rope aficionado, photographer, vast lover of womankind, former porn producer, and sadist extraordinaire.

Part one of our conversation, episode 121. how to suck tits (properly), was a straightforward interview, and I narrated it (more or less) in a journalistic style, or as I like to call it, in the style of NPR. 

In how to suck tits, we explored Iena’s origin story, from his 4 year-old erections to nudie mags in his crib, an obsession with newsstands and porn, 10 years of sexual mentoring, an abiding love of tits, and losing his oral virginity in the red light district.

This, our second half, will also be narrated, but let’s say, a bit more liberally. In fiction writing, this is called an intrusive narrator — but that sounds so rude! I will editorialize quite a bit more, and keep more of my voice in the interview segments. It’s all part of the Season of Experiments.

In this part, we discuss:

  • the baseball metaphor of sexual escalation
  • why I and many other women have chosen not to interrupt painful sex
  • CNC — consensual nonconsensual play
  • kink and aftercare
  • Iena’s anal sex prowess
  • & tools for repair if a boundary is broken.

Then he tells me a story about a gorgeous Scandinavian woman on top, and an act he decidedly did not consent to.

Come lie down with us again in Canggu, Bali, Indonesia.


Links to Things:

Iena’s kinky photographer Instagram

Arousal: The Secret Logic of Sexual Fantasies, a book that blew Lila’s mind


Show Notes:

(if you quote from this resource, link to the post or the horizontal Patreon, por favor!)

[2:33]  The years Iena refers to as “stuck in limbo,” between his first blow job and his first penetrative experience.

[3:41]  Lila & Iena realize just how skewed the baseball metaphor for sexual escalation is

[4:45]  Iena, surprised to hear Lila call America “sex-negative,” makes an ode to his American girlfriends

[5:30]  American women & blow jobs

Iena:  Actually there’s one thing that I learned pretty early on, that I loved about American women, is that: they might not fuck, but they’ll suck dick.

Lila’s Voice-Over:  My suspicion is that, at least part of the time, what can seem like sexual openness and enjoyment, is actually a matter of young American women trying to avoid being called either a prude, or a slut, by offering (what we have been socialized to think of as) the least viable unit of sexual availability: the blow job. At one point, I was that young American woman.

Iena:  It’s like they get taught — I dunno, do they get taught by family or at school to give head instead so they will abstain? 

Lila:  Definitely not by family; definitely not at school. I think it’s just the workaround that they find. There’s also — what, what is it, they call it a Catholic virgin? Where they will have anal sex.

Iena:  Just take it in the ass, yeah.

Lila:  Yeah. And I hadn’t heard of that until recently, and hearing about people’s histories— 

Iena:  I, I can confirm it exists. (both laugh lightly) I’ve read it on the internet.

Lila: But I think they’re still indoctrinated to: How can I keep this boy interested? What’s the least — like the lowest common denominator —  what’s like the least thing that I can do that he will want, that will keep him happy, and that I don’t feel like I’m breaking my religious convictions, or, whatever it is, sex before marriage.

Iena:  I don’t think it was so much sex-before-marriage; it was more like uh, not adding a number to the amount of sexual partners they had— so they will do it eventually, but just not straightaway.

Lila:  Which is so funny, right, because people don’t consider oral sex sex. Oral sex is for sure sex! This is like so! It’s so odd, but, you know, we make all kinds of justifications to ourselves so that we can try not to have cognitive dissonance, right. So that we can keep concordant with our, our values, and our desires.

Iena:  Yeah it’s funny ‘cause um, you go out on a date with um, girl from Europe or whatever, there’s quite a lot of them who won’t fuck you on the first date. It also means they won’t, she won’t suck your dick on the first date. Because they kind of go hand in hand. Whereas I learned early on, that if you go on a date with an American chick, she’ll dive on your cock like it was made of candy. And now I see why and— the reason why is a little bit sad and it’s it’s kind of taken away a little bit from the excitement. Because it doesn’t come from a positive pla— space. It comes from a place of pressure and judgement.

Lila:  I think for most, it does, yeah. And maybe also just that unhealthy desire to please?

Iena:  Hm.

Lila:  Not, not true desire for the experience.

Iena:  Like pressure, that you put on yourself, to please.

Lila:  Yeah. That’s not something that I’ve done a lot, but that’s because, I find giving a blow job really intimate. And I only do it if I want to, and that’s not with every person I go on a date with, and it’s not all the time.

Iena:  I tend to go on a date with someone that I get a feeling — likes me, rather than, just because I asked her for a date. I think I’m pretty good at picking up the cues of uh, whether somebody’s into me or not. Or whether a woman will do something, will go out with someone just because she’s asked. And because she doesn’t feel good about saying no. So it’s a “Yeah alright,” rather than a “Fuck yeah.”

Lila:  Yeah.

Iena:  Like I, I go for the fuck yeah. I don’t go for the “Okay.” I like to think that every time that I did go out with a woman and uh, she jumped on my cock, it’s because she was excited to. You can also read whether there is excitement in the act, where— or whether somebody’s going through the uh, through the motions, and it’s mechanical.

[9:53]  The time Iena stopped a woman in the middle a blow job

Iena:  I’ve had— I’ve actually had … at least one experience that felt really mechanical and I stopped halfway through and I was like, this is. This ends now. I nipped it in the bud. There was just something really wrong about it. I was not enjoying it.

Lila:  I’ve had that. I’ve had that with fingers, and I’ve had it with, tongues. Where I’m like, “It’s okay, you can stop!” (laughs) I don’t, I don’t want it!

Iena:  When that story comes up with people, they all seem outraged that I stopped halfway through. They go like, “What, did you just stop and tell her that you’d had enough or s—?” W— what else would you do?

Lila:  Yeah, well, we’re—

Iena:  Keep going because you’re already going, that’s, that’s not! how it’s done.

Lila:  Yeah but that’s how a lot of women are indoctrinated and taught— 

Iena:  (overlapping) Not just, not just women! No this is not just women; this is just people in general. It seems to be — the general consensus seems to be that: in for a penny, in for a pound.

Lila’s Voice-Over:  Most of us were somehow indoctrinated that it isn’t okay to change our mind during sex. There have been more times than I care to admit … in which vaginal penetration has been painful for me, and/or I knew I wasn’t going to have an orgasm, or I felt disconnected, or unloved, or otherwise psychologically uncomfortable, and yet I didn’t ask for something different, or to stop altogether… until the man ejaculated. 

Lila:  Something I really try to do with, with myself, with my friends, with my, clients, with the show is: give permission to change your mind! Permission to change your mind, if it’s no longer pleasurable, permission to stop! Permission to do something else; permission to ask for something else.

Iena:  You’ve got permission to do whatever the fuck you want. As long as it doesn’t harm the other person. Like, you have … sacrosanct ownership of uh, your body. And it, it’s shocking, the amount of people that I, told this story to, and they’ll go — you know what they say? “Oh my God, that was really rude.” “Oh my God, she must have felt terrible.” So they just think, oh the other person, or how the other person is feeling.

Lila:  And you’re like, “It was my body and I felt terrible.”

Iena:  Yes! Yes. I mean obviously it probably doesn’t, doesn’t help my case that I’m a man and uh, and she’s a woman so there is— in the same way that there is ingrained patriarchy, in your culture, there’s also, kind of the reverse, in the way that, only women are seen to have feelings and uh, men’s feelings are largely unknown, to exist. Like they’re not acknowledged.

Lila’s Voice-Over:  Toxic masculinity, which lauds stoicism, logic, control and self-control, hurts everyone who comes in contact with it — which is to say, everyone. Humans are emotional creatures, and when people socialized as men are taught not to show, not to have feelings … the result is pain and violence of all kinds. Breaking away from machismo is no easy feat, as Iena well knows.

[13:15 – 15:12]  Iena on men’s feelings

[15:12]  Lila on sexual boundaries, and neglecting to enforce hers

Lila:  Ideally none of us would continue with sexual acts that aren’t bringing us pleasure. You know? Ideally we would stop but, I have definitely, so many times, just prayed for the guy to come. Because it was hurting me. And I didn’t enjoy it. And I didn’t want to continue. But I didn’t have — I didn’t give myself the permission. I didn’t feel like it was okay, to, say stop. And I was afraid, of the emotions actually! I was afraid of the anger, that I would incur, if I were to not allow that guy to use my body to finish and come.

Iena:  Question for you: Were you— was your, only concern anger or, was there any concern about his actual feelings of, him being hurt? If you, if you did that? It, it’s just a curiosity that I have of how, we are perceived by women in that— setting.

Lila:  (sigh) I’m— I’m always, I’m kind of always concerned about how people feel. And wouldn’t want the man to feel that … he wasn’t a good lover, that he was inadequate. So I’m sure that that was mixed in there.

Iena:  But the primary one was anger.

Lila:  (pause) I don’t— no, I don’t know. I— I think it was a f— a fear of all the other emotions that could come up as well.

Iena:  That’s okay, there’s no right or wrong answer—

Lila:  Frustration. Disappointment… I’m, I’m trying to remember instances in which I continued even though it was like, giving me papercuts— you know, giving me vaginal fissures on the inside and— and I did it anyway.

Lila’s Voice-Over:  Full disclosure: I thought I’d left that behind in my early 20s, but then… I did it again last week! My fear of disappointing or upsetting this man was so strong. He had been grumpy for days, I thought the sex would help, and I didn’t want to do anything that might have him direct his annoyance at me… I know better than that. I now know better many times over, and yet… I still wound up doing it — allowing myself to be pained in order to try and be pleasing…

Lila:  A lot of times I also wanted to keep the man. And I was afraid that he would be upset, and wouldn’t want to be with me anymore.

Lila’s Voice-Over:  Iena has strong opinions on that lack of boundaries.

Iena:  Well I’ll give you a tip on that […] anyone who’s listening a tip on that: If you’re ever facing that dilemma, and you’re thinking, I wanna keep this man and uh, if I just keep taking it, and suffer, then uh, I’m going to feel more adequate and I’m going to ge— that’s not how it works. Anybody who is worthy of, your time and, your energy, is going to respect you more if you, enforce your boundaries. […] Like you’re not going, “Listen, you’re shit. Put it away. You’re not—” Like this is just like, “Hey, it’s hurting me. Right now. Let me stop. For a minute. Might even push you off and sit on your face. Just lick my clit until I feel better, and if I’m not feeling better yet. We just stop for now.” And, you’re asserting yourself, that’s attractive. That is an attractive personality trait. It may be a little hard to deal with in the moment, because uh, men have a very very fragile, ego. Very fragile. Especially when it comes to anything sexual. Sizes of penis, sexual performance, being the top two offenders. Which is why we, then overcompensate by acting macho and doing all the things that we do that are really fucking annoying and detrimental to intersexual relationships. Basically what I’ve learned is that you have to be ruthless, and it doesn’t matter— you come first. If you worry too much about other people’s feelings, it’s, like you lose value as a human being.

Lila’s Voice-Over:  While he is speaking from a heteronormative viewpoint, and it chafes me when people talk absolutes about what “men care about” and what “women want,” etc. … I admit there is something that has always appealed to me about ruthless out-for-yourself-ness. Probably because I find it so challenging, codependent as I am. The word ruthless, when related to sexual pleasure, always reminds me of the book Arousal: The Secret Logic of Sexual Fantasies.

[20:30]  Ruthlessness & orgasm

[21:04] 

Iena:  I’ve been guilty of doing that myself. The thing is that, there’s so many times, even to this day, where I’m now able obviously to read partners a lot better than— well that comes with experience. And, so many times, still to this day, where, I am fucking someone and then I, I see in their face I’m like, “Is it hurting?” And they go like, “Yeh, it’s okay,” or they will then, go and like say, “Yeah,” I’m like, “But you’ve been pulling that face for the last 10 minutes!” And they go like, “Ah, yeah, but it’s o—” Like. Seriously. Just stop.

Lila:  Do you ever ask them why?

Iena:  What, why it’s hurting?

Lila:  No!

Iena:  Why they didn’t say anything?

Lila:  Why they actually didn’t say anything.

Iena:  For the same reason as you. Because it feels inadequate to. And… and also, going back to that ruthlessness, there’s also been times where, I was on the verge of coming, I really wanted to come, and I knew they were in pain, I just kept going….

Lila:  (softly) Yeah.

Iena:  And then you come, and then you realize… Mmh. I was ruthless. And then you can talk about it. And you establish boundaries. 

[22:20]  Iena on boundaries

It’s amazing how… a lot of women are reluctant to set boundaries. They’re afraid of it. It’s like they don’t, know that they have this right.

Lila:  I think it, it’s mostly fear around losing the person because it’s that whole, Ah, well if I won’t do this for him, he’ll just go find someone who will.

Iena:  I think everybody wants to … fit in. Human nature, we’re we’re, we’re sheeplings. So… you want to comply! You’re having sex, and obviously this whole patriarchal, thing is, you know that the man has to be satisfied and he has to orgasm. And that’s your duty as a woman, to make him happy and satisfied, so you just there and you bite the pillow, until he’s come and then you, if he takes too long, then you fake an orgasm or whatever, hoping he’ll, uhh, that will make it end sooner. The guy won’t realize because, they’re fucking clueless about stuff like that. And then, (snickering) you do the same the next time, I mean it— and you never address the root problem, that could just be, Oh, this position hurts— 

Lila:  Or I need some more lube!

Iena:  Or this pace hurts.

[23:56]  What did Iena’s very his first penetrative sex partner ask him afterwards?

[25:18]  Iena on the lack of education around foreplay, and the psychological / emotional aspects of sex

Iena:  I can tell you that if you’re doing your shit right, you do not need lube!

Lila:  I need lube all the time, because hardly any lover I’ve ever had, has ever taken the time that I really required.

[…]

Iena:  I’ve had a lot of women who said exact— “Oh, I need lube because I’m too dry,” and I’m just: “Leave it. Leave it to Uncle Yen.” (Lila giggles) And I’ll just get to work and they’ll say, “No no, really, you don’t understand,” I’m like, “Sh sh, just don’t worry.” They’re like, “Oh, but I know my body. I’ve had it for 30 years; it’s never happened,” I’m “Tch tch, don’t worry.” (Lila laughs) “No but you really don’t understand OH MY GOD! WHAT IS THAT?” (Lila laughs lightly) […] It’s the same thing with uh, anal sex.

Lila:  But people who haven’t had the kind of training that you had, they get in these habits that are seemingly impossible to break, of just wanting to go in really quickly and, getting impatient and, oh my God, if somebody’s impatient with me, I just, close up right away! You know?

Iena:  And I feel almost as bad for them as I do for the partners that they end up with.

[27:16]  Iena lambastes the lack of state-endorsed sexual and emotional education

[29:45]  Lila’s dream of creating an Intimacy Academy

Lila’s Voice-Over:  My Intimacy Academy would encompass the interpersonal subjects I wish we’d been taught in school. Including emotional intelligence and relational self-awareness, love languages and communication techniques and mediation, relationship agreements and uncoupling. As well as offering an array of hands-on practical classes like massage and impact play and Shibari.

[30:10]  Iena’s kink origin story

Lila’s Voice-Over:  Shibari, the Japanese rope bondage, is an interest Iena and I have in common. I know that kink is foundational to his current sex life, and I’m always curious about how (and when) a person discovered they were kinky.

[32:09]  Iena’s kink progression

Iena:  Restraints I think, was uhh, one of the first ones, then there was uh, choking, which came quite natural. I don’t think I saw choking anywhere else. It was just a uh, an extension of that primal sexual act.

Lila:  How’d you know how to do it in a way that wouldn’t actually harm them?

Iena:  I didn’t. I was lucky. 

Lila:  Oofph.

Iena:  I didn’t even know that there was a safe way of doing it until much later on. And also didn’t know that it was unsafe to do it until I learned that there was a safe way… 

[32:40 – 34:32]  Choking someone safely requires a tremendous amount of self-restraint. When you’re adrenalized, things tend to go much faster and much harder.

[34:40]  Iena’s kink progression continued

Iena:  Group sex. Threesomes. Really rough sex. Anal.

Lila’s Voice-Over:  What is rough sex according to Iena? It’s interesting; I think I have a notion of rough sex as being quick, sex… right? 

Iena:  (soft, low rumble of a laugh) You’ve just been hanging out with the wrong crowd.

Lila:  I think I have. I think I have been hanging out with the wrong crowd. Because there’s so much more that you can take if you’re properly, primed… So, are you talking— spanking, biting, hair-pulling, wrestling, restraining—

Iena:  Oh yah, there’s the whole—  you see, these all things are now that you mention them, well of course, but for me that’s like, just a normal, session. Without even getting too rough.

Lila:  (overlapping) That’s not rough…

Iena:  Well I guess it is rough if you look at it objectively—

Lila:  On a spectrum! (giggles)

Iena:  Yes, objectively, yes it is but, for me it’s just another Wednesday afternoon. (both laugh) For me, when I think rough, and I think of proper session, I’m thinking you’re not going to be able to have sex for the next three four five days a week, kind of thing and then you have to… wash all your bedding and… possibly incinerate it and buy some new ones and… hope that somebody doesn’t walk in and think it’s a murder scene.

Lila:  It sounds pretty brutal! The not being able to have sex for, two three four five days a week.

Iena:  You’ll be surprised at how many women will wear that with pride… It’s the um, notion of, having performed so well and having been able to push it so far to cause that kind of damage. It’s almost like uh, showing off your battle scars. It’s a very primal thing. You either get it or you don’t.

[36:41 – 37:13]  Iena on appreciating kink marks

[37:14]  Iena on the identity label “primal”

[38:52]  An ode to aftercare!

Iena:  You should not be doing rough stuff if you cannot do aftercare. […] You don’t get that in porn, you see. They stop filming at the end of the scene when the guy ejaculates, that’s the money shot (snaps) boom! It’s done! And much as I’m all for porn, I’m all for the right kind of porn. And, it does not, show you what sex really is like. […] I think the most important thing it omits, is a) foreplay … but most important— some of them do cover it. There’s this porn that’s geared especially for women. […] But the aftercare, there’s no— I’ve never seen or heard of a porn that deals with the subject of aftercare.

Lila’s Voice-Over:  Aftercare is an act or series of acts, performed as part of the conclusion of a BDSM scene — or intense sexual play of any kind — which cultivate a caring atmosphere for the tenderized partner or partners. It can include both physical offerings (cuddling, blanketing, hair-stroking, bathing, massage) and emotional care (checking in, offering praise or validation, holding someone while they weep, or offering companionable silence from across the room). Aftercare is essential. Aftercare is essential. Aftercare is essential.

Iena:  That’s physical but it’s also psychological— you gotta check on your partner! 

[40:52 – ]  On consensual nonconsensual play, unintentionally stepping on boundaries, and making amends

[43:18]  Iena’s penchant for anal

[44:50 – 53:16]  The story of his Dominatrix partner (submissive to him) who hated anal, and later loved it

[54:39]  Lila editorializes about CNC

If you wish to explore CNC, I suggest you learn from highly experienced kinksters, create an agreement with clearly-defined boundaries each and every time you play, and have both a safe word and a safe gesture in place, because, even when you think you’re acting within your agreements, this type of play can still burn you. […] CNC play without a safeword is a genuinely dangerous endeavor, which is why it’s so compelling to kinksters like Iena. I do not personally endorse it. But I do believe in people’s right to engage in the mutually consensual play of their desires, and I think it’s important to know what other people’s sex is like, so we can make informed choices for ourselves.

[55:35 -56:21]  Iena on high-stakes boundaries

[56:22]

Lila’s Voice-Over:  We have all made mistakes when it comes to boundaries, and we are probably all going to make more mistakes in the future. We need tools for making amends. We need ways to move forward.

[56:52 – 59:16]  Iena on how to ask for a sex act that your partner might not want

[59:16 – 1:06:27]  Iena tells a story about a time he violated a partner’s “no” during a scene

[1:06:27 – 1:08:55]  Iena on the sometimes surprising boundaries that people have

[1:09:25]  Iena on having a safe gesture as an alternative [ed. note: or in addition to!] a safe word

Iena:  Work on things like cues. If you don’t wanna use a safe word then, it doesn’t have to be a safeword, it could be a body position; it could be a tap. It could be a series of taps. That’s actually a really good one, when they’re unable to talk. […] So taps are much more primal. […] That’s what you do in cage fighting, like people tap.

Lila:  Tap out.

Iena:  You’re tapping out. […] you’re giving them a tool to get out of it that’s very primal. […] So it goes it goes very well within the uh, the framework of the kind of play that you’re doing.

Lila:  I always forget about the safe gesture, or the safe action, that I— I wanna try that, actually. I want to try making it a tap.

Iena:  A tap— I’d suggest making it a uh, sequence. Like three or five. Like three for uh […] slow down a little bit— three would be orange. And then five, or, just a repeated thing, you’d—

Lila:  (overlapping) The thing is, by the time you need a safe word!

Iena:  (overlapping) If you are not emotionally, if you’re— If you’re not very psychologically or emotionally challenged, you know that if somebody— if you go like, oh, you’re five taps, and somebody taps you ten times like that, you know you’re gonna stop! If you need a safe word, you’re usually able to, to do taps.

[1:11:23]  The shift in Iena’s relationship after violating that boundary

[1:13:02]  Tools Iena has used to repair afterwards: TLC or leaving the person alone, a genuine apology, verbal affirmation, pampering

[1:18:07]  Iena tells the story of the gorgeous Scandinavian woman on top, and something he decidedly did not consent to


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Lila Donnolo

Lila Donnolo is an Intimacy Specialist. Tell Me More…

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horizontalwithlila

Actress. Writer. Podcaster. Lover. Intimacy Specialist … 70+ exclusive podcast episodes for you on Patreon!

Lila
See that resting frown face on my mom as she slept See that resting frown face on my mom as she slept?

I’ve started to make that same face. I wake from a dream or a doze to find that I’m frowning. I touch my lips to make it stop. After a few moments, I discover that they are making the frown shape again. I can’t make it stop because I’m sleeping when I do it. I’ve started doing it when I’m not sleeping too. When I’m awake, I think it’s a cross between a grimace and a frown. A frimace? (I mean, it can’t be a grown. Or can it?)

I don’t really have that much to frown about anymore, except, I suppose, for the onslaught of fresh horrors perpetrated by the country I live in on the daily, the greed of the few and desperation of the many, the natural disasters that are frequenter and hotter and wetter and gnarlier as the earth continues its job of beginning to shake us off its back… yeah I guess there’s not much to frown about, really. 

I took Mom to FloridaRAMA because she had been complaining for months that she didn’t do anything anymore. She mentioned concerts, plays, ballets. But by the time the sun went down, she would be sundowning and wouldn’t want to go anywhere anyway. So that afternoon I decided to pick her up and take her on an outing — which was always a pain in the ass, and especially a pain in the ass to do solo. It involved going to her room and making sure she was dressed, convincing her to get dressed if she wasn’t, which was a laborious process, insisting that we needed to take the wheelchair which of course we did because she was falling all the time and brachiating (holding onto walls and less sturdy things like chairs, tables — at least, some nurse told me that this is what it’s called but the internet seems to only relate it to apes swinging from their arms to get from place to place) […]

Continued on horizontalwithlila dot substack dot com (the link is in my bio)
In the bathroom of the Italian restaurant after Da In the bathroom of the Italian restaurant after Dad’s cold rainy rural upstate funeral looking like a sad British clown / Nowhere, NY / April 12th, 2025

Right after my father died, there were Anthonys and Tonys everywhere. 

Suddenly everyone was called Tony and everybody else was talking about their Dad or playing songs about death. 

* Passing a girl on the street talking to her friend, and the only words you catch are “My dad had…” 
* Walking into your favorite gluten-free café, and they’re playing the Flaming Lips song “Do You Realize?”

Do you realize / that everyone you know / someday / will die?

* Realizing that the second title for Billy Joel’s song “Movin’ Out” is “Anthony’s Song.” I never truly registered this until I was trying to write one morning in a blessed cacao shop (yes, for real) and I paused to listen to the opener:

Anthony works in the grocery store
Savin’ his pennies for someday

* Ordering fries from the surfer guy at the beach shack on my pilgrimage to the ocean, when his co-worker shouts, “Hey Anthony!”

If you put this stuff in your feature film script, your screenwriting teacher would tell you it’s too pat, too predictable, “don’t put a hat on a hat.” (The Writer!)

It’s like that old quarters experiment on attention… you start looking for quarters on the ground, and suddenly, you see them everywhere.

The drugstores full of Father’s Day crap. Marketing emails about “Dads and grads.” Only one company sent an email that said, Hey, we know that Father’s Day time is tough for some people, so click this to opt out of all Father’s Day related emails.

Click. CLICK!

I wish I could click that link for the universe. No father stuff, please. No Dad shit. But there were quarters everywhere, of course, because the back of my mind was attuned to all things Dad.

{You can read the rest of the essay on Substack. Link in my bio, bb.}
Love Letter to New York, whom I miss so much 1. S Love Letter to New York, whom I miss so much

1. Straight out of a fitting for “The Deuce”?

2. Free Friday at @whitneymuseum 

3. Basquiat makes me feel like home

4. Madison Square Park photo op (irresistible)

5. Candid

6. Got to see the lovely @josescaro & @benbecherny ply their craft at @bricktheater 

7. Charming marquee!

8. Closing night vibes (not pictured: the succulent plant I brought in lieu of flowersof)

9. Chuck Close in the subway!

10. More subway Chuck Close!

11. Man Ray retrospective at the Met

12. Love a good silhouette

13. A rare VERTICAL bathroom portrait in one of the finest bathrooms of them all, at the lovely New Mexican food joint with the rainbow cookies Of My Dreams, @ursula_brooklyn 

14. My man is a photographer too. 🤩

15. Cannot. Resist. Photo Booth.
I wrote a list in 2020 titled “How to love me wh I wrote a list in 2020 titled “How to love me when I’m ... depressed”... and in this essay, I encourage you to write your own version (How to love me when I’m... anxious, How to love me when I’m... burned out, How to love me when I’m... in despair)...

And if you write one, how I would love to read it. (Or even learn about one of the items on your list, here in the comments).

Here’s an excerpt:

 “One of the characteristics of my depression (and most of my other tizzies, such as but not limited to anxiety, severe procrastination, adulting paralysis, etc.) is that while I’m in it I have no idea what — if anything — will help me get out of it.

It’s more like I DON’T WANT TO BE HERE BUT I DON’T KNOW HOW TO GET OUT SO I’LL JUST HIDE UNDER THE COVERS UNTIL I WANT TO DO SOMETHING AGAIN CALL ME IN 6 MONTHS.

Ergo, therefore, if I’m in a state, and you ask me what I need, or what you can do, I may or may not have the wherewithal to tell you. Emphasis on the not. I may not even have the wherewithal to know.

And if I don’t know, how can I tell you?

I can’tdon’t, then.

If I’m not in a state I probably have plenty of things I could say but that’s when I don’t need the help so badly. (A lá it’s not the worst while you can still say the worst.)

As I mentioned in the subtitle: You don’t come with an operator’s manual. Your model came out of the fleshbox with zero instructions. And since no one possesses your operator’s manual, no matter how much they love you, you are going to be the supreme author, the expert on you, since you’ve been studying you your whole life. Please for the love of Pete & Ashleigh, do your people the great good turn of writing them some instructions. Triage options, if you will. Trust me when I say that they (nearly all of them) need it.

If you write it for them, they will have it when you need it.

This little list could, quite without exaggeration, save your life.”

The link to the whole essay is in my bio. (Join me on Substack darling!)

#substack #substackwriter #depressionandanxiety #communityiseverything
Love Letter to St. Pete @stpetefl Where we met, Love Letter to St. Pete @stpetefl 

Where we met, where we re-met ❤️‍🔥

1. An afternoon at @grandcentralbrewhouse with my handsome gentleman in @warbyparker 

2. Bb’s first @nineinchnails concert (okay, technically in Tampa) in @selkie & @viveylife . It was stellar. Trent sounds just like he used to and the projections were gorgeous!

3. Matching denim jumpsuits ( but his is a @onepiece )

4. The finest pizza in all the land (even with my dietary restrictions!) from @noblecrust (OMNOMNOMNOM)

5. He even makes doctor’s appointments fun.

6. I love matching him sooooo muchmuch. 

7. Just us and a zebra, nbd.

8. Theme Park joy

9. At the art show @wadastpete that my gentleman curated for his students. 🪐☄️🛸👽🚀✨
When I was a kid, I used to read myself to sleep. When I was a kid, I used to read myself to sleep. 

Actually, I don’t know when I stopped.

I read myself to sleep in my childhood bedroom, with a flashlight under the covers of a trundle bed (drawers filled to the brim with dress-up clothes) when my mom said it was too late to be awake. I checked out 25 books from the Freeport library at a time, filling the trunk of my parent’s car, and devoured them in weeks, partly from my perch in the flowering dogwood tree in our backyard (were the blooms ivory? or cherry blossom pink?), partly while curled up on an orange-and-yellow-ticked seat cushion I dragged down to the crawlspace in the basement — my “secret hiding spot,” which was neither secret nor hidden and so can only be termed a spot, armed with Oreos and flashlight, and the remainder under the covers before bed.

I suspect I knew more words then than I know now. There are still words like “vehement” that I’m only about 70% sure I know how to pronounce. I learned them in context. I can spell them. I can use them in a sentence! But am I saying them correctly? 

Unsure.

I read myself to sleep in high school, even though I had to get up unconscionably early to get bussed in to my magnet program — Pinellas County Center for the Arts — 35 minutes away from our sad little apartment. Like a magnet, @pcca_gibbs PCCA grabbed young artists from the whole county.

I had a major in high school, which is more usual now, from what I hear, but wasn’t so usual then, and what I majored in was called Performance Theatre (as opposed to Musical Theatre, the love of my life I never thought I was good enough for). 

I really wanted to go to the Fame school in New York — LaGuardia — but when I was 12 my Mom divorced my Dad and forced me to move to Flah-rida. So I went to PCCA instead. (To be honest, she probably wouldn’t have let me commute into the city to go to Fame even if we had stayed on Long Island.) 

Read the whole essay (link to Substack in my bio)!

#booknerdlife #readingforpleasure #readingrainbow
My man and I got our nerd on at @nerdnitestpete ! My man and I got our nerd on at @nerdnitestpete ! 

We had the opportunity to support my lovely, engaging, and compassionate Happiness Ambassador friend Adam Peters aka @mindmaprenovations as he changed some lives by teaching us how to begin developing a preference for positivity. I’ve seen him give this presentation a few times before, and this was the best one yet — and to the biggest crowd, over 300 human nerds!

I love us.

I consider it my sacred duty to paparazzi my friends when they do marvelous things, as I hope to have done unto me!

P.S. Applied to give a Nerd Nite presentation myself … fingers crossed bb’s! 

1. My gentleman is so handsome. (Also, I got this stellar skirt in excellent condition from my favorite thrift store with a cause @casapinellas !)

2. Toasties supporting Toasties! @dtsptoastmasters members: me, Steve Diasio, Dawn Cecil (two-time Nerd Nite Speaker alumni!), & Rick! (Not pictured here — but later in the carousel) Christian Carrasco.

3. Fit check baybeeee.

4. Caryn, Nerd Nite boss extraordinaire, introducing the evening.

5. Caryn introducing my friend Adam (did I yell “THAT’S MY FRIEND!” at the end? WHY YES I DID.)

6-10. Adam rocking the casbah.

11. Fellow Toastmaster Christian.

12. I love mein mann!

#nerdnite #nerdnitestpete
A woman approached me. We collaborated once, a yea A woman approached me. We collaborated once, a year prior, I think. Time is weird. She reached out both her hands.

“What a beautiful mourner you are,” she said.

I took her hands.

I think I said thank you.

She was referring, I suppose, to the gloves, the dress, the shoes, the lipstick, the earrings. 

But what does it mean, to be a beautiful mourner? 
What does it mean to mourn beautifully? 
To have good grief?

“My dad dropped dead,” I said, to get myself used to the shock of it. 

“My mother is dying,” I said, to reconcile myself to the fact of it. 

I don’t wear mascara anymore, because I cry every day.

People hugged me in airports, at rental car counters, in line for a sandwich. They hugged me in the TSA line. At the chiropractor. The grocery store. My father dropped dead, I told them. My mother is dying. I told them and they hugged me. I was glad I did. I was glad they did.

Sometimes, when people were truly asking, if I had the time, and I had the spoons, I repeated my litany of 2025. So they’d understand: it has been this kind of year. It seems that everyone has this kind of year at some point, or, devastatingly, at several points in a life — a maelstrom, a dervish, a crucible, a nexus, a whammy, a time — an Alexander’s-no-good-very-bad-terrible kind of year. 

There were so many months in February. So many years in April. So many decades in the first half of 2025. I didn’t want to become an adult, but 2024 made me, and 2025 sealed the deal. 

It’s amazing I managed to get this far without growing up.

READ the whole essay on Substack
SUBSCRIBE through the link in my bio and make my day, darling 

💋 

#substackwriters #goodgrief
Love in La La Land 1. “So this is where they ke Love in La La Land

1. “So this is where they keep the LIGHT!” -SATC … At our first @lacma member preview, enjoying the majestically empty Geffen galleries before the permanent collections moves in.

2. Urban Light, and me (installation by Chris Burden)

3. A historic view at LACMA, never again to be seen!

4 - 13. Art, mostly part of the Digital Witness exhibit

14. Love at the @gettymuseum 

15. Queer exhibits! 

16. Sunset at the Getty with my love

#museumnerd #lacma #lacmamember #digitalwellness #thegetty #loveinlalaland
For you, when you need it, and for the people in y For you, when you need it, and for the people in your life, when they need it.

Here’s an excerpt from the essay:

[To read the whole thing, follow the link in my bio to my Substack (and subscribe there, darling)!]

My chiropractor called me out a few weeks back. 
He said, with his characteristic smile (he has nice little teeth), “I read your essay.”

“You did? Thank you for reading,” I began, genuinely surprised and moved.

“But I still don’t know what to say!” he admonished. “You only told us what not to say!” 

Then he gave me an enormous cashmere-scented candle in a plastic bag. 

This was not apropos of nothing. I mentioned that scent in the essay. 

That giant cashmere candle, so big it has not one but FOUR wicks, means something. And then he had to go and ruin it. (jk, jk, Dr. Brian!)

“Hang in there,” he said, at the end of our session.

I cringed a liddle. (That’s not a little, not a lot, it’s right in the middle, a liddle.)

But you see, he was completely right! I told him I’d give him a list! I hadn’t given him a list! So I began compiling. Every time someone said a thing that made me wince, it went on the list, which lead to Part 1: What NOT to say when someone dies.

Each time someone said a thing that felt like love, made me farklempt, I took a screenshot, and it went on the list. 

This is the farklempt list.

As I wrote in “what NOT to say,” the useful things people say are fairly varied (and tailored to the griever), while the un-useful things tend to be generic variations on a tired theme.
“what TO say” will be a living document, updated whenever I have something useful, or supremely un-useful, to add. Here we go.
Love in Louisville. 1. Photo credit to my love, Love in Louisville.

1.  Photo credit to my love, Zachary

2.  Selfie with Street Art by the windy, windy river

3.  Horsies! Street Art! (Do you know how much I love murals?!)

4.  Looking like an award-winning art teacher at the art teacher conference (ahem, he is the award-winning art teacher!), wearing a @riskgalleryboutique necklace & big fcking bow!)

5.  A Wizard interlude! What a delight to witness my friend @personisawake absolutely Rock @cm_louisville & inspire a roomful of humans

6.  When your love matches the art. 🖼️ *chef’s kiss*

7 & 8. Major interior design maxi inspo for my ADU reno from @21clouisville by @fallen_fruit 🌺🌷🌸🌻🌼💐🪷

9.  The crayon shirt, bow, and soft rainbow chiclet necklace style brought to you by my inner 6-year old!

#ilovelouisville #wizardry #creativemornings #21clouisville #21c
The video clip of me in the yellow dress and anthr The video clip of me in the yellow dress and anthropology-professor blazer is an excerpt from second iteration of my talk, “The Intimacy Equation,” which I first gave as part of the @bof VOICES conference, outside London in 2021. 

This rendition had a test-drive at my Toastmasters meeting last week. Imperfect, unrehearsed, delivered from bullet points with a slim little notebook in my hand… and yet, I have shared it with my paid subscribers over on Substack (link in bio) because I want to be a person who shares process, not just product.

(This is a bit of a coup for my recovering inner perfectionist, and I have to say, I’m a wee bit proud.)

I kept my fancy equation. 

But now I have a simple one, too. 

#toastmasters #publicspeaking #intimacycoach
More Chiro Office Portraits: 1. NY vibes in the 6 More Chiro Office Portraits:

1. NY vibes in the 6th borough

2. Googly eyes in @selkie 

3. Bossbitch even when she doesn’t get the grant

4. Started practicing yoga again did I tell you?

5. Big mad (but not at that yellow two-piece thrift score from @casapinellas !)

6. Sporty Spice (obsessed with that @tottobrand bag)

7. Grumpy girl, big bow

8. Resort style bb!

9. Sad girl lemonade

10. @selkie ballerina

11. Bridgerton on a no-makeup day (also @selkie )

12. The day I picked up my mother’s ashes (still haven’t opened them)

13. @temperleylondon & mourning
A Funny Thing Happened on the Way to the Funeral ( A Funny Thing Happened on the Way to the Funeral (excerpt)

It was the night before Craig’s memorial, and I had an audition due. 

It was a feature film audition, due at 11am Pacific / 2pm Eastern. This happened to be squarely during the memorial. I was playing an elementary school teacher, and so when I packed in a whirl for New York, I grabbed my crayon shirt and a giant hair bow and figured surely I’d be able to wangle a human into helping me with my self-tape. New York is my hometown! So many potential wangles! Right?

Two nights prior, out with my friend @kristianndances , no stranger to auditions herself, I had an invitation to her Brooklyn apartment to get’er’done, but, you see, I didn’t have the shirt with me. And friend, if you pack your crayon shirt to audition for Miss Kelly the elementary school teacher then frankly, no other shirt will do.

Since I was staying with another friend, I asked him to help me, but he wasn’t available until the morning. 

The morning of the memorial. 

{ continued on horizontalwithlila.substack.com }
Just out here looking like the Pride Statue of Lib Just out here looking like the Pride Statue of Liberty.

Remember, I promised the good people of @stpetefl that if they gave me another limited edition Pride flag, I would wear it as a dress. @stpetepride 

AND SO I HAVE.

The Pride Market at Grand Central today was full of rainbows and swag and glitter, just the way I like it.

I love us all.

And I look forward to the day when all any of us need, is love. Because we’ve got plenty of that to go around.

#stpetepride #stpetefl
POV: When your friend is one of the great young ja POV: When your friend is one of the great young jazz guitarists, but you haven’t seen him play in a decade (except for that time last month when he accompanied you to sing at your mother’s funeral). What a mensch. What a band!

#natenajar
I’m just gonna leave this here. My fave sign at I’m just gonna leave this here.

My fave sign at @blackcrowcoffeeco 

Apropos of Everything.

#stpetepride 
#transrightsarehumanrights 
#blacklivesmatter 
#notinourname
Excerpt: You can even make a difference through sm Excerpt: You can even make a difference through small acts of resistance, ones that annoy or befuddle the evildoers, like witty and nonsensical emails to awful government agencies, clowns showing up outside imm!gration hearings, giant group dances in front of vile businesses. We can find a thousand little ways to gum up the works. Bonus to you if it makes you laugh. Bonus to everyone if it makes others laugh. The Resistance doesn’t have to be stodgy. 

We, like the Dark Side, can have cookies. 
We, unlike the Dark Side, can have joy.
But we MUST PROTEST in some fashion.

When I protest, I don’t want to do so by:

- Shaming the physical appearance of the evildoer
- Slut-shaming the evildoer
- Shaming their nationality, sexuality, identity, profession
- Talking about what they smell like
- Threatening murder or castration or people’s families

I completely understand why we do this, or at least, I think I understand why we are tempted to do this. We want to bully the bully, thinking that’s the only way he’ll understand. But the truth is that he’s probably not going to understand, whether or not we stoop to the low ground. He’s not going to understand because he is likely a sociopath. 

But we’re not doing it for him. We’re not pr0testing for him. 
We are pr0testing for Ian in Iowa who is a bit messed up and kind of confused and doesn’t really get the impact that this is having on, say, WOMEN, who opens up his news app and sees thousands upon thousands of, let’s just say women, pr0testing with signs, and maybe he goes, hm, why might they be pr0testing when they could be home having pancakes? Why might that be? And maybe Ian gets a little more informed that day about the plight of, hell, let’s say, women, and maybe just maybe he starts to act a wee bit differently, and then the whole butterfly effect thing is possible.

When pr0testing evildoing in its many many oppressive forms, I want to focus on their harmful ACTIONS, and CHOICES. 

I want them to rot for being rotten.

I’m interested in dismantling their ARGUMENTS
Proving false their IDEOLOGIES
Laying bare their HYPOCRISIES
Exploiting their INCONSISTENCIES
Disproving their FALSEHOODS

Cont’d on Substack
I want to share with you something in the famous @ I want to share with you something in the famous @elizabeth_gilbert_writer speech on creativity. It’s one of the most famous @ted talks in the world, and she talks about how ideas come to people. 

The way that I, that ideas come to me, is I will get a line of something and then I will get another line, and then I get nervous because I, if I get a third line, I might be okay, but the fourth line is gonna push the first line completely out. And it’s gone. 

So I have to, I have to get my, to my paper. I have to get to my paper and I have to write it down or, or, or whatever it is, my notes app in my phone, anything. I have to get it down or I’ll lose it. 

She talks about @tomwaits the famoso musician, driving in his car and a bit of melody comes to him. And he goes, “Can’t you see I’m driving? If you wanna exist, go bother somebody else. Go bother Leonard Cohen or somebody.” 

I don’t suggest you talk to your creativity that way, because as Elizabeth Gilbert likes to say, it is like a cat and it doesn’t understand you and your face looks funny when you do that. 

[4 of 5] 

The speech is available in bits here, or in its entirety on my horizontal with lila Substack — link in my bio. Love you. Go make art.
These are a few of my notebooks from over the year These are a few of my notebooks from over the years. Here are a few more. You’re invited to flip through them. These are my (not so private anymore) ideas, thoughts, classes, poems. I have no idea what you’re looking at. I don’t even remember most of what’s in these notebooks. But they’re there, because I captured them.

Anybody have a date in theirs? There should be dates. Can you call it out? 

[people call out dates]

So this is my work! Beginning in 2009 was the, the earliest date. There is so much that comes out of a creative brain, and I know that your brain is not dissimilar. I know that you are all creative beings.

One of my favorite books on creativity, and I don’t know if it’s been mentioned tonight because sadly I missed the first part, but it is a book called “bird by bird.” 

Oh, I didn’t mention it, but I love that book. 

By Anne Lamott. Are you the only one who’s read it? Has anybody else read this book? “bird by bird” It is one of only two books on creativity I would actually recommend. Otherwise, I would recommend you just go out and make stuff. 

In this book, she says, and I have carried this quote with me because I have been this way throughout... I mean, it must be... it’s, it’s my entire remembered life, it could be as young as 5 years old, a perfectionist. She says, “Perfectionism is the voice of the oppressor. It will keep you cramped and insane your entire life.” 

The voice of the oppressor. 

I think about that all the time. I do not want to be oppressed. No! Viva la revolución! You know, I don’t want that for myself. And so I have been internally oppressing myself. Most of what you see in these books, and that’s not all of them, right? And that’s only from 2009. Most of what you’ve seen in these books has not seen the light of day. 

[3 of 5] Full “Are you an artist, tho?” video & transcript on Substack

Subscribe there and make a Lila happy! Link in my bio, bb.

#toastmasters #publicspeaker
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